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	<title>Comments on: Pop Conference</title>
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	<link>http://crookedtimber.org/2003/07/11/pop-conference/</link>
	<description>Out of the crooked timber of humanity, no straight thing was ever made</description>
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		<title>By: cs</title>
		<link>http://crookedtimber.org/2003/07/11/pop-conference/comment-page-1/#comment-414</link>
		<dc:creator>cs</dc:creator>
		<pubDate>Sat, 12 Jul 2003 05:48:12 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/wp/?p=26#comment-414</guid>
		<description>I&#039;m still on the hunt for Timberlake, but in the meantime:&lt;i&gt;Scholars of this type always want to see pop music as the emanation of an entity called popular culture, rather than as music that happens to have become popular.&lt;/i&gt;It seems to me that the conflation of commercial pop, rock &#039;n&#039; roll, R&amp;B, and the long histories of the multifarious forms of country music into an entity called &#039;pop music&#039;, rather than as music that happens to have expressed quite diverse cultural values, meanings and traditions is, for all Ross&#039;s own evident cleverness, a more greviously occludent claim. </description>
		<content:encoded><![CDATA[	<p>I&#8217;m still on the hunt for Timberlake, but in the meantime:<i>Scholars of this type always want to see pop music as the emanation of an entity called popular culture, rather than as music that happens to have become popular.</i>It seems to me that the conflation of commercial pop, rock &#8216;n&#8217; roll, R&#038;B, and the long histories of the multifarious forms of country music into an entity called &#8216;pop music&#8217;, rather than as music that happens to have expressed quite diverse cultural values, meanings and traditions is, for all Ross&#8217;s own evident cleverness, a more greviously occludent claim.</p>
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		<title>By: Russell L. Carter</title>
		<link>http://crookedtimber.org/2003/07/11/pop-conference/comment-page-1/#comment-413</link>
		<dc:creator>Russell L. Carter</dc:creator>
		<pubDate>Fri, 11 Jul 2003 19:37:33 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/wp/?p=26#comment-413</guid>
		<description>The author is making an honorable attempt to broaden his horizons in search of the origins of his specialty, classical music.  Or so he says.  I think he misses the point a bit, and his comments on &quot;Cry Me a River&quot; reveal why.  (if the tune hasn&#039;t been on either KFJC and WFMU I haven&#039;t listened to it; it could be great or gawdawful, doesn&#039;t matter though).  He focuses on the &quot;seven layers of simultaneous activity&quot;, and I guess from the view of his expertise in the classical canon observes, &quot;it’s not something that any idiot could have done&quot;.  But I think it&#039;s clear without having to narcissisticly cite examples from the last fifty years that compositional sophistication is often irrelevant to truly great &quot;pop&quot;.  IMHO the key to the good stuff was best laid out by Ventura, &quot;Hear that long snake moan&quot;, which I can&#039;t find on the web but seems to be taught in lotsa Universities.</description>
		<content:encoded><![CDATA[	<p>The author is making an honorable attempt to broaden his horizons in search of the origins of his specialty, classical music.  Or so he says.  I think he misses the point a bit, and his comments on &#8220;Cry Me a River&#8221; reveal why.  (if the tune hasn&#8217;t been on either <span class="caps">KFJC</span> and <span class="caps">WFMU I</span> haven&#8217;t listened to it; it could be great or gawdawful, doesn&#8217;t matter though).  He focuses on the &#8220;seven layers of simultaneous activity&#8221;, and I guess from the view of his expertise in the classical canon observes, &#8220;it&#8217;s not something that any idiot could have done&#8221;.  But I think it&#8217;s clear without having to narcissisticly cite examples from the last fifty years that compositional sophistication is often irrelevant to truly great &#8220;pop&#8221;.  <span class="caps">IMHO</span> the key to the good stuff was best laid out by Ventura, &#8220;Hear that long snake moan&#8221;, which I can&#8217;t find on the web but seems to be taught in lotsa Universities.</p>
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		<title>By: Jon</title>
		<link>http://crookedtimber.org/2003/07/11/pop-conference/comment-page-1/#comment-412</link>
		<dc:creator>Jon</dc:creator>
		<pubDate>Fri, 11 Jul 2003 17:29:26 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/wp/?p=26#comment-412</guid>
		<description>I didn&#039;t mean &quot;human talent&quot; in the sense that all humans have it in equal measure. I meant that unusual talent and hard work and even great achievement go hand in hand with ordinary (and often unattractive) human emotions and problems.Let me know about Timberlake - I must admit to finding it difficult to see (that is, to hear) through the fluff of the celebrity machinery, but I&#039;m trying.</description>
		<content:encoded><![CDATA[	<p>I didn&#8217;t mean &#8220;human talent&#8221; in the sense that all humans have it in equal measure. I meant that unusual talent and hard work and even great achievement go hand in hand with ordinary (and often unattractive) human emotions and problems.Let me know about Timberlake &#8211; I must admit to finding it difficult to see (that is, to hear) through the fluff of the celebrity machinery, but I&#8217;m trying.</p>
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		<title>By: Matt Weiner</title>
		<link>http://crookedtimber.org/2003/07/11/pop-conference/comment-page-1/#comment-411</link>
		<dc:creator>Matt Weiner</dc:creator>
		<pubDate>Fri, 11 Jul 2003 17:12:11 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/wp/?p=26#comment-411</guid>
		<description>&#039;Tis true that academic analytic philosophers like us don&#039;t lapse into that kind of jargon much, but that&#039;s because we have our own kind.  (Which is, of course, tremendously useful.)  </description>
		<content:encoded><![CDATA[	<p>&#8216;Tis true that academic analytic philosophers like us don&#8217;t lapse into that kind of jargon much, but that&#8217;s because we have our own kind.  (Which is, of course, tremendously useful.)</p>
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		<title>By: cs</title>
		<link>http://crookedtimber.org/2003/07/11/pop-conference/comment-page-1/#comment-410</link>
		<dc:creator>cs</dc:creator>
		<pubDate>Fri, 11 Jul 2003 16:13:54 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/wp/?p=26#comment-410</guid>
		<description>Yes, thanks ... a very bright article indeed. But I&#039;m unsure about your &#039;human talents&#039; hypothesis ... this being one area of art that always leaves this particular human completely humbled. Can&#039;t write any more, as I&#039;m off to check out Timberlake.</description>
		<content:encoded><![CDATA[	<p>Yes, thanks &#8230; a very bright article indeed. But I&#8217;m unsure about your &#8216;human talents&#8217; hypothesis &#8230; this being one area of art that always leaves this particular human completely humbled. Can&#8217;t write any more, as I&#8217;m off to check out Timberlake.</p>
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		<title>By: Kieran Healy</title>
		<link>http://crookedtimber.org/2003/07/11/pop-conference/comment-page-1/#comment-409</link>
		<dc:creator>Kieran Healy</dc:creator>
		<pubDate>Fri, 11 Jul 2003 15:48:06 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/wp/?p=26#comment-409</guid>
		<description>&lt;i&gt;My sense is that academic philosophers (like me) lapse into this kind of jargon less than members of certain other disciplines, often confused with philosophy. ... This is one of the things I like about blogs.&lt;/i&gt;Bloggers &lt;a href=&quot;http://www.kieranhealy.org/blog/archives/000486.html&quot;&gt;have their cliches too&lt;/a&gt;. </description>
		<content:encoded><![CDATA[	<p><i>My sense is that academic philosophers (like me) lapse into this kind of jargon less than members of certain other disciplines, often confused with philosophy. &#8230; This is one of the things I like about blogs.</i>Bloggers <a href="http://www.kieranhealy.org/blog/archives/000486.html">have their cliches too</a>.</p>
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