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	<title>Comments on: Well-tempered clavier</title>
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	<link>http://crookedtimber.org/2004/05/25/well-tempered-clavier/</link>
	<description>Out of the crooked timber of humanity, no straight thing was ever made</description>
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		<title>By: PK</title>
		<link>http://crookedtimber.org/2004/05/25/well-tempered-clavier/comment-page-1/#comment-29710</link>
		<dc:creator>PK</dc:creator>
		<pubDate>Tue, 25 May 2004 17:16:52 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/wp/?p=1620#comment-29710</guid>
		<description>OK, WTC fans:  Can you recommend a great recording actually performed on a well-tempered instrument?  Everyone seems to use plain old modern equal temperament, but much of the point of the Bach&#039;s composition here is dealing with the constraints of the differences between the various keys that just don&#039;t show up with equal temperament.--PK</description>
		<content:encoded><![CDATA[	<p>OK, <span class="caps">WTC</span> fans:  Can you recommend a great recording actually performed on a well-tempered instrument?  Everyone seems to use plain old modern equal temperament, but much of the point of the Bach&#8217;s composition here is dealing with the constraints of the differences between the various keys that just don&#8217;t show up with equal temperament.&#8212;PK</p>
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	<item>
		<title>By: Sebastian Holsclaw</title>
		<link>http://crookedtimber.org/2004/05/25/well-tempered-clavier/comment-page-1/#comment-29709</link>
		<dc:creator>Sebastian Holsclaw</dc:creator>
		<pubDate>Tue, 25 May 2004 17:07:14 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/wp/?p=1620#comment-29709</guid>
		<description>I always loved the WTC, though I prefer Kunst der Fugue.  </description>
		<content:encoded><![CDATA[	<p>I always loved the <span class="caps">WTC</span>, though I prefer Kunst der Fugue.</p>
 ]]></content:encoded>
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	<item>
		<title>By: Motoko Kusanagi</title>
		<link>http://crookedtimber.org/2004/05/25/well-tempered-clavier/comment-page-1/#comment-29708</link>
		<dc:creator>Motoko Kusanagi</dc:creator>
		<pubDate>Tue, 25 May 2004 16:13:26 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/wp/?p=1620#comment-29708</guid>
		<description>1. Sviatoslav Richter2. Rosalyn Tureck (DG rather than BBC)3. Glenn Gould4. Edwin Fischer</description>
		<content:encoded><![CDATA[	<p>1. Sviatoslav Richter2. Rosalyn Tureck (DG rather than <span class="caps">BBC</span>)3. Glenn Gould4. Edwin Fischer</p>
 ]]></content:encoded>
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	<item>
		<title>By: fyreflye</title>
		<link>http://crookedtimber.org/2004/05/25/well-tempered-clavier/comment-page-1/#comment-29707</link>
		<dc:creator>fyreflye</dc:creator>
		<pubDate>Tue, 25 May 2004 15:55:30 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/wp/?p=1620#comment-29707</guid>
		<description>Thanks for this link from a longtime WTC fan. I suppose we could turn this post into a lengthy thread if there were enough CT readers interested in the harpsichord vs. piano issue, or who want to tout their favorite recording of the piece.  My vote&#039;s for Feinberg on piano, with Richter, Demus and Schepkin as runners up.</description>
		<content:encoded><![CDATA[	<p>Thanks for this link from a longtime <span class="caps">WTC</span> fan. I suppose we could turn this post into a lengthy thread if there were enough CT readers interested in the harpsichord vs. piano issue, or who want to tout their favorite recording of the piece.  My vote&#8217;s for Feinberg on piano, with Richter, Demus and Schepkin as runners up.</p>
 ]]></content:encoded>
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