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	<title>Comments on: Wonderful photographs</title>
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	<link>http://crookedtimber.org/2005/03/13/wonderful-photographs/</link>
	<description>Out of the crooked timber of humanity, no straight thing was ever made</description>
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		<title>By: Jonathan Lundell</title>
		<link>http://crookedtimber.org/2005/03/13/wonderful-photographs/comment-page-1/#comment-63934</link>
		<dc:creator>Jonathan Lundell</dc:creator>
		<pubDate>Tue, 15 Mar 2005 19:24:16 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/2005/03/13/wonderful-photographs/#comment-63934</guid>
		<description>Fascinating. To quote Chris, &quot;The pictures, from about 1905, are so natural and lively that—allowing for changes in clothing in some cases—they could have been taken at any time up to last week.&quot; Uh-huh.
	Before seeing the update, I pulled out a book of August Sander&#039;s work, dating (ostensibly) 20 or so years later than Szathmary&#039;s. The contrast is instructive. Sander&#039;s portraits are posed and static, albeit kind and generous, wonderful work. They have none of the casual, candid feel of the &quot;Szathmary&quot; photos.
	Was candid photography practical at the turn of the century? Kodak introduced the Brownie and 120 film around 1900, but I imagine that exposure times must have still required fairly static subjects.
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		<content:encoded><![CDATA[	<p>Fascinating. To quote Chris, &#8220;The pictures, from about 1905, are so natural and lively that&#8212;allowing for changes in clothing in some cases&#8212;they could have been taken at any time up to last week.&#8221; Uh-huh.<br />
Before seeing the update, I pulled out a book of August Sander&#8217;s work, dating (ostensibly) 20 or so years later than Szathmary&#8217;s. The contrast is instructive. Sander&#8217;s portraits are posed and static, albeit kind and generous, wonderful work. They have none of the casual, candid feel of the &#8220;Szathmary&#8221; photos.<br />
Was candid photography practical at the turn of the century? Kodak introduced the Brownie and 120 film around 1900, but I imagine that exposure times must have still required fairly static subjects.</p>

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		<title>By: Andrew</title>
		<link>http://crookedtimber.org/2005/03/13/wonderful-photographs/comment-page-1/#comment-63861</link>
		<dc:creator>Andrew</dc:creator>
		<pubDate>Tue, 15 Mar 2005 00:42:40 +0000</pubDate>
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		<description>I think the reason Szathmary&#039;s work is hard to locate is explained by following this link:
	www.machajdik.de/html/news.html
	Please feel free to delete this comment if you&#039;re already aware of this, and the above post is merely a continuation of Gustav Szathmary&#039;s coming into being. I&#039;m now assuming, of course, the above site is sincere!
</description>
		<content:encoded><![CDATA[	<p>I think the reason Szathmary&#8217;s work is hard to locate is explained by following this link:<br />
<a href="http://www.machajdik.de/html/news.html" rel="nofollow">http://www.machajdik.de/html/news.html</a><br />
Please feel free to delete this comment if you&#8217;re already aware of this, and the above post is merely a continuation of Gustav Szathmary&#8217;s coming into being. I&#8217;m now assuming, of course, the above site is sincere!</p>

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		<title>By: Vance Maverick</title>
		<link>http://crookedtimber.org/2005/03/13/wonderful-photographs/comment-page-1/#comment-63764</link>
		<dc:creator>Vance Maverick</dc:creator>
		<pubDate>Sun, 13 Mar 2005 16:08:43 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/2005/03/13/wonderful-photographs/#comment-63764</guid>
		<description>Very impressive, maybe particularly the portrait of Rilke, de-Olympianizing him, as it were, without loss of dignity.
	The story of his death and exhumation (in the PDF) is also irresistibly lurid, right down to the display of his &quot;undecaying corpse&quot; in an art museum.
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		<content:encoded><![CDATA[	<p>Very impressive, maybe particularly the portrait of Rilke, de-Olympianizing him, as it were, without loss of dignity.<br />
The story of his death and exhumation (in the <span class="caps">PDF</span>) is also irresistibly lurid, right down to the display of his &#8220;undecaying corpse&#8221; in an art museum.</p>

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