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	<title>Comments on: Critiques reconsidered</title>
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	<description>Out of the crooked timber of humanity, no straight thing was ever made</description>
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		<title>By: abb1</title>
		<link>http://crookedtimber.org/2005/05/12/critiques-reconsidered/comment-page-2/#comment-72057</link>
		<dc:creator>abb1</dc:creator>
		<pubDate>Tue, 17 May 2005 20:55:40 +0000</pubDate>
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		<description>I have a friend who lives in Germany, has been for more than a decade now. He says every time a conversation touches the war period their reaction is always the same: it was a terrible thing, thank god no one from my family had anything to do with it. 

It&#039;s a bit like 1973 opinion polls showing that almost no one voted for Nixon in 1972 - when he was re-elected in a landslide. </description>
		<content:encoded><![CDATA[	<p>I have a friend who lives in Germany, has been for more than a decade now. He says every time a conversation touches the war period their reaction is always the same: it was a terrible thing, thank god no one from my family had anything to do with it.</p>

	<p>It&#8217;s a bit like 1973 opinion polls showing that almost no one voted for Nixon in 1972 &#8211; when he was re-elected in a landslide.</p>
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		<title>By: raj</title>
		<link>http://crookedtimber.org/2005/05/12/critiques-reconsidered/comment-page-2/#comment-71984</link>
		<dc:creator>raj</dc:creator>
		<pubDate>Tue, 17 May 2005 02:22:52 +0000</pubDate>
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		<description>&lt;i&gt;Do you know anything about the recent arguments in Germany about history and memory and the ‘right’ to mourn? [that’s for you too raj] Have you read the piece on Pfaff in the NYR?&lt;/i&gt;

Um, no.  I&#039;ve talked to actual, you know, Germans.  In German.  Auf Deutsch.

I stand by my comment.</description>
		<content:encoded><![CDATA[	<p><i>Do you know anything about the recent arguments in Germany about history and memory and the &#8216;right&#8217; to mourn? [that&#8217;s for you too raj] Have you read the piece on Pfaff in the <span class="caps">NYR</span>?</i></p>

	<p>Um, no.  I&#8217;ve talked to actual, you know, Germans.  In German.  Auf Deutsch.</p>

	<p>I stand by my comment.</p>
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		<title>By: george</title>
		<link>http://crookedtimber.org/2005/05/12/critiques-reconsidered/comment-page-2/#comment-71952</link>
		<dc:creator>george</dc:creator>
		<pubDate>Mon, 16 May 2005 20:52:54 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/2005/05/12/critiques-reconsidered/#comment-71952</guid>
		<description>Just out of curiosity, has any Crooked Timber poster ever corrected a nontrivial error?  In my experience, the usual MO for an errant post here is to let it slip quietly off the front page.  </description>
		<content:encoded><![CDATA[	<p>Just out of curiosity, has any Crooked Timber poster ever corrected a nontrivial error?  In my experience, the usual MO for an errant post here is to let it slip quietly off the front page.</p>
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		<title>By: seth edenbaum</title>
		<link>http://crookedtimber.org/2005/05/12/critiques-reconsidered/comment-page-2/#comment-71824</link>
		<dc:creator>seth edenbaum</dc:creator>
		<pubDate>Sun, 15 May 2005 23:20:50 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/2005/05/12/critiques-reconsidered/#comment-71824</guid>
		<description>In language nothing is pure.</description>
		<content:encoded><![CDATA[	<p>In language nothing is pure.</p>
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		<title>By: john c. halasz</title>
		<link>http://crookedtimber.org/2005/05/12/critiques-reconsidered/comment-page-2/#comment-71823</link>
		<dc:creator>john c. halasz</dc:creator>
		<pubDate>Sun, 15 May 2005 23:11:53 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/2005/05/12/critiques-reconsidered/#comment-71823</guid>
		<description>Seth, baby, I&#039;ve read Grass, but not &quot;Crabwalk&quot;. I haven&#039;t read Sebald, but I&#039;ve sure as heck heard of him. In fact, he&#039;s been discussed on CT. But I didn&#039;t say that literature was &quot;empty&quot; rhetoric, but rather *pure* rhetoric. Ya know, like prayer? But evidently the liquor&#039;s getting to you. When you said you were arrogant for a reason, you were starting to mix up your r&#039;s and l&#039;s.</description>
		<content:encoded><![CDATA[	<p>Seth, baby, I&#8217;ve read Grass, but not &#8220;Crabwalk&#8221;. I haven&#8217;t read Sebald, but I&#8217;ve sure as heck heard of him. In fact, he&#8217;s been discussed on CT. But I didn&#8217;t say that literature was &#8220;empty&#8221; rhetoric, but rather <strong>pure</strong> rhetoric. Ya know, like prayer? But evidently the liquor&#8217;s getting to you. When you said you were arrogant for a reason, you were starting to mix up your r&#8217;s and l&#8217;s.</p>
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		<title>By: seth edenbaum</title>
		<link>http://crookedtimber.org/2005/05/12/critiques-reconsidered/comment-page-2/#comment-71788</link>
		<dc:creator>seth edenbaum</dc:creator>
		<pubDate>Sun, 15 May 2005 15:57:39 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/2005/05/12/critiques-reconsidered/#comment-71788</guid>
		<description>Have you read Crabwalk? Have you read Sebald? Do you know anything about the recent arguments in Germany about history and memory and the &#039;right&#039; to mourn? [that&#039;s for you too raj] Have you read the piece on Pfaff in the NYR?  Do you understand the argument?

And this?

“...art remains sheer illusion, whether beautiful or “ugly”, whether high or low, and literature pure rhetoric.”

Your rhetoric is empty because it is nothing but assertion, and inane at that. One studies baroque architecture to understand the formal rigor of the produced by and within the idea of the baroque. What ideas were central for the period; what were the tastes and manners; what were the modes of thought, the philosophies? How are they manifest in brick and stone?
This is history. To respect history is to respect art. 

Signal to noise? Noise was all I had left,  dealing with all this arrogant, illiterate, uneducable stupidity.
I&#039;m arrogant for a reason. I&#039;ll assert that &lt;i&gt;now&lt;/i&gt;</description>
		<content:encoded><![CDATA[	<p>Have you read Crabwalk? Have you read Sebald? Do you know anything about the recent arguments in Germany about history and memory and the &#8216;right&#8217; to mourn? [that&#8217;s for you too raj] Have you read the piece on Pfaff in the <span class="caps">NYR</span>?  Do you understand the argument?</p>

	<p>And this?</p>

	<p>&#8220;&#8230;art remains sheer illusion, whether beautiful or &#8220;ugly&#8221;, whether high or low, and literature pure rhetoric.&#8221;</p>

	<p>Your rhetoric is empty because it is nothing but assertion, and inane at that. One studies baroque architecture to understand the formal rigor of the produced by and within the idea of the baroque. What ideas were central for the period; what were the tastes and manners; what were the modes of thought, the philosophies? How are they manifest in brick and stone?<br />
This is history. To respect history is to respect art.</p>

	<p>Signal to noise? Noise was all I had left,  dealing with all this arrogant, illiterate, uneducable stupidity.<br />
I&#8217;m arrogant for a reason. I&#8217;ll assert that <i>now</i></p>
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		<title>By: john c. halasz</title>
		<link>http://crookedtimber.org/2005/05/12/critiques-reconsidered/comment-page-2/#comment-71779</link>
		<dc:creator>john c. halasz</dc:creator>
		<pubDate>Sun, 15 May 2005 14:09:42 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/2005/05/12/critiques-reconsidered/#comment-71779</guid>
		<description>Hey, Seth, baby, the notion of &quot;empty rhetoric&quot; goes back to the Stoics. It was not the predominance of opinion in the Classical world, for some good reasons. So why d&#039;ja think you can &quot;oy vey&quot; the current account?</description>
		<content:encoded><![CDATA[	<p>Hey, Seth, baby, the notion of &#8220;empty rhetoric&#8221; goes back to the Stoics. It was not the predominance of opinion in the Classical world, for some good reasons. So why d&#8217;ja think you can &#8220;oy vey&#8221; the current account?</p>
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		<title>By: raj</title>
		<link>http://crookedtimber.org/2005/05/12/critiques-reconsidered/comment-page-2/#comment-71776</link>
		<dc:creator>raj</dc:creator>
		<pubDate>Sun, 15 May 2005 13:24:17 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/2005/05/12/critiques-reconsidered/#comment-71776</guid>
		<description>&lt;i&gt;The issue for Grass as it was for Sebald was the German inability to mourn their own losses, the point being that only by doing do will Germans begin to understand their crimes. &lt;/i&gt;

Regardless of what the issue for Grass was, this is silly.  The German people have been beaten over their heads regarding their crimes for sixty years. And as a result have largely come to ignore them.</description>
		<content:encoded><![CDATA[	<p><i>The issue for Grass as it was for Sebald was the German inability to mourn their own losses, the point being that only by doing do will Germans begin to understand their crimes. </i></p>

	<p>Regardless of what the issue for Grass was, this is silly.  The German people have been beaten over their heads regarding their crimes for sixty years. And as a result have largely come to ignore them.</p>
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		<title>By: agm</title>
		<link>http://crookedtimber.org/2005/05/12/critiques-reconsidered/comment-page-2/#comment-71770</link>
		<dc:creator>agm</dc:creator>
		<pubDate>Sun, 15 May 2005 10:37:23 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/2005/05/12/critiques-reconsidered/#comment-71770</guid>
		<description>&lt;i&gt;Brad may have reacted badly out of haste and ignorance but from the best of intentions&lt;/i&gt;

May be a bit late and get no response, but two questions pop into my mind.

1) Mr. Ellis, what makes you so sure that Prof. DeLong was acting in good faith when it&#039;s simply impossible for him to be unaware of the impacts calling some Nazi and scum have? It&#039;s rather improbable that someone at Cal is unaware of the baggage attached here.

2) Mr. Edenbaum, please, could you tone it down a little? Your signal-to-noise ratio is dropping quickly.</description>
		<content:encoded><![CDATA[	<p><i>Brad may have reacted badly out of haste and ignorance but from the best of intentions</i></p>

	<p>May be a bit late and get no response, but two questions pop into my mind.</p>

	<p>1) Mr. Ellis, what makes you so sure that Prof. DeLong was acting in good faith when it&#8217;s simply impossible for him to be unaware of the impacts calling some Nazi and scum have? It&#8217;s rather improbable that someone at Cal is unaware of the baggage attached here.</p>

	<p>2) Mr. Edenbaum, please, could you tone it down a little? Your signal-to-noise ratio is dropping quickly.</p>
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		<title>By: SombreroFallout</title>
		<link>http://crookedtimber.org/2005/05/12/critiques-reconsidered/comment-page-2/#comment-71727</link>
		<dc:creator>SombreroFallout</dc:creator>
		<pubDate>Sun, 15 May 2005 02:14:14 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/2005/05/12/critiques-reconsidered/#comment-71727</guid>
		<description>W/o delving into the minutia, I find it incredibly ill-informed and hypocritical for DeLong to take on Grass on the issue of fascism.

The USA has &lt;i&gt;no&lt;/i&gt; obligation to to surrender democratic decision-making mechanisms to the WTO.  Nor does Germany, or any other sovereign nation, have any obligation to knuckle under to international capitalism.  To follow orders.

Anything short of democratic, sovereign decision-making is indeed totalitarian in principle, and in fact.

Re the quote below:  recall that &lt;b&gt;John Bolton&lt;/b&gt; repeatedly told the nation, the world, and Schroeder that he, and Germany &lt;b&gt;&quot;should just shut up and follow orders!&quot;&lt;/b&gt;  

Bolton said this in the run-up to the invasion of Iraq, on national TV, while Germany and France were resisting he U.S. rush to war.

It&#039;s a clear reference to the Holocaust, reminding Germany of the past (as though it were still 1960), and &lt;b&gt;pointedly, explicitly&lt;/b&gt; telling them that Germany and its &quot;good Germans&quot; had &quot;followed orders&quot; once (i.e. in carrying out the Holocaust) -- &lt;b&gt;and&lt;/b&gt; &lt;i&gt;that they
would follow orders again.&lt;/i&gt;

But this time the USA would be giving the orders.

&gt; Grass’s scorn for the “Federal Republic’s almost unconditional subservience to the United States” echoes Nazi demands for a Germany freed from the chains and limitations of the Treaty of Versailles.

DeLong is profoundly wrong on this issue, factually, and in principle.

And riddle me &lt;i&gt;this:&lt;/i&gt; If Gunter Grass is really so wrong, then how come is it that John Bolton gets to &quot;give orders&quot; or even assume such a role?!?  Even rhetorically?

Ane why, pray tell, can the USA be subservient to the WTO when no democratic decision allocated such power to them, and no WTO decision has been democratically approved w/in the US??</description>
		<content:encoded><![CDATA[	<p>W/o delving into the minutia, I find it incredibly ill-informed and hypocritical for DeLong to take on Grass on the issue of fascism.</p>

	<p>The <span class="caps">USA</span> has <i>no</i> obligation to to surrender democratic decision-making mechanisms to the <span class="caps">WTO</span>.  Nor does Germany, or any other sovereign nation, have any obligation to knuckle under to international capitalism.  To follow orders.</p>

	<p>Anything short of democratic, sovereign decision-making is indeed totalitarian in principle, and in fact.</p>

	<p>Re the quote below:  recall that <b>John Bolton</b> repeatedly told the nation, the world, and Schroeder that he, and Germany <b>&#8220;should just shut up and follow orders!&#8221;</b></p>

	<p>Bolton said this in the run-up to the invasion of Iraq, on national TV, while Germany and France were resisting he U.S. rush to war.</p>

	<p>It&#8217;s a clear reference to the Holocaust, reminding Germany of the past (as though it were still 1960), and <b>pointedly, explicitly</b> telling them that Germany and its &#8220;good Germans&#8221; had &#8220;followed orders&#8221; once (i.e. in carrying out the Holocaust)&#8212;<b>and</b> <i>that they<br />
would follow orders again.</i></p>

	<p>But this time the <span class="caps">USA</span> would be giving the orders.</p>

	<p>> Grass&#8217;s scorn for the &#8220;Federal Republic&#8217;s almost unconditional subservience to the United States&#8221; echoes Nazi demands for a Germany freed from the chains and limitations of the Treaty of Versailles.</p>

	<p>DeLong is profoundly wrong on this issue, factually, and in principle.</p>

	<p>And riddle me <i>this:</i> If Gunter Grass is really so wrong, then how come is it that John Bolton gets to &#8220;give orders&#8221; or even assume such a role?!?  Even rhetorically?</p>

	<p>Ane why, pray tell, can the <span class="caps">USA</span> be subservient to the <span class="caps">WTO</span> when no democratic decision allocated such power to them, and no <span class="caps">WTO</span> decision has been democratically approved w/in the US??</p>
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		<title>By: seth edenbaum</title>
		<link>http://crookedtimber.org/2005/05/12/critiques-reconsidered/comment-page-2/#comment-71721</link>
		<dc:creator>seth edenbaum</dc:creator>
		<pubDate>Sun, 15 May 2005 01:21:28 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/2005/05/12/critiques-reconsidered/#comment-71721</guid>
		<description>There&#039;s a difference between rhetoric and empty rhetoric
 &quot;...art remains sheer illusion, whether beautiful or “ugly”, whether high or low, and literature pure rhetoric.&quot;

Oy vey </description>
		<content:encoded><![CDATA[	<p>There&#8217;s a difference between rhetoric and empty rhetoric<br />
&#8220;&#8230;art remains sheer illusion, whether beautiful or &#8220;ugly&#8221;, whether high or low, and literature pure rhetoric.&#8221;</p>

	<p>Oy vey</p>
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		<title>By: Keith M Ellis</title>
		<link>http://crookedtimber.org/2005/05/12/critiques-reconsidered/comment-page-2/#comment-71716</link>
		<dc:creator>Keith M Ellis</dc:creator>
		<pubDate>Sun, 15 May 2005 00:28:41 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/2005/05/12/critiques-reconsidered/#comment-71716</guid>
		<description>I feel like I&#039;ve been kidnapped by an alien and analy probed.  Actually, it doesn&#039;t feel as icky as I thought it would.  Seth, however, may need another drink.</description>
		<content:encoded><![CDATA[	<p>I feel like I&#8217;ve been kidnapped by an alien and analy probed.  Actually, it doesn&#8217;t feel as icky as I thought it would.  Seth, however, may need another drink.</p>
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		<title>By: john c. halasz</title>
		<link>http://crookedtimber.org/2005/05/12/critiques-reconsidered/comment-page-2/#comment-71710</link>
		<dc:creator>john c. halasz</dc:creator>
		<pubDate>Sat, 14 May 2005 23:40:16 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/2005/05/12/critiques-reconsidered/#comment-71710</guid>
		<description>Loathe as I am to interfere in such a tedious, misdirectedly trivial debate, (which mistakes Bic lighters for flame-throwers), aside from the tendency of literary types toward attitudinizing, since they might tend to forget the necessary, because constitutive, gap between art and life, and mistake their own reading for intelligence of reality, it should be remarked that works of art are not per se marks or measures of objectivity, (anymore than they are repositories of &quot;subjectivity&quot;, which latter concept is just a reflex of the former), and that the inability to mourn is not just a problem for Germans. But, for all we might owe to the impulses of desperate melancholy of the creative ones for their illuminating works, which may well be a substitution for any actual reparation, art remains sheer illusion, whether beautiful or &quot;ugly&quot;, whether high or low, and literature pure rhetoric. It is their insolent sneering that obstructs Seth&#039;s deliverances, which, Keith, nuturing his own neurosis, mistakes for smugness, when the malignant component in &quot;vanity&quot; might be a more precise identification. It might help if Seth would try for more liquor and less vinegar when he ferments his honey. Sweet meade to y&#039;all and cheers!</description>
		<content:encoded><![CDATA[	<p>Loathe as I am to interfere in such a tedious, misdirectedly trivial debate, (which mistakes Bic lighters for flame-throwers), aside from the tendency of literary types toward attitudinizing, since they might tend to forget the necessary, because constitutive, gap between art and life, and mistake their own reading for intelligence of reality, it should be remarked that works of art are not per se marks or measures of objectivity, (anymore than they are repositories of &#8220;subjectivity&#8221;, which latter concept is just a reflex of the former), and that the inability to mourn is not just a problem for Germans. But, for all we might owe to the impulses of desperate melancholy of the creative ones for their illuminating works, which may well be a substitution for any actual reparation, art remains sheer illusion, whether beautiful or &#8220;ugly&#8221;, whether high or low, and literature pure rhetoric. It is their insolent sneering that obstructs Seth&#8217;s deliverances, which, Keith, nuturing his own neurosis, mistakes for smugness, when the malignant component in &#8220;vanity&#8221; might be a more precise identification. It might help if Seth would try for more liquor and less vinegar when he ferments his honey. Sweet meade to y&#8217;all and cheers!</p>
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		<title>By: seth edenbaum</title>
		<link>http://crookedtimber.org/2005/05/12/critiques-reconsidered/comment-page-2/#comment-71676</link>
		<dc:creator>seth edenbaum</dc:creator>
		<pubDate>Sat, 14 May 2005 16:22:58 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/2005/05/12/critiques-reconsidered/#comment-71676</guid>
		<description>The issue for Grass as it was for Sebald was the German inability to mourn their own losses, the point being that only by doing do will Germans begin to understand their crimes.  Read &#039;On the Natural History of Destruction.&#039; Grass and Sebald describe and by describing argue against the autism of postwar German culture, the emotional deadness that was the corollary of the productivism of the economic miracle.  Read Boll, watch the New German Cinema of the 70&#039;s, consider Richter and the Bechers and all their students. DeLong can&#039;t accept the ambiguities of such an argument, that emotion inflects all consciousness.  He knows nothing about art (and as i keep reminding most of you reading this, you&#039;re not much better off.) 

You can say you believe anything you want: you can sit at home in a your silk pajamas and smoking jacket claiming to defend world revolution or pure economic logic and sounding like an ass, or you can describe yourself, your house, your friends, you politics and your silk pajamas with care and detail, and your description may allow others to understand how and why you exhibit such odd behavior, all without making an ass of yourself except to those like DeLong who just yell back at you that you&#039;re being illogical.  But everyone&#039;s illogical (Just ask an anthropologist.)  Another reason I&#039;m sick of people who shake their heads over the persistence of religion.

Well, DeLong takes his faith a lot more seriously either Günter Grass or I do. And Grass in his novelist&#039;s indulgence in his own subjectivity is a hell of a lot more objective in his analysis.  Score one more for literature against political &#039;science.&#039;

Hung over on a saturday morning.</description>
		<content:encoded><![CDATA[	<p>The issue for Grass as it was for Sebald was the German inability to mourn their own losses, the point being that only by doing do will Germans begin to understand their crimes.  Read &#8216;On the Natural History of Destruction.&#8217; Grass and Sebald describe and by describing argue against the autism of postwar German culture, the emotional deadness that was the corollary of the productivism of the economic miracle.  Read Boll, watch the New German Cinema of the 70&#8217;s, consider Richter and the Bechers and all their students. DeLong can&#8217;t accept the ambiguities of such an argument, that emotion inflects all consciousness.  He knows nothing about art (and as i keep reminding most of you reading this, you&#8217;re not much better off.)</p>

	<p>You can say you believe anything you want: you can sit at home in a your silk pajamas and smoking jacket claiming to defend world revolution or pure economic logic and sounding like an ass, or you can describe yourself, your house, your friends, you politics and your silk pajamas with care and detail, and your description may allow others to understand how and why you exhibit such odd behavior, all without making an ass of yourself except to those like DeLong who just yell back at you that you&#8217;re being illogical.  But everyone&#8217;s illogical (Just ask an anthropologist.)  Another reason I&#8217;m sick of people who shake their heads over the persistence of religion.</p>

	<p>Well, DeLong takes his faith a lot more seriously either G&#252;nter Grass or I do. And Grass in his novelist&#8217;s indulgence in his own subjectivity is a hell of a lot more objective in his analysis.  Score one more for literature against political &#8216;science.&#8217;</p>

	<p>Hung over on a saturday morning.</p>
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		<title>By: otto</title>
		<link>http://crookedtimber.org/2005/05/12/critiques-reconsidered/comment-page-2/#comment-71665</link>
		<dc:creator>otto</dc:creator>
		<pubDate>Sat, 14 May 2005 14:42:29 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/2005/05/12/critiques-reconsidered/#comment-71665</guid>
		<description>from the Economist&#039;s letter page this week:
http://www.economist.com/opinion/displayStory.cfm?story_id=3960711

German capitalism

SIR - Your article on German capitalism (&quot;Locust, pocus&quot;, Economist.com, May 5th) does not give adequate importance to a crucial, missing ingredient for German economic growth: positive thinking. Most Germans at work act like they are under attack the whole time: defending their unconditional rights, demeaning their co-workers and grouping into obstructive factions, while Anglo-Saxon thinking remains perpetually positive. Such rigid and negative thinking cannot yield productivity and growth. Instead of criticism, negativism and fear of the future, people in Germany should enjoy their high standard of living and relax. Maybe after another vacation, they will consider living up to the real meaning of Sozialstaat, which is solidarity, equal opportunity and a little tender loving care for your work mates.

Andreja Lamberger
</description>
		<content:encoded><![CDATA[	<p>from the Economist&#8217;s letter page this week:<br />
<a href="http://www.economist.com/opinion/displayStory.cfm?story_id=3960711" rel="nofollow">http://www.economist.com/opinion/displayStory.cfm?story_id=3960711</a></p>

	<p>German capitalism</p>

	<p><span class="caps">SIR </span>- Your article on German capitalism (&#8220;Locust, pocus&#8221;, Economist.com, May 5th) does not give adequate importance to a crucial, missing ingredient for German economic growth: positive thinking. Most Germans at work act like they are under attack the whole time: defending their unconditional rights, demeaning their co-workers and grouping into obstructive factions, while Anglo-Saxon thinking remains perpetually positive. Such rigid and negative thinking cannot yield productivity and growth. Instead of criticism, negativism and fear of the future, people in Germany should enjoy their high standard of living and relax. Maybe after another vacation, they will consider living up to the real meaning of Sozialstaat, which is solidarity, equal opportunity and a little tender loving care for your work mates.</p>

	<p>Andreja Lamberger</p>
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