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	<title>Comments on: Highly specialized instrument</title>
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	<link>http://crookedtimber.org/2008/11/30/highly-specialized-instrument/</link>
	<description>Out of the crooked timber of humanity, no straight thing was ever made</description>
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		<title>By: rea</title>
		<link>http://crookedtimber.org/2008/11/30/highly-specialized-instrument/comment-page-1/#comment-260184</link>
		<dc:creator>rea</dc:creator>
		<pubDate>Wed, 03 Dec 2008 11:59:57 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/?p=8654#comment-260184</guid>
		<description>&lt;i&gt; the British authorities seemed to regard Stockhausen as an act of aural terrorism.&lt;/i&gt;

I suspect Stockhausen would be flattered at the notion, considering he expressed admiration for 9/11 as a piece of performance art.</description>
		<content:encoded><![CDATA[	<p><i> the British authorities seemed to regard Stockhausen as an act of aural terrorism.</i></p>

	<p>I suspect Stockhausen would be flattered at the notion, considering he expressed admiration for 9/11 as a piece of performance art.</p>
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		<title>By: Brodysattva</title>
		<link>http://crookedtimber.org/2008/11/30/highly-specialized-instrument/comment-page-1/#comment-260105</link>
		<dc:creator>Brodysattva</dc:creator>
		<pubDate>Tue, 02 Dec 2008 17:04:52 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/?p=8654#comment-260105</guid>
		<description>There&#039;s also one or two &quot;&lt;i&gt;Gurrelieder&lt;/i&gt; whistles,&quot; made out of (I think) oboe-reed cane for the performance of the unplayable piccolo high-B-naturals near the end of Schoenberg&#039;s &lt;i&gt;Gurrelieder&lt;/i&gt;.  (The note is unplayable as written: soft and sustained -- since it is the most difficult note to produce on the piccolo and can really only be played very loudly and for a short time.)  Schoenberg has it played by the first and third piccolo players in the orchestra, but it looks to me as though it could be played with just one whistle.  From what I&#039;ve heard, this whistle (or pair of whistles?) often travels around to wherever &lt;i&gt;Gurrelieder&lt;/i&gt; is being played.  Of course, that isn&#039;t nearly as often as Mahler&#039;s Sixth is played.</description>
		<content:encoded><![CDATA[	<p>There&#8217;s also one or two &#8220;<i>Gurrelieder</i> whistles,&#8221; made out of (I think) oboe-reed cane for the performance of the unplayable piccolo high-B-naturals near the end of Schoenberg&#8217;s <i>Gurrelieder</i>.  (The note is unplayable as written: soft and sustained&#8212;since it is the most difficult note to produce on the piccolo and can really only be played very loudly and for a short time.)  Schoenberg has it played by the first and third piccolo players in the orchestra, but it looks to me as though it could be played with just one whistle.  From what I&#8217;ve heard, this whistle (or pair of whistles?) often travels around to wherever <i>Gurrelieder</i> is being played.  Of course, that isn&#8217;t nearly as often as Mahler&#8217;s Sixth is played.</p>
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		<title>By: Preachy Preach</title>
		<link>http://crookedtimber.org/2008/11/30/highly-specialized-instrument/comment-page-1/#comment-260067</link>
		<dc:creator>Preachy Preach</dc:creator>
		<pubDate>Tue, 02 Dec 2008 10:52:45 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/?p=8654#comment-260067</guid>
		<description>I suppose that you could use one of the tuned anvils required for Das Rheingold in a squeeze.</description>
		<content:encoded><![CDATA[	<p>I suppose that you could use one of the tuned anvils required for Das Rheingold in a squeeze.</p>
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		<title>By: Freshly Squeezed Cynic</title>
		<link>http://crookedtimber.org/2008/11/30/highly-specialized-instrument/comment-page-1/#comment-260065</link>
		<dc:creator>Freshly Squeezed Cynic</dc:creator>
		<pubDate>Tue, 02 Dec 2008 09:35:21 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/?p=8654#comment-260065</guid>
		<description>Don&#039;t be absurd.</description>
		<content:encoded><![CDATA[	<p>Don&#8217;t be absurd.</p>
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		<title>By: mollymooly</title>
		<link>http://crookedtimber.org/2008/11/30/highly-specialized-instrument/comment-page-1/#comment-260026</link>
		<dc:creator>mollymooly</dc:creator>
		<pubDate>Tue, 02 Dec 2008 01:16:33 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/?p=8654#comment-260026</guid>
		<description>Could you use a Mahler 4 hammer and two Mahler 1 hammers?</description>
		<content:encoded><![CDATA[	<p>Could you use a Mahler 4 hammer and two Mahler 1 hammers?</p>
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		<title>By: Ruchira</title>
		<link>http://crookedtimber.org/2008/11/30/highly-specialized-instrument/comment-page-1/#comment-260014</link>
		<dc:creator>Ruchira</dc:creator>
		<pubDate>Mon, 01 Dec 2008 23:49:01 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/?p=8654#comment-260014</guid>
		<description>Here&#039;s &lt;a href=&quot;http://articles.latimes.com/2008/feb/07/entertainment/et-hammer7&quot; rel=&quot;nofollow&quot;&gt;an interesting article&lt;/a&gt; on the hammers and boxes used by the San Francisco Symphony and the Los Angeles Philharmonic.  Each came up with their own, so it doesn&#039;t appear there&#039;s an Official US Mahler 6 Hammer.</description>
		<content:encoded><![CDATA[	<p>Here&#8217;s <a href="http://articles.latimes.com/2008/feb/07/entertainment/et-hammer7" rel="nofollow">an interesting article</a> on the hammers and boxes used by the San Francisco Symphony and the Los Angeles Philharmonic.  Each came up with their own, so it doesn&#8217;t appear there&#8217;s an Official <span class="caps">US </span>Mahler 6 Hammer.</p>
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		<title>By: Jon H</title>
		<link>http://crookedtimber.org/2008/11/30/highly-specialized-instrument/comment-page-1/#comment-259966</link>
		<dc:creator>Jon H</dc:creator>
		<pubDate>Mon, 01 Dec 2008 18:36:22 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/?p=8654#comment-259966</guid>
		<description>&quot;The Mighty Google suggests that the secret lies not so much in the hammer, as in the wooden box the percussionist hits with it.&quot;

Note that the box in the photo is a wooden shipping crate for some kind of big Silicon Graphics hardware. It has a hole cut in one side, through which a microphone is inserted on a boom. (This is not the English Mahler 6 box).</description>
		<content:encoded><![CDATA[	<p>&#8220;The Mighty Google suggests that the secret lies not so much in the hammer, as in the wooden box the percussionist hits with it.&#8221;</p>

	<p>Note that the box in the photo is a wooden shipping crate for some kind of big Silicon Graphics hardware. It has a hole cut in one side, through which a microphone is inserted on a boom. (This is not the English Mahler 6 box).</p>
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		<title>By: mds</title>
		<link>http://crookedtimber.org/2008/11/30/highly-specialized-instrument/comment-page-1/#comment-259947</link>
		<dc:creator>mds</dc:creator>
		<pubDate>Mon, 01 Dec 2008 16:24:06 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/?p=8654#comment-259947</guid>
		<description>I suspect that Grabthar&#039;s Hammer would do in a pinch.  Plus, it comes with vengeance!
&lt;blockquote&gt;There is only one in the world (modulates electronic tones) and can only be hired from the Stockhausen estate.&lt;/blockquote&gt;
Fortunately, it&#039;s Stockhausen, so &lt;em&gt;no one cares&lt;/em&gt;.

And it seems that chris y is not aware of all &lt;strike&gt;internet&lt;/strike&gt; traditions.  But Mahler had a fever, and the only prescription was &quot;more cowbell.&quot;</description>
		<content:encoded><![CDATA[	<p>I suspect that Grabthar&#8217;s Hammer would do in a pinch.  Plus, it comes with vengeance!<br />
<blockquote>There is only one in the world (modulates electronic tones) and can only be hired from the Stockhausen estate.</blockquote><br />
Fortunately, it&#8217;s Stockhausen, so <em>no one cares</em>.</p>

	<p>And it seems that chris y is not aware of all <strike>internet</strike> traditions.  But Mahler had a fever, and the only prescription was &#8220;more cowbell.&#8221; </p>
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		<title>By: chris y</title>
		<link>http://crookedtimber.org/2008/11/30/highly-specialized-instrument/comment-page-1/#comment-259943</link>
		<dc:creator>chris y</dc:creator>
		<pubDate>Mon, 01 Dec 2008 15:05:16 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/?p=8654#comment-259943</guid>
		<description>&lt;i&gt;I think, in an emergency, ‘more cowbell’ is considered an appropriate and acceptable recipe for a hammer-free Mahler 6.&lt;/i&gt;

Aaaargh! You might as well argue that &quot;more ketchup&quot; is an acceptable recipe for a passata-free ragù.</description>
		<content:encoded><![CDATA[	<p><i>I think, in an emergency, &#8216;more cowbell&#8217; is considered an appropriate and acceptable recipe for a hammer-free Mahler 6.</i></p>

	<p>Aaaargh! You might as well argue that &#8220;more ketchup&#8221; is an acceptable recipe for a passata-free rag&#249;.</p>
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		<title>By: Dave</title>
		<link>http://crookedtimber.org/2008/11/30/highly-specialized-instrument/comment-page-1/#comment-259941</link>
		<dc:creator>Dave</dc:creator>
		<pubDate>Mon, 01 Dec 2008 14:50:16 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/?p=8654#comment-259941</guid>
		<description>Is it just me, or is referring to that particular sixth symphony as &quot;Mahler 6&quot; just not quite right? 

If it&#039;s just me, OK, nothing to see here, move along.</description>
		<content:encoded><![CDATA[	<p>Is it just me, or is referring to that particular sixth symphony as &#8220;Mahler 6&#8221; just not quite right?</p>

	<p>If it&#8217;s just me, OK, nothing to see here, move along.</p>
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		<title>By: belle le triste</title>
		<link>http://crookedtimber.org/2008/11/30/highly-specialized-instrument/comment-page-1/#comment-259939</link>
		<dc:creator>belle le triste</dc:creator>
		<pubDate>Mon, 01 Dec 2008 13:30:44 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/?p=8654#comment-259939</guid>
		<description>ondes martenot playage is something a family business, i think

(ditto stockhausen performance: KS married a lot in order to sire an orchestra&#039;s-worth of kids who were raised to play his works the way he liked)</description>
		<content:encoded><![CDATA[	<p>ondes martenot playage is something a family business, i think</p>

	<p>(ditto stockhausen performance: KS married a lot in order to sire an orchestra&#8217;s-worth of kids who were raised to play his works the way he liked)</p>
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		<title>By: engels</title>
		<link>http://crookedtimber.org/2008/11/30/highly-specialized-instrument/comment-page-1/#comment-259938</link>
		<dc:creator>engels</dc:creator>
		<pubDate>Mon, 01 Dec 2008 13:07:31 +0000</pubDate>
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		<description>Mahler 6 is not love. Mahler 6 is the hammer which we use to crush the enemy.</description>
		<content:encoded><![CDATA[	<p>Mahler 6 is not love. Mahler 6 is the hammer which we use to crush the enemy.</p>
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		<title>By: ajay</title>
		<link>http://crookedtimber.org/2008/11/30/highly-specialized-instrument/comment-page-1/#comment-259934</link>
		<dc:creator>ajay</dc:creator>
		<pubDate>Mon, 01 Dec 2008 12:39:24 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/?p=8654#comment-259934</guid>
		<description>&quot;When the only instrument you have is a hammer, every symphony looks like Mahler 6&quot;.

Or, alternatively, some sort of joke about Mahler&#039;s Silver Hammer that I don&#039;t have the energy to make.</description>
		<content:encoded><![CDATA[	<p>&#8220;When the only instrument you have is a hammer, every symphony looks like Mahler 6&#8221;.</p>

	<p>Or, alternatively, some sort of joke about Mahler&#8217;s Silver Hammer that I don&#8217;t have the energy to make.</p>
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		<title>By: Preachy Preach</title>
		<link>http://crookedtimber.org/2008/11/30/highly-specialized-instrument/comment-page-1/#comment-259928</link>
		<dc:creator>Preachy Preach</dc:creator>
		<pubDate>Mon, 01 Dec 2008 10:30:07 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/?p=8654#comment-259928</guid>
		<description>I&#039;ve often wondered how people get into playing obscure instruments like this - the world&#039;s few onde martenot players must have been fully booked out (for once) for this year&#039;s Messiaen centenary...</description>
		<content:encoded><![CDATA[	<p>I&#8217;ve often wondered how people get into playing obscure instruments like this &#8211; the world&#8217;s few onde martenot players must have been fully booked out (for once) for this year&#8217;s Messiaen centenary&#8230;</p>
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		<title>By: John Holbo</title>
		<link>http://crookedtimber.org/2008/11/30/highly-specialized-instrument/comment-page-1/#comment-259927</link>
		<dc:creator>John Holbo</dc:creator>
		<pubDate>Mon, 01 Dec 2008 10:24:16 +0000</pubDate>
		<guid isPermaLink="false">http://crookedtimber.org/?p=8654#comment-259927</guid>
		<description>I think, in an emergency, &#039;more cowbell&#039; is considered an appropriate and acceptable recipe for a hammer-free Mahler 6.</description>
		<content:encoded><![CDATA[	<p>I think, in an emergency, &#8216;more cowbell&#8217; is considered an appropriate and acceptable recipe for a hammer-free Mahler 6.</p>
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