I was a late reader (late enough to cause considerable worry, I now understand). But when I did read, it was all I wanted to do. I read every comic I could get my hands on (I stayed with the Beano till I was 13 or so—my dad let me get a weekly delivery of Thunder  (which quickly merged with Lion, which quickly merged with Valiant, which…) on condition that I also get Look and Learn (which I devoured as enthusiastically as I did Thunder, so it was a smart move). Jennings and William were the cordon bleu of children’s writing, obviously, and later on I got to Geoffrey Trease, Henry Treece, John Rowe Townsend, Penelope Lively, Jill Paton Walsh, Peter Dickinson; and all of those were, rightly, approved of by all adults. But I read everything Enid Blyton wrote. Including the Malory Towers books which, I vaguely realized, must have been aimed at girls (being books about girls in a girls boarding school), but just didn’t care. They were so embedded in my head that when, in my teens (early, not late, I’m glad to say), I graduated from the Beano to Marvel comics, I wondered (and still do) whether Peter Parker’s girlfriend was named after the awful (but pitiable) Gwendolyn Lacey. What was so appealing about them? Nakul Krishna has a wonderful, contemplative and adoring, but sharp analysis, at Aeon, which explains it all. Read it there, but feel free to discuss it here (I am really curious how many of our readers read the Malory Towers books in childhood).
 Link is to a site with almost every single Adam Eterno strip. Mergers of comics were frequent, but Lion and Thunder was a rare case in which the junior, second billed, comic, provided most of the stories to the new title—several survived into Valiant and Lion, even after Lion’s name was off the masthead. Most notably, the brilliant Adam Eterno.