Pursuant of to my uncanny researches I’ve been thinking about ‘supernatural’ and how the term has wandered over time. I got to thinking, as well, about the growth of ‘spiritualism’ in the 19th Century – theosophy, all that stuff – and how that fed into fiction. What with one thing and another, I found myself reading The Supernatural In Modern English Fiction (1917), by Dorothy Scarborough [Project Gutenberg link]. It’s interesting to see through the eyes of an author who has done her best to read it all up to the early 20th Century, for the sake of offering a broad, general survey. She knows Blackwood and Machen. She doesn’t mention Hodgson or M.R. James. (I realize I don’t know how widely either of those now-classic authors was known by, say, 1915.) Here is one passage in which Scarborough scribbles out, off-handedly, a lot of things to come.

The investigations in modern Spiritualism have done much to affect ghostly literature. The terrors of the later apparitions are not physical, but psychical, and probably the stories of the future will be more and more allied to Spiritualism. Hamlin Garland, John Corbin, William Dean Howells, Algernon Blackwood, Arnold Bennett, and others have written novels and stories of this material, though scarcely the fringe of the garment of possibilities has yet been touched.

If one but grant the hypothesis of Spiritualism, what vistas open up for the novelist! What thrilling complications might come from the skillful manipulation of astrals alone,— as aids in establishing alibis, for instance! Even the limitations that at present bind ghost stories would be abolished and the effects of the dramatic employment of spiritualistic faith would be highly sensational. If the will be all powerful, then not only tables but mountains may be moved. The laws of physics would be as nothing in the presence of such powers. A lovelorn youth bent on attaining the object of his desires could, by merely willing it so, sink ocean liners, demolish skyscrapers, call up tempests, and rival German secret agents in his havoc. Intensely dramatic psychological material might be produced by the conflict resulting from the double or multiple personalities in one’s own nature, according to spiritualistic ideas. There might be complicated crossings in love, wherein one would be jealous of his alter ego, and conflicting ambitions of exciting character. The struggle necessary for the model story might be intensely dramatic though altogether internal, between one’s own selves. One finds himself so much more interesting in the light of such research than one has ever dreamed. The distinctions between materializations and astralizations, etherealizations and plain apparitions might furnish good plot structure. The personality of the “sensitives” alone would be fascinating material and the cosmic clashes of will possible under these conceived conditions suggest thrilling stories.

Titanic psychic battles! Astrally-projecting criminals, detectives and secret agents oh my! Mike Mignola, call your agent! This passage is the earliest occurrence I know of some ideas for really gonzo comic book and occult action plotlines. (Obviously you’ve still got to actually write them for it really to count!) [click to continue…]