Children

“Holding with Haeckel that all life is a chemical and physical process, and that the so-called “soul” is a myth …”
– H.P. Lovecraft, “Herbert West – Reanimator”

Years ago I made a parody Christmas book mash-up of Lovecraft/Haeckel/Clement Clark Moore. I called it Mama In Her Kerchief and I In My Madness: A Visitation of Sog-Nug-Hotep. I made print versions but then took them down (they weren’t quite it.) Yet it lived, lurking beneath the surface, in the form of a perennially popular pair of Flickr albums and this old Hilo post. Hidden, winter sun-dappled tide pools of hideous, unfathomable, happy depths for kiddies to dip their toes in! But 2016 is the year of fake news. You can’t spell ‘fake’ without the ‘Haeckel’. So my fraudulent yet innocent concoctions have wandered and, eventually, been mistook for genuine Victoriana. Oh, well. I can’t completely blame them. Real Victorian X-Mas cards are often dark and weird. Hence the joke.

Caliginous gloom is the best disinfectant. If, as some whisper, ‘even death may die’, then perhaps it is possible to quash a rumor that Haeckel actually designed X-Mas cards. Accordingly, I have seized the seasonal opportunity to republish and set the record straight. A new, improved version of the print edition is now on Amazon! It is also available on Kindle. Somehow Amazon not seen the connection yet, but I imagine that will resolve itself. (Also, I made slightly different covers for the two editions. Which do you prefer?)

For impoverished urchins, with nary a penny to spare, yet high-speed internet access, I have updated the Flickr galleries with some higher quality images. The old ones were skimpy. My most popular images, Blue Boy and Feeding Birdies, are available in larger sizes. Some others, including several of my favorites. (Maybe I’ll get around to doing all of them. But not today.)

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The Guardian today [publishes a vast number of leaked reports from Nauru](https://www.theguardian.com/australia-news/2016/aug/10/the-nauru-files-2000-leaked-reports-reveal-scale-of-abuse-of-children-in-australian-offshore-detention), one of Australia’s offshore processing sites for asylum-seekers (in reality, a camp for the indefinite detention of asylum-seekers). The reports, or “unconfirmed allegations” as the Australian government would have it, are a harrowing catalogue of physical and sexual abuse, and of consequences for mental and bodily well-being, often suffered by children. These places exist to appease an Australian citizenry hostile to the arrival of “boat people” who believe that such people — even those determined to be refugees by Convention criteria — are not their problem. Though Nauru is a particularly vile example, it would be wrong to think that Australians are alone in their attitudes to refugees and asylum seekers. Other Western governments are happy to do deals with other states beyond their borders to ensure that the wretched of the earth are out of sight, where they can exist as an abstraction, not disturbing the conscience of their own citizens. Human rights, together with other liberal principles like the rule of law, have become, for many liberal democratic states, the exclusive right of the native-born citizen or, at best, someone else’s problem, somewhere else.

I’d be interested to learn from people in Australia now, how much traction this latest leak is getting in the Australian media. A surf to the websites of the Australian and the Sydney Morning Herald suggests not much.

Remember? This post and comments are about meta songs that refer to themselves in the song, and I got a ton of great recommendations. Definitely enough for the themed mix I didn’t end up making and will do now. I noted that the genius Raspberries song “Overnight Sensation” has the lines “and if the program director don’t want it/he’s bound to get back a bullet,” which is ridiculous, as Eric Carmen is like the third least-hardcore person in the entire world, after Art Garfunkel and Usher. The plaintive would-be hit has a radio effect at 3:05 that I lovelovelove.

I thought the other day, you know, I wrote stuff almost daily for…7 or 8 years? But I never read it. Then someone linked to an old post and I was moved to go. It’s like I have a huge diary online, which I don’t look at.* It’s sort of weird. It does make me feel I should throw up posts more often on this here blog, just because there’s surely always one thing I have an opinion about each day. Such as, in Minecraft PE creative mode it seems as if you can use the monster spawn cages as industrial-style end tables, or cool window grilles. I’ve just tested them in a cave and gotten nothing; I haven’t built anything with them yet. But OTOH I’ve gotten actual monsters spawning out of the naturally occurring ones since the recent update (in which I got rain! I love Minecraft rain!). I like to spawn harmless monsters to give my smoothed, finished linked caverns some atmosphere, except not spiders because NO. Also ghasts make creepy noises you can hear from above-ground even after you brick them into a huge cave, mewling down there in their blockish-Lovecraftian fashion. But the girls loathe it when I make Endermen to walk around carrying the world away block by block to build the Enderlands. I wouldn’t want my realistic HDB window grilles to make my girls unhappy by generating Endermen inside at random. I bet you guys have lots of opinions about this. “Belle, don’t front. Endermen are straight creepy and you’re only acting brave because you never play Survival.” Or, “what the hell are you blogging about Minecraft for on this allegedly academic blog.” So many opinions. Tell me the stories of your people.

*Violet wants to explain that this is why, if you do a google image search for her name you…actually get a million baby pictures of her, personally. Also no one is named Holbo in the world except them and some other people originally from a single small farm in Norway.

Would you like to watch a pro-natalist video from Singapore…and Mentos or something? The answer is sort of that you wouldn’t because it is the single most embarrassing thing in the world. It’s waaaaay more like the Lonely Island’s (awesome) song “I Just Had Sex” than it is like anything remotely appropriate as a domestic policy, er, proposal. But it is real. (Congratulations on the 50 years, Singapore!) I mean, you can see that it’s intended to be funny, yet…

“Aw yeah baby, I want to hang out in your void deck.” THIS WAS A REAL THING. There is a moment where you think, someone had to actively approve of this idea.

Lifted from YouTube comments (!) “Response by my London friends: ‘LOL That’s hilarious!’ Response by Singaporean viewers: ‘HAH? WHAT STROLLER? LIAK BO KIEW!’ It’s terrible when foreigners get the song more than locals. We have a terrible sense of humour.” This is not evidence of a lack of humour per se or anything other than being price-conscious IMO. Relatedly, I saw an ad for OCBC or something on Singapore Airlines: father and young son approach huge carousel and ticket booth manned by improbable moustachioed Irish fellow. “How much?” “One dollar and children under five are free.” “I’d like two tickets then.” Irish guy: “how old is your son?” “Six” Leaning in close, the Irish guy, “you know, you didn’t have to buy him a ticket. I never would have known.” “No,” says the dad looking down at his son’s gleaming, parted hair, “but he would.” I was kind of moved by this commitment to Asian values (I am a soft touch generally) until I realized the ad was ostensibly about a Singaporean refusing a free ticket. Just, no.

ETA: how exactly did they Iggy Azalea that accent up?

I spent a good chunk of yesterday reading the second half of Lynsey Addario’s [*It’s What I Do: A Photographer’s Life of Love and War*](http://itswhatidobook.com/). I’d been reading it a few pages at a time for the previous week, but then I just got carried away and had to read right to the end. As CT readers know, I’m keenly interested in photography, but it is also the case that reading accounts from war photographers (and seeing their pictures) has changed the way I think about war and conflict.

After September 11th 2001, the blogosphere erupted into being a thing, and several hundred part-time pundits spent a good period of their time arguing with one another about Afghanistan, Iraq, the Islamic world, military tactics and a thousand other things they knew virtually nothing about. Some of them are typing still. I penned what I now regard as an unfortunate essay on just war theory and Afghanistan, unfortunate because there I was applying abstract principles to conflicts where I hadn’t a clue about the human reality. I hope I’d be more careful and less reductive today, and that’s partly as a result of people like the photographer Don McCullin, and his autobiography *Unreasonable Behaviour*. I’d heard of Addario’s book a few months ago, but then I saw some of her pictures at a festival of documentary photography in Perpignan, France, and decided I had to read it.
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Sometimes it seems as if Richard Dawkins is on a crusade to prove that atheists can be just as narrow-minded as religious people. He’s winning. He’s a hyuuuge, classy winner at this crusade. (Of crusades generally, the Children’s Crusade is at the bottom, because it was a loser crusade. For LOSERS! Barely any of those kids even made it back. Ask Donald Trump about whether POWs can be heroes. TIP: THEY CAN’T.)

As you assuredly know, a young man in Texas was recently arrested for a “bomb hoax.” Some people think it’s hoaxes all the way down. Dawkins and his compadres are making extraordinary claims, which require…well, any evidence at all, one feels. Let us imagine Ahmed Mohamed’s family has engineered a stunt. Ahmed makes (for some value of make which includes tinkering with maker modules or disassembling and reassembling old electronics. I mean, if you call that making. Which, tbh, I do.) Wait, that wasn’t a sentence. Anyway, he makes a ‘looks-like-a-bomb-on-purpose-but-is-a-clock.’ This thing, note, is in fact: a clock. Although the young man claims deep insight into the nature of time, he is obviously just aping Heidegger in a juvenile fashion, but so be it–so long as it be noted that I have noted he didn’t provide the police a fully satisfactory answer about what the passage of time really entails, I mean, what does the clock tell you when it tells you that another minute has passed and that now, it is now. My rigorous honesty compels me to denigrate his “clock,” simply because I am devoted to The Truth. It’s like this asshole some guy says:

Because, is it possible, that maybe, just maybe, this was actually a hoax bomb? A silly prank that was taken the wrong way? That the media then ran with, and everyone else got carried away? Maybe there wasn’t even any racial or religious bias on the parts of the teachers and police.

I don’t know any of these things. But I’m intellectually mature enough to admit I don’t know, and to also be OK with that. I don’t feel a need to take the first exit to conclusionville. But I do like to find facts where I can, and prefer to let them lead me to conclusions, rather than a knee jerk judgement based on a headline or sound bite.

Wow. Much openminded. So scientific. OK, sorry, I keep getting off-track for some reason. Right, this hoax is designed to get Ahmed Mohamed reprimanded at school, then arrested, and then become an internet cause celébrè, and then get invited to the White House. First of all, Ahmed and his family have to have judged the over/under for “young brown man thought armed with deadly weapon getting shot by the police” vs. “grievance-mongerer fêted by liberal elitists” a safe bet. I, like, would not take those odds at all. Secondly, for this plan to work, the teachers and police officers have to act like morons all up and down the line. There’s no other way. Really, it has to be a Confederacy of Dunces down there. Do these Clock Truthers realize their grim vision of Texan society is far, far more cynical than mine? Dawkins’ zealotry has obviously clouded his judgment, something which often befalls fundamentalists. To be undeservedly fair, Dawkins has perhaps been walking this back but, you know how it is. You’re a well-respected biologist–but ONE pig. It happens to, like everyone. It’s an experimental phase!

OK for real this is maybe the best thing in a newspaper ever: “David Cameron will not ‘dignify’ allegations that he once ‘inserted a private part of his anatomy’ into a dead pig’s mouth with a response, Downing Street has said.”

Also, this is why I could never be elected to higher office. If I had a wang I would so totally have stuck it in a roast suckling pig by now.

If this is going to be a useful analogy for sexist behavior at all people need to know what NPCs (that is, non-player-characters in videogames) are! A number of people in the thread below noted that they did not. It’s pretty simple. Let’s say you play a FPS (first person shooter) or even a third-person shooter (you see the character you control as if he were the star of a movie). You generally roam around the game shooting alien monsters or zombies or Nazis or zombie Nazis or whatever. But there will be people on your side, or fellow members of the space marines, or bystander city-dwellers–people with whom you can interact but don’t need to/can’t shoot. These characters may have only one thing to say, or they can say one thing when first approached (or when you say a certain thing) and one or more other things later (or when you say that other thing). Alternately and more generally in all sorts of games an NPC can be someone you share endless experiences with, or are trained by, or you start a romantic relationship with, or you lose your shit over when they die (not tryna spoil the end of Final Fantasy VII here, just saying. Oh dag! Look, they’re making a new FFVII, and they may botch the ending to please a minority of fans (and in order kick up endless promotional rage-dust IMO), so forget I said that, and buy the latest game from “the franchise that doesn’t know the meaning of the word final”). Basically, in a single-player game, you’re the player, and the non-player characters–even if they look just like you–are merely generated by the game, just like the rendered terrain itself or the monsters or the weapons/spoils of war/scrolls, etc.

Our household is a Nintendo one, and in Zelda Windwaker HD you have crucial but limited interactions with others. It is a beautiful game that I have spent over 40 hours watching someone play while being a crucial assistant, looking through the ign.wiki walkthrough to see how the HELL Link can jump while holding a bomb [pro tip: he can’t, but he can step onto a platform]. You are prompted to press A to talk to NPCs and you are given at most two things to choose from to say either in greeting or reply. This is in line with the generally friendly tenor of Nintendo games, something that led them, after much thought, to
totally disable chat during online battles in their new FPS multi-player game Splatoon. FPS stands for FriendlyPersonSquidgun in this case–it has been succinctly described as “squidpeople play paintball” by “Matpat” on the YouTube channel Game Theory (which is very entertaining; I recommend it highly). Game designers could not think of any other way to prevent trash talk that would ruin the Nintendo experience, so you can only say one of two things to your squad-mates: “let’s go!” or “booyah!” This is despite the fact that it would be very helpful to talk for even 20 seconds before any given battle with your new squad-mates, who are chosen at random from available, physically-nearby players. Then you could set up a simple strategy for winning, which in this case means covering the most terrain possible with ink. “I’ll camp on their re-spawn point and snipe and you run around with that giant paint-roller, painting everything teal. Excelsior!”
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I’ve mentioned before that I was sexually harassed by a prof as an undergrad. (This isn’t even the point of this story, but whatever.) From the perspective of an older person I can see that my professor hadn’t actually been teaching female students for all that long, since Columbia was so late in going co-ed (Columbia was holding out in the hopes of a Harvard-Radcliffe-style full merger between it and its sister women’s college, Barnard, which never happened.) I think Barnard students were already able to take some Columbia classes prior to 1983, and it’s not like I think it’s an excuse, but there you are.

In any case, this caused my boyfriend at the time to question whether I really deserved my A+. Not supportive, dude. It made me a little anxious about the idea, but not so much, because I really was an excellent student in this class, and my GPA was above 4 already that term. In college I had a strategy of studying for exams that was fool-proof. I write quickly, and would take reams of notes for each class. Then when exam time rolled around I would re-write my notes in a condensed form (and re-read the main texts, because I also read fast.) Zoë is dyslexic and finds all this supremely irritating for obvious reasons, but is nonetheless interested. I once helped a friend who had been skipping class half the term pass the final for a Central and South American Art History class with only a single night to study. He was resigned to failure and thought he wouldn’t graduate on time. NOT ON MY WATCH, HOMES. [This is not to say I’m amazing or anything; being good at studying for college exams is a skill with limited utility, and not necessarily a predictor of whether someone can, just pulling an example at random, finish her f$%king PhD dissertation or anything. Further, I must allow I chemically enhanced these abilities in a way that is not recommended for extended periods.]

The notes I made for Roman History were so good that people learned about them [?]. (I did give them to two friends, with whom I actually studied.) Thus a frat bro whom I didn’t know from Adam approached me one day and asked if he could have a copy. What? What?! Who does this? I declined, obviously, but with insufficient scorn, simply because I was so baffled and astonished. Zoë’s response to this is the best: “did he think you were an NPC?!” I think this is exactly right. Dudes like this think lesser beings are actually non-player characters in the video game of life. Like Minecraft villagers with boobs or something.

What if the people who made super-popular, insanely adorbs anime K-On made an anime of Harry Potter? In which they skip around from era to era so that everyone can be a student (and this is very much what they would do, if you think about it)? Then, it would look like the following video, which you must promise me you will watch to when you burst out laughing at the face of Severus Snape–himself as astonished as you are–after which you will find it mere child’s play to continue to the end to get a glimpse of Helga Hufflepuff in a miniature top hat. The Weasley twins are perfect. They could be like the twins in Ouran High Host Club! (The girls and I, hearing the premise of that anime–HS students run gigolo-type host club as one of the school clubs, and blackmail an androgynous girl into participating, in drag–thought it would be awful. But last summer we were bored at my mom’s and succumbed to the magic of Netflix, only to find it’s hilarious. It sends up shojo manga tropes a lot.)

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I have a few observations about Asia, and living here and also traveling to nations other than Singapore. I have been mulling them over on this trip alone as I have no one to talk to (except everyone I meet, and it’ll astonish you to know I am a friendly, chatty person. Well, the friendly might surprise you if you think of me as a harpy swooping to scourge my foes with a whip of venom. In truth I smile at strangers, and it took me some little time living in NYC before I could repress the drive to meet with my gaze every person I pass, a practice that actually impedes walking in Savannah, as one frequently knows the person and cannot, under any circumstance, walk past them without speaking briefly. My children think I am “scary,” a not unadulterated good character reference. By this they mean I have a mean glare on me, but that’s part of a mother’s job. If you can’t get somebody to stop fooling around just by looking at them sideways, you have failed to cultivate your maternal powers.) I have been loath to commit them–these ideas you forgot I was talking about just now–to pixels because I feel they are disorganized and perhaps it is not even possible to unwind the tangled skein. However, you are always kind in accepting my scattered thoughts as continuous writing and thus encouraged I will proceed.
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Elizabeth Cotten had an unlikely musical career. As a left-handed young girl she taught herself to play her brother’s banjo. Then she bought a guitar from Sears Roebuck at 11 and proceeded to play it Jimi Hendrix-style, upside-down. After getting married at 17 she basically gave up playing guitar for 25 years, except for occasional church performances. Quite at random, she was hired as a maid by part of the Seeger family–working for Pete Seeger’s dad and the children of his second wife. She picked up the guitar again, and blew everybody’s mind. Mike Seeger (Pete’s half-brother) started recording her and the sessions were made into an album from Folkways Records–Folksongs and Instrumentals with Guitar. Her signature tune “Freight Train” became hugely popular among the folk musicians of the revival of the late 50s/early 60s, being covered by Joan Baez and Bob Dylan among many others.

She started to tour and perform with big names, released another influential record in 1967, Shake Sugaree, and kept touring and playing till the end of her life (January 5, 1895 – June 29, 1987). Her unusual picking style was greatly admired, because it’s totally awesome! People have worked out alternate ways to play the songs that don’t involve playing the guitar upside down and backwards. (John spent two weeks learning “Freight Train” when we were on Martha’s Vineyard last year, causing our children to, in extremis, institute a strict “no Freight Train” policy. Happily, though, now it reminds us of my aunt’s house and all being together with my siblings and cousins, and beach plums, and the creek with its perfect flat wet stones, and the cold Atlantic, so grey.) Her music is distinctive because of the bass lines–the strings sounding the lowest notes were at the bottom of the guitar and so she picks out distinctive tunes on them. The highest string being on top, she sometimes treats the guitar like a banjo–since that’s where the high-pitched drone string is. I just learned reading the wikipedia article that she wrote “Freight Train” at 11!

Her voice is wonderful, but many of her best songs are instrumental only:

I’m having trouble choosing here, “In The Sweet By and By” is beautiful…some songs are painfully short, like “Mama, There’s Nobody Here But The Baby” or “Ain’t Got No Honey Baby Now.” [Which I can’t find a working video of :/ ] 56 seconds? NO. Although Harry Taussig plays a killer version on steel guitar. I’ll close with the topical “Take Me Back to Baltimore.”

My dad is an incredible guitarist, and plays steel 12-string bottle-neck slide, though he removes the second string from the highest two strings, making it 10-string. He also picks in this style–and we are big fans of Ry Cooder who is a master at it. When I was a kid we always had music playing. My godfather played the fiddle and we had plenty of other random musicians at parties, which, in South Carolina through to the late 70s were always two- or three-day affairs. We had a whole crew of Hell’s Angels camped out in the back yard one time. My brother and I would sing, folk songs like “Froggy Went a-Courting.” That’s happiness for me, standing on the front porch catching lizards on the screen, listening to live music and the leathery sounds of the palmetto pushed by the wind, live oaks tossing their heads and their festoons of Spanish moss, my feet slowly blackening with the super-fine dust of mildew that settles inevitably on the grey floor of any screen porch, the sky and the hydrangeas planted around the base of the house and the screen porch ceiling all alike powder-blue, the smell of salt water and marsh and endless joints burning mingled into a perfect sweetness. High tide. Got to be high tide at 2 p.m. with a summer thunderstorm blowing up far across the river. Not low tide and with all hanging breathless and hot, and the mud flats on the sandbar across the river stinking in the sun. Eating cold boiled peanuts and watermelon and drinking sweet tea. Perfect. Except now I’m homesick!

MIGRAINES ARE THE WORST. Well, no, I mean, obviously having your children be sick and not having money for the doctor is the worst.* Our domestic helper here in Singapore is prone to really bad migraines and yesterday she was totally felled, lying down in the dark and vomiting so much I had a hard time bringing her water–since you can’t drink water just after you’ve thrown up. We have O.R.S. but she hates them, and she was so miserable I didn’t want to force them down her. It is so hard to make her rest when she’s ill that if she ever listens or lies down of her own accord we know she is feeling truly awful. John half-hoped some common unknown environmental factor was the culprit and that she and I would both get better when we moved out of our old, colonial-era house. Sadly, no. I have also been having terrible migraines for the last 18 consecutive days, and unfortunately they are remodeling in the flat upstairs. This has been a source of unhappiness. THEY HAVE BEEN DRILLING.

I have also cut my pain pills down slowly over the last six months, which was clever and virtuous of me, but now I don’t have enough pain medicine and I’m like “I forgot quite entirely how horrible this was! Pain! It’s your body’s way of saying, ‘hey something is probably sort of broken or something.'” Also topamax, medicine which I take for migraines, and which I am taking more of, makes you stupid. It’s called “dope-a-max” for a reason. The combination of all these factors has made it difficult for me to learn my Japanese characters (kanji), I’ll tell you what. This is some Harrison Bergeron shit on the 24th floor. I got all 15 right on the practice quiz Zoë made for me and then I blanked on a full five when I took the real quiz half-an-hour later on Sunday evening. Years of caring about academics make it very painful for me to do badly on quizzes. Really, it is like a knife in the guts. If she would just give us a list of the English meanings it would be OK. But our tutor gives us an actual sentence with any other, as-yet-unknown-to-us kanji spelled out (in Japanese they can write the pronunciation in hiragana or katakana on top of them, small and light; they would do this for very rare words, I think, in an adults’ book, and they do for commoner ones in a book for children or learners), and then the hiragana or katakana for the kanji we are meant to have learned underlined, and we have to write the kanji below that. So we need to read the sentence correctly as well as remember that, for example, ‘ka’ can mean ‘borrow’ as well as like five other things (I say this, and we have learned only about 50 kanji so far.) Violet continues to enjoy mocking me (in the most friendly, cheerful way imaginable!) about my troubles, criticizing my disinclination to use the large full squares in my notebook (I have small, very neat handwriting, and the big boxes don’t appeal), and writing Chinese characters in the margins that are similar but a million times harder, just to put things in perspective for me.

Now, a person can listen to music in this situation, but sometimes that’s just like turning the whole thing into a rock concert. It’s better than drilling, though, usually. I don’t like to listen to podcasts, but John does and he listened to one about a year ago that was an interview with Brian Eno. In it, the interviewer was saying how much he loved Here Come The Warm Jets and Eno said that he hadn’t actually listened to it in over twenty years?!? This was flabbergasting and wrong and bad, since we should all be listening to it, be we Brian Eno or no which, on balance, we are unlikely to be. I feel awkward about your experience of this song, because on the LP, the harsh intro of the next song, “Blank Frank” starts really soon after the last note of this–sooner than the start of a hypothetical next measure. I thought of linking to within a youtube clip of the whole album but am not certain it would come off. It’s distinctive and crucial, though, so I recommend you listen to the whole of Here Come The Warm Jets on principle.

This song somewhat resembles the Cure’s “Just Like Heaven” in that the sad, sweet vocals only enter after what seems an unexpectedly-long music-only intro, and that it is shorter than you want it to be, such that you want have to re-play it.
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That’s one good thing about music–when it hits, you feel no pain. I recently had an out-of-the-blue need to hear this Cure song, partly thinking that Zoë would like it, which she does, a lot. It’s a very happy feeling to introduce someone to music that they love. I remember the first time I listened to this song vividly, because I had two friends sleeping over, one of whom had brought the tape. My step-father had an (admittedly solid) “free cheap red wine for sleepovers” policy. I was thinking it started in middle school, but on reflection I realize it must have been ninth grade. In middle school it was sort of unofficial. This encouraged a make-out during sleepovers policy also unofficially endorsed by my stepfather but WHATever, awesome parenting skillz. My step-dad had his bad side but he really knew how to throw a fun party. Let it never be said he was not fun at a party. I mean, stuff went wrong eventually, sometimes, with either drywall, glass tables, or his hand getting broken (or all three!), or firearms being discharged indoors, or my mom magnificently sweeping down the stairs in a silk 1930s gown and putting a stop to all further shenanigans by hacking a big piece out of the entryway to the living room with a machete. That last was really memorable and for whatever reason put a stop to what had been a many-year run of weekly two and three-day parties.

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I wasn’t paying attention to un-approved comments in the queue, so a bunch got stuck there. Why? Because I almost never do anything about them until a co-blogger is like, “hey Belle, remember how we have a moderation queue that ever requires you to do a thing ever?” I just went and approved them all, as is generally my inclination, even–I will have you know–the ones calling me a bad person who writes in a fundamentally unserious way about serious subjects, and who is personal friends with Brad DeLong even though he is an economic quisling and opinionatedly wrong about works of history about Eastern Europe which I (myself, Belle Waring) have not read. So, if it seemed as if you were in moderation hell, sorry about that.

You also really have to work at it to get me to ban you; please don’t. It’s tedious. I wouldn’t do it even if I personally disagreed with you about historiography of Eastern Europe, rather than at a trusted remove (at which remove I also won’t ban you obvi, since, here you are). Well, if I knew you were fabricating lies and hurling spurious claims of ‘anti-Semite’ everywhere I’d hassle you, but you’d have to be King Dick of it to get banned on my account. I did have some homophobia in the first thread from whoever it is who has been baiting MPAVictoria so incessantly. It was fake homophobia that he wasn’t even selling. I wasn’t buying a nickel bag of it. But pretending to be bigoted is almost worse. I seriously am too bored to look up his very-like-another-person’s name right now. You, thingface, knock it off, and MPAV for the love of all that is unholy just don’t rise snapping to that hand-tied-fly what has been cast onto the mottled surface of our limpen stream. And then…a male commenter said this to me:
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