Creativity

This year blew hairy goat balls. Like, Mickey Kaus learned lucid dreaming techniques and came up with these balls. I know this, you, The Plain People of Crooked Timber know this. Anyway, did DJ Earworm’s 2016 mix blow perforce? Nah. It’ll grow on you. I know y’all are all going to say “oh Belle Waring there were no good songs this year and this just reminds me how much I hated that “worth it” song which was like some stepped-on B-List Destiny’s Child knockoff bullshit, and also that Drake doesn’t rate and I should get with Rhianna, and stuff.” That’s as may be, Plain People of Crooked Timber, but basically Rhianna needs to date like a Rhianna clone or maybe Cara Delivigne or something, or else we’re all still going to be standing here saying, “this person? Seriously?” but this is a good mashup. It has an EDM-esque enough track in it, which is crucial for a good mix. Zoë thinks 2013 is best while Violet favors 2012. Both very solid choices. I have a lot of love for 2012, in part because I listen to it so much with Violet. This is so even though I find it brings up memories of a year that also blew hairy goat balls, but for me personally rather then the world at large. (John is experiencing the cold robbies as he reads the number 2012.)

If I never go that crazy again it’ll be too soon, I tell you what. And what did my Singaporean psychiatrists do? Prescribe every wrongest worse medication in the world, to where I got ordered an EKG an hour in on my first day here at the Mayo Clinic when they asked “so, they’re monitoring your heart carefully on this right?” Me: wat no. And now I have to titer down off all this scheisse and what does amitriptyline withdrawal give you? MIGRAINES HA HA HOW IRONIC. (Also plain old reg’lar headaches. Also I have 8 more weeks on the taper. Also some people have headaches for 8 weeks following total elimination. Those people are probably pussies who suck at withdrawing from drugs though, am I right?)

I like to listen to music loud on the good headphones when I’m miserable. When Violet pointed out the other day that this might be counter-productive I explained, rather lamely, that when I control the sounds I hear and I know what they will be I don’t find it disturbing in the same way that other loud noises are. Violet, with excessive emphases: “oh my favorite songs could never hurt me. They’re my favorites!!” Mmmmmm. Compelling. Also, the headphones just died lol fine. I’m going to go put my feet in the hot tub and pour icy water on my head which, put that way, makes this seem pretty baller. I mean, some people have real problems. I even have new anti-depressant/mood stabilizers that appear to make me be not depressed! I’m an ungrateful shit, really; I was actually depressed a month ago and had forgotten how vile it is, and also Zoë is doing great and now I’m all “I have a headache”/whine. In some ways 2017 can only be worse generally but for my family in particular I’m certain it’ll be way better (provided my mom is OK.) I’m fervently hoping the same is true for all the Plain People of Crooked Timber and their simple but honest families. OK, I have a soft spot for the complicated dishonest families; y’all stay safe too.

Epic Rap Battles of History can be uneven but is, at times, amazing. My favorite is MLK vs. Gandhi with Key and Peele. Eastern philosophers vs. western philosophers is awesome– it deviates from the usual “who won, who’s next” close, ending instead with “what is winning?” Ten points to Ravenclaw. And “you don’t want to stand in the path of Laozi today; move, bitch, get out the way” is inspired. However, some effort should have been made to pronounce the Chinese philosophers’ names. Any effort, smdh. Finally, the philosophers on each side end up turning on one another, exactly as Schopenhauer would have it:

On the other hand, hardly has any system of philosophy come into the world when it has already begun to contemplate the destruction of all its brothers, like an Asiatic sultan when he ascends to the throne. For just as there can be only one queen in a beehive, so can only one philosophy be the order of the day. Thus systems are by nature as unsociable as spiders, each of which sits alone in its web and sees how many flies will allow themselves to be caught therein, but approaches another spider merely in order to fight with it. Thus whereas the works of poets pasture peacefully side by side, those of philosophy are born beasts of prey, and even in their destructive impulse are like scorpions, spiders, and the larvae of some insects and are turned primarily against their own species. They appear in the world like men clad in armour from the seed of the dragon’s teeth of Jason’s and til now have, like these, mutually exterminated each other. This struggle has already lasted for more than two thousand years; will there ever result from it a final victory and lasting peace?

Aaaaaanyway my actual plan was to post this Epic Rap Battle of History: Thomas Jefferson vs. Frederick Douglass.

I recently learned something that I had been totally ignorant about: black and Creole women pre-Emancipation were required by law in many places to wear a headwrap in public. Obviously I’m familiar with the image of Aunt Jemima in her checkered kerchief. And my family has some etchings in S.C. of women hawking food on the street in Savannah, calling “swimpee, swimpee, nice and fresh” and the like. (The Gullah word starts with the voiceless alveolar /s/ and then has the rest said like we all say shrimp–according to the dictionary, but the mangled spelling of the etchings is actually a good approximation of how it sounds.) All the women depicted are wearing headscarves–and the women who sell sweetgrass baskets on the street in Charleston, wear them today. (People actually did hawk food on the street when my dad was a kid, which is kind of funny to think about.) Women in Louisiana were subject to the “tignon” law, which mandated a headwrap, starting in 1785. You will not be surprised to learn that the one-drop rule applied to the tignon law, so the many beautiful only-one-black-great-grandparent-having ladies in New Orleans also had to have them on. However, as this great, lavishly illustrated writeup details, it didn’t work out quite as planned,

In an effort to maintain class distinctions in his Spanish colony at the beginning of his term, Governor Esteban Rodriguez Miró (1785 – 1791) decreed that women of color, slave or free, should cover their heads with a knotted headdress and refrain from “excessive attention to dress.” In 1786, while Louisiana was a Spanish colony, the governor forbade: “females of color … to wear plumes or jewelry”; this law specifically required “their hair bound in a kerchief.” But the women, who were targets of this decree, were inventive & imaginative with years of practice. They decorated their mandated tignons, made of the finest textiles, with jewels, ribbons, & feathers to once again outshine their white counterparts.

Nice try, dicks. Free blacks were almost 20% of the New Orleans at the time of the Louisiana Purchase, but both enslaved and free black women had to wear the tignon. And, thinking about it, lots of women in the Caribbean wore/wear this style. You should definitely go read this post which is very detailed and has some superlative turban/hat combos to admire.

Depending on your profession, you likely go to conferences regularly, anywhere from annually to every few months. One aspect of conferences is that they are relatively predictable. They usually have a set schedule that is known to attendees ahead of time. While there may be the occasional session that surprises or an unusual hallway conversation that is unexpected, these are rare. So what if you want to be surprised? Where can you go if you want to be pushed out of your comfort zone? What is a good venue for learning about something far afield from your expertise? Cue a well-organized unconference.

Unconferences are meetings that don’t have a set agenda until participants show up and create one. There is a structure to the timing of sessions, but attendees fill up the grid with whatever topic they deem of interest for a session at the beginning of the in-person meeting. Then participants decide which sessions they want to attend. And if it turns out that they are not enjoying where they are, the law of two feet means that they are welcomed to get up and leave to find another group or activity.

For the past several years, I have had the great pleasure of attending ORDCamp, an unconference held in Chicago in January made up of some extremely creative people (many of whom are from the area, but a good chunk of whom fly in from various parts of the US and beyond, in January to Chicago, yes). ORDCamp is the brainchild of Brian Fitzpatrick (former Googler, more recently founder and CTO of Tock) and Zach Kaplan (founder and CEO of Inventables). Attendance doesn’t cost anything to participants, but it is by invitation only. Google and Inventables have been footing the bill with lots of people and organizations pitching in to provide food, drinks, gadgets to try out, lots of supplies for various sessions, and an embarrassment of riches in the swag bag box.

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It’s hard to believe, but there was a time in area woman Belle Waring’s life when she thought she didn’t like Stevie Wonder. Yeah, I know. In graduate school (!) I learned just how wrong I was. I was wronger than like 30 goddamn Dick Cheneys. I remember my conversion experience quite distinctly: I was in the back seat of an acquaintance’s car, driving from Berkeley to Da Club (I mean, da club in general, not a club called “Da Club”) in San Francisco, not even near the Bay bridge yet. We had just gotten off the surface streets. I was sitting alone in the back seat while this random…Linguistics?…no, English Literature grad student and my boyfriend talked–it is a peculiarity of highway driving that although you can hear the people conversing in the front seats fine, they can’t hear you for shit. Then, “Maybe Your Baby” came on his car stereo and I was like “hold up, hold up, who is this?” When I got told it was Stevie Wonder I made some shocked comment like, “but…Ebony and Ivory though.” Then he turned around from the front seat and shot a withering glance at me that said “think for ten seconds and recall, at least, the existence of ‘Uptight‘ or ‘Signed, Sealed Delivered!'” He was right! Also, the withering was more my reaction than a real thing that he did.
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If this is going to be a useful analogy for sexist behavior at all people need to know what NPCs (that is, non-player-characters in videogames) are! A number of people in the thread below noted that they did not. It’s pretty simple. Let’s say you play a FPS (first person shooter) or even a third-person shooter (you see the character you control as if he were the star of a movie). You generally roam around the game shooting alien monsters or zombies or Nazis or zombie Nazis or whatever. But there will be people on your side, or fellow members of the space marines, or bystander city-dwellers–people with whom you can interact but don’t need to/can’t shoot. These characters may have only one thing to say, or they can say one thing when first approached (or when you say a certain thing) and one or more other things later (or when you say that other thing). Alternately and more generally in all sorts of games an NPC can be someone you share endless experiences with, or are trained by, or you start a romantic relationship with, or you lose your shit over when they die (not tryna spoil the end of Final Fantasy VII here, just saying. Oh dag! Look, they’re making a new FFVII, and they may botch the ending to please a minority of fans (and in order kick up endless promotional rage-dust IMO), so forget I said that, and buy the latest game from “the franchise that doesn’t know the meaning of the word final”). Basically, in a single-player game, you’re the player, and the non-player characters–even if they look just like you–are merely generated by the game, just like the rendered terrain itself or the monsters or the weapons/spoils of war/scrolls, etc.

Our household is a Nintendo one, and in Zelda Windwaker HD you have crucial but limited interactions with others. It is a beautiful game that I have spent over 40 hours watching someone play while being a crucial assistant, looking through the ign.wiki walkthrough to see how the HELL Link can jump while holding a bomb [pro tip: he can’t, but he can step onto a platform]. You are prompted to press A to talk to NPCs and you are given at most two things to choose from to say either in greeting or reply. This is in line with the generally friendly tenor of Nintendo games, something that led them, after much thought, to
totally disable chat during online battles in their new FPS multi-player game Splatoon. FPS stands for FriendlyPersonSquidgun in this case–it has been succinctly described as “squidpeople play paintball” by “Matpat” on the YouTube channel Game Theory (which is very entertaining; I recommend it highly). Game designers could not think of any other way to prevent trash talk that would ruin the Nintendo experience, so you can only say one of two things to your squad-mates: “let’s go!” or “booyah!” This is despite the fact that it would be very helpful to talk for even 20 seconds before any given battle with your new squad-mates, who are chosen at random from available, physically-nearby players. Then you could set up a simple strategy for winning, which in this case means covering the most terrain possible with ink. “I’ll camp on their re-spawn point and snipe and you run around with that giant paint-roller, painting everything teal. Excelsior!”
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What if the people who made super-popular, insanely adorbs anime K-On made an anime of Harry Potter? In which they skip around from era to era so that everyone can be a student (and this is very much what they would do, if you think about it)? Then, it would look like the following video, which you must promise me you will watch to when you burst out laughing at the face of Severus Snape–himself as astonished as you are–after which you will find it mere child’s play to continue to the end to get a glimpse of Helga Hufflepuff in a miniature top hat. The Weasley twins are perfect. They could be like the twins in Ouran High Host Club! (The girls and I, hearing the premise of that anime–HS students run gigolo-type host club as one of the school clubs, and blackmail an androgynous girl into participating, in drag–thought it would be awful. But last summer we were bored at my mom’s and succumbed to the magic of Netflix, only to find it’s hilarious. It sends up shojo manga tropes a lot.)

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Elizabeth Cotten had an unlikely musical career. As a left-handed young girl she taught herself to play her brother’s banjo. Then she bought a guitar from Sears Roebuck at 11 and proceeded to play it Jimi Hendrix-style, upside-down. After getting married at 17 she basically gave up playing guitar for 25 years, except for occasional church performances. Quite at random, she was hired as a maid by part of the Seeger family–working for Pete Seeger’s dad and the children of his second wife. She picked up the guitar again, and blew everybody’s mind. Mike Seeger (Pete’s half-brother) started recording her and the sessions were made into an album from Folkways Records–Folksongs and Instrumentals with Guitar. Her signature tune “Freight Train” became hugely popular among the folk musicians of the revival of the late 50s/early 60s, being covered by Joan Baez and Bob Dylan among many others.

She started to tour and perform with big names, released another influential record in 1967, Shake Sugaree, and kept touring and playing till the end of her life (January 5, 1895 – June 29, 1987). Her unusual picking style was greatly admired, because it’s totally awesome! People have worked out alternate ways to play the songs that don’t involve playing the guitar upside down and backwards. (John spent two weeks learning “Freight Train” when we were on Martha’s Vineyard last year, causing our children to, in extremis, institute a strict “no Freight Train” policy. Happily, though, now it reminds us of my aunt’s house and all being together with my siblings and cousins, and beach plums, and the creek with its perfect flat wet stones, and the cold Atlantic, so grey.) Her music is distinctive because of the bass lines–the strings sounding the lowest notes were at the bottom of the guitar and so she picks out distinctive tunes on them. The highest string being on top, she sometimes treats the guitar like a banjo–since that’s where the high-pitched drone string is. I just learned reading the wikipedia article that she wrote “Freight Train” at 11!

Her voice is wonderful, but many of her best songs are instrumental only:

I’m having trouble choosing here, “In The Sweet By and By” is beautiful…some songs are painfully short, like “Mama, There’s Nobody Here But The Baby” or “Ain’t Got No Honey Baby Now.” [Which I can’t find a working video of :/ ] 56 seconds? NO. Although Harry Taussig plays a killer version on steel guitar. I’ll close with the topical “Take Me Back to Baltimore.”

My dad is an incredible guitarist, and plays steel 12-string bottle-neck slide, though he removes the second string from the highest two strings, making it 10-string. He also picks in this style–and we are big fans of Ry Cooder who is a master at it. When I was a kid we always had music playing. My godfather played the fiddle and we had plenty of other random musicians at parties, which, in South Carolina through to the late 70s were always two- or three-day affairs. We had a whole crew of Hell’s Angels camped out in the back yard one time. My brother and I would sing, folk songs like “Froggy Went a-Courting.” That’s happiness for me, standing on the front porch catching lizards on the screen, listening to live music and the leathery sounds of the palmetto pushed by the wind, live oaks tossing their heads and their festoons of Spanish moss, my feet slowly blackening with the super-fine dust of mildew that settles inevitably on the grey floor of any screen porch, the sky and the hydrangeas planted around the base of the house and the screen porch ceiling all alike powder-blue, the smell of salt water and marsh and endless joints burning mingled into a perfect sweetness. High tide. Got to be high tide at 2 p.m. with a summer thunderstorm blowing up far across the river. Not low tide and with all hanging breathless and hot, and the mud flats on the sandbar across the river stinking in the sun. Eating cold boiled peanuts and watermelon and drinking sweet tea. Perfect. Except now I’m homesick!

I have been a little loath to write this because Freddie deBoer already has a huge beef with our blog for some reason (I’m mean to Jonathan Chait?), but…

Freddie deBoer recently wrote a post denouncing the less-hinged supporters of the proposed TPP, one of whom saw fit to compare Obama’s critics on this issue to the lynchers of Emmet Till. This was obviously an awful thing for Dem politico Allen Brauer to say, and most readers here probably regard both this and the TPP with unified disgust, putting us in agreement with deBoer. [UPDATED NOTE: since many people have found this post unclear (which is obviously my fault), I’m merely noting here that I entirely agree with FDB’s actual political point (and in all likelihood most of you do as well), and quoting the post written the other day to explain how I perceive it with suspicion because of his past remarks. It would be irrelevant and unfair to attack Freddie deBoer on the sole basis of a five-year-old dustup.] Allen Brauer fired back at his critics by high-mindedly calling them “dude-bros and manarchists” and saying he was wrecked after a “tsunami of white tears.” DeBoer correctly calls this bullshit:

Allan Brauer, I would argue, is today’s progressive internet in its purest form. He’s someone who’s learned all of the lessons of how we do things too well…. Do we still have the capacity, as a political and intellectual movement, to argue in a way that’s not entirely based on associating with race or gender in a totally vague, unaccountable, and reductive way?

Solid enough. But–

The stakes are much lower in our cultural writing, but the problem is largely the same: tired, rote arguments and magic words, treated as cutting rebuttals no matter how lazy and uninspired. You use magic words in your work, and no matter how good or bad it is, you’ll get credit for it. And if people criticize you, you just use the magic words against them, too.

UPDATE [which interrupts the post but needs to be above the fold]: as I mention below, I’ve said a metric f#$k-ton of dumb things in internet comments, especially years ago. So I feel a bit uneasy basing my complaint on a comment. If Freddie deBoer would like to say, “I made that comment on Tiger Beatdown when I was irritated and stung, but would retract it if I could,” I’m happy to edit the post to reflect this.
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B.B. King died last Thursday. I feel he was one of the last great blues stars. But as talented as he was I have a terrible confession to make. He was so influential on white rockers such as Eric Clapton that a) they just copied him slavishly lick for lick, all the time, forever b) I have developed a back-formation feeling that unfairly prejudices me against the music of a true guitar hero.

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This song is objectively awesome. I…have to go to the doctor in a bit, and I might need to study kanji* re-play Monument Valley, so I don’t have much to say except OMG THIS THIS EVERYTHING!

Lead-singer and guitarist Brittany Howard has an incredible voice, obviously. I thought she was a dude at first. (John professed bafflement that I ever thought this. [This was not a function of her incredibleness, but just plain I didn’t know who was singing and heard it as a dude.]). Alabama Shakes has a really wide range of song-styles. What is this like? I would say sort of reminiscent of the Doors in ways, but I actually kind of hate the Doors, so. The guitar able to go so clean when she wants it to, as all the other instruments cut out, like at 2:19, it’s a later Pink Floyd-ish thing? (Which, btw, I have been really feeling lately. Anybody want to join me for some Shine on You Crazy Diamond? It’s only 25 minutes long. IT’S WORTH IT.)

*I am just going to stop taking topamax. Screw this. My brains have turned to mush and I have horrible headaches anyway. Though to be scrupulously over-generous to myself, our tutor gives us the hardest test I can think of: Japanese sentences with blanks for the kanji and hiragana for the sound, and then we have to write the character. It’s easy to see each character and remember what it means. The sounds…more troublesome. I would do better by just flipping the paper over and writing all 15 characters down. I should probably do that Sunday, then cross them out as they go in, but I’m doing the class with Zoe and I am way slower than her already.

OK, I got y’all this far, now you get a video about outer space. It’s AWESOME.

P.S. I will take ALL THE GRAVY BOATS. Just send’em on over. (John waves hands like X in background mouthing “noooo!”)
P.P.S. I am aware the title is now inaccurate.

Sister Rosetta Tharpe! I think I’ve already made a whole post telling you to listen to more Sister Rosetta Tharpe before, but that doesn’t matter! Because the defect of her recorded sessions is that the guitar is mixed down way low and you can’t hear her rock out on the guitar. But I found these live sessions that just…

You weren’t expecting that old lady to play that solo were you? She has a goddamn (sorry Sister) whammy bar on that thing!
What about this? And, goddamn, not sorry, did they not let any black people even come to this concert? That’s stone cold, fellow white people. Stone. Cold.
”
This is from when she was younger.

The version of this song I know says “when you see a man jump from church to church/you know the conversion don’t amount to much,” and I have uncharitably said this about Rod Dreher.
Sister Rosetta Tharpe’s frequent performance of all these songs in nightclubs were obviously ironic and different…
This short BBC documentary about her and her influence is interesting (just 15 minutes).
UPDATE: OK you can click through and there is a whole hour of BBC documentary. I haven’t watched it. Also, she didn’t sing straight gospel in nightclubs, she sang other songs, but she also had ironic versions of the gospel songs like “This Train”, in which she sang no whiskey-drinkers or cigar-smokers would make the cut while in The Cotton Club!

I mentioned a little while ago that I had an excellent plan for a project. I have always wanted to make my own Tarot deck, since I was a young teenager. Well, I say this, but probably since I was nine or ten. At the time I imagined that I would have to successfully pull a wood-block print for all the backs, and paint each one, perfectly, all 78, and then if a drop of water got on them later? I would die. So I imagined having them laminated, but then I considered the state of much-used laminated papers such as those employed in classes, and I thought it unwise to entrust to the process anything about which I cared greatly. Yellowing, bubbling, peeling; these are all terrible. Now many things exist which can facilitate my devising of a deck of cards, such as the use of photoshop to create perfectly symmetrical arabesques for the reverses based on only one properly-inked section. But of course the infinitely more pleasing prospect is that of getting my designs printed on card stock, and the edges trimmed, and then all shared with others! I had only ever intended my own version of the designs in the Waite-Smith deck,* but then I remembered that I had had another idea, which was to make a set of cards based on Great-Aunt Nora Cloud’s deck in John Crowley’s Little, Big. Truly it’s Violet’s deck, but we see it used by Nora Cloud in the course of the book. (Violet is my younger daughter’s name; mine can be her deck also.) Those who have read the book will know that the deck, its reading, and physical disposition figure greatly in the work, and those of you who have not SHOULD GO READ IT NOW DEAR GOD READ LITTLE, BIG FOR THE FIRST TIME I ENVY YOU! Really, it’s maybe my single favourite book.

UPDATED below
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MIGRAINES ARE THE WORST. Well, no, I mean, obviously having your children be sick and not having money for the doctor is the worst.* Our domestic helper here in Singapore is prone to really bad migraines and yesterday she was totally felled, lying down in the dark and vomiting so much I had a hard time bringing her water–since you can’t drink water just after you’ve thrown up. We have O.R.S. but she hates them, and she was so miserable I didn’t want to force them down her. It is so hard to make her rest when she’s ill that if she ever listens or lies down of her own accord we know she is feeling truly awful. John half-hoped some common unknown environmental factor was the culprit and that she and I would both get better when we moved out of our old, colonial-era house. Sadly, no. I have also been having terrible migraines for the last 18 consecutive days, and unfortunately they are remodeling in the flat upstairs. This has been a source of unhappiness. THEY HAVE BEEN DRILLING.

I have also cut my pain pills down slowly over the last six months, which was clever and virtuous of me, but now I don’t have enough pain medicine and I’m like “I forgot quite entirely how horrible this was! Pain! It’s your body’s way of saying, ‘hey something is probably sort of broken or something.'” Also topamax, medicine which I take for migraines, and which I am taking more of, makes you stupid. It’s called “dope-a-max” for a reason. The combination of all these factors has made it difficult for me to learn my Japanese characters (kanji), I’ll tell you what. This is some Harrison Bergeron shit on the 24th floor. I got all 15 right on the practice quiz Zoë made for me and then I blanked on a full five when I took the real quiz half-an-hour later on Sunday evening. Years of caring about academics make it very painful for me to do badly on quizzes. Really, it is like a knife in the guts. If she would just give us a list of the English meanings it would be OK. But our tutor gives us an actual sentence with any other, as-yet-unknown-to-us kanji spelled out (in Japanese they can write the pronunciation in hiragana or katakana on top of them, small and light; they would do this for very rare words, I think, in an adults’ book, and they do for commoner ones in a book for children or learners), and then the hiragana or katakana for the kanji we are meant to have learned underlined, and we have to write the kanji below that. So we need to read the sentence correctly as well as remember that, for example, ‘ka’ can mean ‘borrow’ as well as like five other things (I say this, and we have learned only about 50 kanji so far.) Violet continues to enjoy mocking me (in the most friendly, cheerful way imaginable!) about my troubles, criticizing my disinclination to use the large full squares in my notebook (I have small, very neat handwriting, and the big boxes don’t appeal), and writing Chinese characters in the margins that are similar but a million times harder, just to put things in perspective for me.

Now, a person can listen to music in this situation, but sometimes that’s just like turning the whole thing into a rock concert. It’s better than drilling, though, usually. I don’t like to listen to podcasts, but John does and he listened to one about a year ago that was an interview with Brian Eno. In it, the interviewer was saying how much he loved Here Come The Warm Jets and Eno said that he hadn’t actually listened to it in over twenty years?!? This was flabbergasting and wrong and bad, since we should all be listening to it, be we Brian Eno or no which, on balance, we are unlikely to be. I feel awkward about your experience of this song, because on the LP, the harsh intro of the next song, “Blank Frank” starts really soon after the last note of this–sooner than the start of a hypothetical next measure. I thought of linking to within a youtube clip of the whole album but am not certain it would come off. It’s distinctive and crucial, though, so I recommend you listen to the whole of Here Come The Warm Jets on principle.

This song somewhat resembles the Cure’s “Just Like Heaven” in that the sad, sweet vocals only enter after what seems an unexpectedly-long music-only intro, and that it is shorter than you want it to be, such that you want have to re-play it.
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