If you haven’t yet listened to Emily Hanford’s Sold a Story, you probably should, now. It’s brilliant, if profoundly depressing. Very brief synopsis: the methods routinely used to teach children to read in the US don’t work well for large numbers of children, and the science of reading has been clear about this for decades. Three academics in particular — Lucy Calkins of Teachers College, and Irene Fountas and Gay Su Pinnell of the Ohio State University — are responsible for promoting these bad practices (which are pervasive), and persisted in doing so long after the research was clear, and have gotten very rich (by the standards of academics) from the curriculum sales/speaking circuit.[1] Hanford’s documentary has single-handedly changed the environment, and in the past couple of years State departments of education and even school districts throughout the country have been scrabbling to reform, often under the eye of state legislators who have been alerted to the situation by the amount of chatter that Sold a Story has generated.

Go and listen to it.

Although a great admirer of Hanford’s work, which I have known and followed for many years, it took me a while to listen to Sold a Story. By the time I did I was familiar with the basic narrative which, I think, freed my mind to wonder about something that Hanford doesn’t discuss. The role of academic bystanders. People like me.
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