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Eszter

The research process and academia explained

by Eszter Hargittai on August 2, 2013

Some genuine LOL moments from this compilation of mini videos. Only click through if you don’t mind killing some time as there are enough gems in there to keep you scrolling. Bonus points to the editors for including several turtle clips (seriously folks, it’s not all about cats and dogs).

In response to my post about whether journal article reviewers’ identities should remain confidential (most commenters seem to hold the view that they should), Jeremy Fox mentioned a phenomenon of which I was not aware: people posting on their Web sites – once the paper has been published – reviews their papers had received during the refereeing process. Here is an example. Just to be clear, these tend to concern anonymous reviews so the author is not breaching confidentiality (unless the reviewer offers feedback in a way that outs the person’s identity – see more on that below). If the paper had been rejected from a journal, the file could include the reviews from those other journals as well (see examples here).

This is an interesting idea. As Terry McGlynn notes, there are numerous potential benefits to such practice. It would certainly make the publishing process more transparent (imagine the value to graduate students, but also others). It might lead to a more civil tone for reviewer comments (for more on the unnecessarily harsh and dismissive tone of some referee reports, see this recent piece in the Chronicle). That is, while reviews would continue to be anonymous, it may encourage editors to keep a closer eye on how reviewers are communicating their feedback when it comes to style. After all, would you want to be known as the editor of the journal whose reviewers tend to be jerks? (I guess some may actually take pride in that, but I would like to think people recognize the difference between giving constructive criticism and simply being a prick.) It might also discourage reviewers from using the referee report as a PR machine for their own work and agenda (i.e., you haven’t cited my work from 1999, my work from 2001, my work from 2010, 2011 and 2012 nor have you realized that my work is the only relevant angle on this topic).

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Amusing, perhaps

by Eszter Hargittai on July 28, 2013

I stumbled into this scene a few months ago in the delightful Hungarian town of Szentendre. I found it amusing instantly. But then I wondered: Is it too culturally specific to get why finding these two cars backed up against each other is funny if you didn’t live in a certain part of the world in a particular time period?

I was rather surprised that you can still find Trabants looking like this (or looking like anything) on the road. It turns out it’s even possible on this side of the Atlantic: the International Spy Museum in DC will host the Seventh Annual Parade of Trabants in November. Here’s a video of their 2012 parade. Who knew there were so many of these cars around in the US? (To clarify, in my view, anything larger than one or two in this case justifies saying “so many”.) I think the commentator on that video is wrong about this being the only available car in East Germany though. What about the Wartburg? Don’t know what that is? This video has a hilarious ad for it. As for the rest of that video about the production of the Trabant, you decide.

A couple of weeks ago, I wanted to out myself to a third party (i.e., not the author of the piece) about having been one of the blind reviewers of a paper that has since been published. I was emailing this person about the paper and wanted to signal that in my review I had flagged some issues that this person had recently brought up about the published piece. I was tempted just to attach my review of the paper so as to save myself the trouble of listing the issues over again and to show that I had indeed also had these reactions to the piece already at that stage in the process (issues that had not been addressed in the revised version that was ultimately published).

But then it occurred to me that perhaps the review itself is not okay to share. It was part of a confidential process and the comments were supposed to be meant for the author/s only. Not sure why it then followed that I started wondering about whether I should even out myself as the reviewer, but I started doubting even that idea. I proceeded to post a query about all of this to my Facebook network. While several people thought I had every right to out myself and even share the review, a few were strongly opposed, not just to sharing the review, but also to sharing my identity. I’m still not convinced by that perspective, but ended up honoring the confidentiality of my reviewer identity in that instance (and so no, I did not share the review). I am, however, curious to hear more perspectives on this or more arguments for that particular perspective as I haven’t heard anything particularly convincing yet. In the case of a double-blind review process, must the reviewer’s identity remain confidential if she is up to sharing it? Are there particular factors that would result in a yes or a no to that question? For example, would it matter if the paper has been published somewhere or at that journal in particular? Would something else determine the answer?

A point of clarification or perhaps a caveat. My question concerns academic journal article reviews. I understand that in certain situations all reviewers are explicitly asked to remain confidential. Such is the case when you serve on a reviewer panel at the National Science Foundation. I personally also find that in the case of tenure and promotion cases, it is important to remain confidential permanently, as the power dynamics are too complex. However, I don’t recall such rules when signing up to be a referee for a journal article.

Still a ways to go with online targeted ads

by Eszter Hargittai on July 13, 2013

I don’t mind somewhat customized ads on Facebook and elsewhere, but I’d prefer a middle ground between irrelevant and creepy. The item on the image is one I was viewing on the arts-and-crafts marketplace Etsy the day before.
Suggesting to “Check out this unique find” seems a bit much. It’s not really a unique find since I already found it earlier. If the line wants to be that personalized then how about “This unique item is still available.”? For some reason I’d find that less creepy although still intrusive. The way they have it now seems disingenuous. It is as though the system is pretending that it doesn’t know that I already saw the item. In reality, all this does is remind me that it knows way too many details about my online actions. (I guess for that reminder: Thanks!) I really ought to use a different browser for FB…

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Here is a helpful compilation of extremely disgusting comments that Wimbledon Champion Marion Bartoli received on Twitter. That post does a good job of highlighting some of the ways in which these reactions have been sexist, misogynistic, offensive and plain dumb. Go take a look, seriously, I can’t do the vitriol of the commentary justice.

What I thought I would do, however, is follow up with the Twitter accounts of some of the people quoted, not by contacting anyone, simply by looking them up. I wanted to see whether being featured in such a post had any effect on them, and also to get some context. Not surprisingly, several have deleted the quoted tweets from their accounts. It is almost more surprising that some have not. Some have made their Twitter accounts private and others have altogether deleted them.

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CT-p5213julyHalf a year ago, I invited CT readers to join me in a photo project: a photo a week on a preset theme. Dozens of people were involved at first with about twenty still active half a year later. As with related photo projects, in addition to the photo experiences, the social component has been rewarding as well.

Up front I made a decision that all themes would be adjectives and I’d go through the alphabet, which conveniently maps on to a 52-week calendar if we cycle through it twice. Bubbly, endless, obsolete, twisted and xylographic are some of the themes we’ve tackled over the past six months. It’s been eye-opening to see people’s different interpretations of the themes. It’s been fun to be reminded of the different environments in which people live (we have participants from several countries), what they tend to encounter in their daily lives, what inspires them, what poses more or less of a challenge. As an aside, it’s also led me to improve my vocabulary.

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Douglas Engelbart, legendary inventor dies

by Eszter Hargittai on July 3, 2013

Douglas Engelbart, an extremely important contributor to so many computing technologies that make possible so much of what we do today passed away last night. I hope we’ll see more coverage of this than is currently out there, he certainly deserves to be celebrated for his many contributions.

Call for Participation: Doctoral Workshop

by Eszter Hargittai on May 21, 2013

I’m very excited to be hosting a doctoral workshop this summer on Developing Best Practices for Using Digital Tools to Study Human Behavior in Online Environments. I’m hoping to attract a multidisciplinary group. Please forward, post, tweet, retweet the call for participation below. And if you’re interested, but at a different stage of work, please see a form for that below as well.
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Join a photo project!

by Eszter Hargittai on December 31, 2012

It’s been a while since Chris and I have talked about our various photo projects and since many people like to use the New Year as a starting point for novel endeavors, I thought I would post about it while it is still 2012. I am talking about the idea of taking and sharing a photo with some regularity. Both Chris and I have participated in Project 365 (or the Photo-a-Day project) where you do this daily. It has been a fantastic experience for both of us. But since a daily commitment can be overwhelming for some (for most, in fact), I suggest trying a photo a week (Project 52 – 2013). I have started a new group on Flickr for this and will post a theme for each week. (There are similar groups on Flickr that do not have a theme and the daily project rarely has a theme.) Since many people now have a camera on their phones that they presumably have with them all the time, the technical aspect of this project should be less of a burden than even just five years ago. And thanks to various apps, uploading and sharing has become less of a hassle as well.

Why do this? Lots of reasons as Chris and I have both discussed in the past. To recap just a few, in no particular order: [click to continue…]

More advice for academics

by Eszter Hargittai on December 17, 2012

After a “bit” of a break from adding to my Ph.Do column at Inside Higher Ed, I’ve started writing pieces for it again. My most recent one is about all of the helpful information one can glean from consulting other people’s CVs. To those who know this, it is obvious advice, but it is surprising how many people do not recognize what a helpful resource CVs can be. A future piece will address how to write one’s own CV as having viewed many hundreds over the past few years, clearly there are many people out there who can use some advice on that matter as well.

Spicing up that pancake

by Eszter Hargittai on December 2, 2012

Years ago, a friend I hosted made me pancakes with over a dozen ingredients. This was an interesting concept that had never occurred to me. The plain ones had never really appealed to me, but I’d only experienced the simple addition of chocolate chips, which, while making a bit of a difference, had still not converted me to this American tradition. While my palette does not seem sufficiently sophisticated to appreciate over a dozen ingredients at once, I have since adopted my friend’s approach of adding 4-5 items to the mix and now look forward to this treat on weekends. (I’m no purist, by the way, I just work with pancake mix from a bag.)

In addition to chocolate chips, a hint of mint turns out to be an excellent ingredient. (You really do want to be careful with it though as more than a drop or two can overwhelm all other flavors.) I’ve found dried fruits such as dried cranberries and pineapple work well, too, chopped up into little pieces. Various nuts are other fun options, also chopped. In particular, I recently started using some gingersnap almonds (courtesy of Chicago’s very own Mama’s Nuts) that has been delicious (they’re great on their own as well, but that’s another matter..). Right after Thanksgiving, adding some pumpkin pie filling to the batter was a good way to make something of leftover ingredients while varying things up a bit.

Another tweak that I have not tried yet, but came recommended by my friend David Figlio and sounds very intriguing is the idea of sprinkling one side with some Old Town spiced sugar right before turning it over. Apparently this gives it a little bit of brulee crunch and just the right amount of sweetness (especially helpful if you don’t like to use syrup, which I don’t). This approach is definitely on my list to try in the future. What are your favorite twists on traditional pancakes?

Violence against women near the US-Mexican border

by Eszter Hargittai on November 20, 2012

I saw an exhibit about a very disturbing matter concerning violence against women near the US-Mexican border. The exhibit addresses the rape, torture and violent killings of hundreds of girls and young women in Ciudad Juárez since 1993 and the fact that there has not been much movement on behalf of the Mexican authorities to prosecute the perpetrators.

“Wall of Memories” by Diane Kahlo “is an installation of painting, sculpture and video about the epidemic of violence against women and girls in Ciudad Juarez, Mexico.” (source)

Throughout the history of western art, typically only those of wealthy and noble class were immortalized through portraiture. By painting the faces of these young victims in the form of a small icon, Kahlo was able to memorialize the young women whose social and economic status would not typically be the subject of a painted portrait. Other aspects of this exhibition bring together Aztec and Meso-American civilizations and symbols of death and rebirth. The artist wishes to draw attention to the fact that to this date, the violence against women continues with impunity.

I wasn’t familiar with this situation, but reading up on it briefly, I see that it has gotten some coverage although in rather specialized outlets for the most part. I wanted to spread additional awareness. Here are a few more images from the exhibit.

I copied the heading of Megan Carpentier’s original story word-for-word, because it’s hard to capture the issue better in a sentence than she did. (Tx @zephoria.)

In related news, take a look at Mike Ananny’s piece in the Atlantic last Spring about The Curious Connection Between Apps for Gay Men and Sex Offenders. Also, Ted Striphas talks more generally about the idea of “algorithmic culture” and “algorithmic literacies” here. Over a decade ago I wrote a few papers about the power of portals (remember that term?) and search engines to channel user attention, it’s fascinating- and rather disturbing at times – to watch the evolution of that issue.

Drive and curiosity

by Eszter Hargittai on October 5, 2011

In light of today’s announcement of the Chemistry Nobel Prize winner, Dan Shechtman, I thought I’d make a shameless plug for my father’s latest book: Drive and Curiosity (AMZ, BN). Chapter 8 is all about Dan Shachtman. He is singled out for his “stubbornness” given that he did not let himself be talked out of his observation of a structure that all chemists and physicists believed impossible. Funny thing is, even Shechtman proved at one point in one of his college exams that it was impossible. Despite the journal rejections and other pushback that followed, he persevered and voila. By the way, it’s not a stretch for me to be making this connection to my father’s writing. The book source on the Nobel Prize page about Shechtman for further reading is a book co-authored by my father and my brother: Candid Science V. Conversations with Famous Scientists.

This photo (from the book) is of Dan Shechtman and Alan Mackay in my parents’ living room in 1995.