Academia

When I teach SF and Philosophy I include a short bit on SF in different media (before proceeding to devote the semester to short stories, for the most part.) So: SF and popular music. Seems like a thing. And a suitable challenge for the CT commentariat. I would be particular appreciative of intelligent periodization. But unclassifiable curiosities are also always welcome.

My post title come from Billy Lee Riley’s 1957 rockabilly hit. Ten years earlier, in 1947, you have a curious, country-gospel number, “When You See Those Flying Saucers”, from the Buchanan Brothers. Ten years later, in 1966, we’ve got the Byrds, “Mr. Spaceman”, the birth of a hippy-trippy sort of space rock – although folk-y “Spaceman” lacks the cosmic, synth-y atmospherics one associates with later progginess. Then, in 1969, we get “Space Oddity”, flipping the script from aliens to alienation, and corresponding to the work Kubrick does with 2001: A Space Odyssey, graduating out of the B-movie flying saucers era. (I just linked to the 1972 version. The song had sort of a slow roll-out, on its way to becoming a classic.) Glam and Ziggy Stardust. Elton John’s “Rocket Man” (1972) is the other early-70’s pop classic in this category. But let’s not forget Harry Nillson’s “Spaceman”, which was a Top-40 hit in 1972. “Bang Bang Shoot ’em up destineee!” And Genesis, “Watcher of the Skies” (1972). I feel Journey’s 1977 “Spaceman” bookends what the Byrds started a decade earlier. (By the by, Journey finally made it into the Rock N Roll Hall of Fame this year. Also, ELO.) After 1977 we are, for a time, in the Styx “Come Sail Away” era, at least when it comes to American SF-themed pop megahits. [click to continue…]

Milo sends best wishes from London to all the CT gang. OK, whatever, he’s a dog. He’s only eaten three or four baubles and so far today is more or less continent.

Wishing everyone who’s part of CT a great Christmas, Hannukah, holidays and all the rest of it.

Bit of a weird one, this. I can’t quite find it in myself to write ‘happy New Year’ on everyone’s cards as who knows what’s in store, and the very things that made 2016 so disastrous will make 2017 … oh, well.

Here’s another dog picture.

Be more dog, guys. Be more dog.

The first time I was arrested, I had to cancel a meeting with one of my professors The police officers who arrested me had given me a beating between the arrest and the processing (in the van — this was 1985 during the Miner’s Strike, and police officers felt a fairly general permission to be fairly randomly violent to arrestees; they put the boot in while openly concocting the false stories they were going to tell about us). I was let out of Bow Street Station at 3 am, so that I could not get back to Herne Hill. In the morning I walked from the house of the friend I had woken at 4 to give me somewhere to sleep to campus, and informed my professor that I wasn’t going to be in a great condition to meet, and asked if we could postpone. He immediately asked what he could do to help, and asked whether he could testify at my trial (which he duly did, story here; great hilarity ensued). Some might call that coddling I guess, but it meant and still does mean a huge amount to me, and I always do the same (even if the charge is not related to politics and, to be clear, although I probably have some limit, I would support students who were arrested in causes I disagree with; something not at all unlikely to come up because by and large students don’t know my politics).

Knowing about this, a colleague (different college, different state) called yesterday to ask my advice. One of her students, an 18 year old African American woman, was arrested at an anti-Trump demonstration. This is in LA (I’ve also been beaten up by cops and arrested there! Thrill a minute, my life. Story here). Much of the charge sheet is illegible but it is a misdemeanor, and what I can make out is “Willfully and maliciously obstructing free movement or [illegible] for others public [illegible]’. The hearing is next week, and apparently neither the protest organizers nor the college have provided legal support. I’m trying to find my one lawyer acquaintance in LA with relevant experience (of the two lawyers who have worked for me, one is a judge, and the other is a labor lawyer and too fancy and famous for me to feel comfortable approaching him). In the meantime though — my colleague plans to attend the hearing with the student, and to record it and take notes. My advice is to ensure that 2 or 3 other students come along for support (it is enormously more tolerable to go through these experiences with support from friends than alone). But — should the student have a lawyer present? And if so, any suggestions of where to find one? (Again, its LA).

Google Euclid:

It would seem that this is the wire that has gotten crossed.

Dear unhappy voters of 2016:

We keep hearing you called populists and, to put it in your vernacular, you had one job and you’re doing it wrong.

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I’ve posted similar shots before, but at a different focal length.

It’s letter-writing time.

I enjoy writing letters of recommendation. I enjoy it more than I used to because I have more practice, because I have had plenty of positive feedback, and because I have learned to get to know more of my students better than I used to. But I also enjoy it because of the opportunity it gives me to reflect on the students, their skills, and their characters. Sometimes I am a bit surprised by the letter — last year a student asked me for a letter for Law school, and I knew it would be a good letter, but articulated, during the writing of it, aspects of her as a thinker and as a person that I really admire and hadn’t fully appreciated before having to write them down. It turned out to be better than merely very good, as I had anticipated.

Letter requests rarely come as a surprise these days, and for a good number of students I have little passages written in my head while I am teaching them in anticipation of the request. But this is a part of my job that I was not trained in at all. Just like teaching, you might think, but at least when I started teaching I had watched other people do it, whereas I had never even read letters of recommendation when I started. I have, by now, read thousands of letters of recommendation: even so, most of them have been for Philosophy graduate school applications, which is not what most of my letters are for, which tend to be for professional programs and (to a much lesser extent, because letters are used much less) for entry-level jobs. (When students put me down as a reference for a job I insist they give out my cell phone number, because I know I tend to respond rapidly to a voice mail (because I still, every time, expect it is going to be from the school telling me one of my children has done something awful! – and although I am basically phone-phobic, I have really enjoyed the many brief chats with Human resources people, which often seems more efficient than letter writing.

So, below, this is I write letters for students about to graduate. Please comment in whatever way seems useful – advice for me, or other letter-writers, especially if you are a consumer of such letters.

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After the last post in this series (what, a year ago?) a reader wrote to me enthusiastically about Sophie Hannah, assuming I’d have already read her. In fact I hadn’t: amazon had recommended her to me, so I had bothered to look her up and note her lineage but, to my embarrassment, the fact that she is a poet put me off a little bit. Still, a reader bothers to email me with a recommendation, I should try, right? I ended up doing something unusual: I read the Zailer/Waterhouse novels in order without a break, starting with Little Face. Hannah has a unique talent. Most of the books are psychological thrillers, and involve multiple deceptions among the characters, including between various of the detectives; in fact, in both Little Face and The Truth-Teller’s Lie (the first two) I occasionally worried that something supernatural was going to be involved (which would have been a cheat – as an aside I am curious what readers think about James Oswald’s crime novels, which I find completely addictive, but worry that I am being conned by). They are far from straightforward police procedurals, and the relationship between Zailer and Waterhouse is deeply unhealthy (and for a long time it’s hard to tell whether Waterhouse has some sort serious mental illness or is just extremely unpleasant). Yet there’s a sort of coziness to them – none of the plots are predictable (to me anyway), but the characters around Waterhouse (including Zailer) are stable and mostly likeable, the invented local geography is consistent and becomes familiar over the course of the novels, and the domestic lives of the characters involved in the labyrinthine plots are detailed lovingly – Hannah loves and cares about middle class English mothers who get the short end of the stick, but she shows her love by putting them in unbelievable (though possible) and awful situations!

I’m not sure I’d recommend reading all 10 in a row, but I’d certainly recommend reading them all over the course of a couple of years. So, thank you, unnamed reader!

Additional Comment
I haven’t read her Hercule Poirots, but hear they are terrific, so probably will read them after Christmas. I did decide to read The Orphan Choir, to see how well she did the actual supernatural. Now, I don’t really like the supernatural, and I didn’t really like The Ghost Choir but I could see that if she decided to write 3 more, the 4th would be outstanding. Still, I hope she sticks with crime.

WARNING: For reasons that I can’t imagine Sophie Hannah seems unusually prone to having her titles changed: most books are published under one name in the UK and an entirely different one in the US. So, beware duplication!

When I was in high school I had a friend who was ga-ga for early Floyd, who infected me with that bug. Piper At The Gates of Dawn and Saucer Full of Secrets. Syd Barrett solo – not a lot of that, but we got what we could get. I laughed in Doctor Strange when “Interstellar Overdrive” came on. Nice homage to the Strange homage on the album cover. So if money is no object, you would naturally buy the insane, ludicrous, absurd box set that just came out. But money is an object. So just re-listen to those old albums again any old way, and listen to the really interesting NPR interview/DJ session with Nick Mason (the drummer). Bob Boilen: where did your unique drum style come from? Nick Mason: I was trying to sound like everyone else. And the equally interesting interview with Joe Boyd, co-manager of the UFO club where the Floyd were a kind of house band for a brief time. (I only now learned it’s pronounced ‘eupho’ – oh, I get it. A pun.)

Then listen to some Leonard Cohen. Then return to our previously scheduled post-election despair. Under the fold, Bowie’s cover of “See Emily Play”: [click to continue…]

Below the fold you will find what I had to say about the election before the election. This excerpt comes from a paper I wrote for a conference about the Obama presidency; the papers were due October 28. In the New York Times story about the conference, you will read that “the overwhelmingly liberal group” were, in the main, blindsided by Trump’s victory, shouting “Get me rewrite!” As you will see, I wasn’t one of those, and I generally stick by what I had to say, though it is, as a draft, a little rough.

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