Good discussion for my caricature post. I ended up saying stuff in comments about the Carracci, who are sometimes thought to have been the first portrait caricaturists. They taught quick-draw caricature, as an exercise, in their academy.
I don’t really go for all that “The Loves of the Gods” jazz. (It’s nice and all … if you like that sort of thing.) So I was very pleasantly surprised to discover just how much I like Annibale’s drawings. This book – The Drawings of Annibale Carracci – is amazing!
In spite of Annibale’s meticulous care in drawing realistically described and articulated forms, what sets him apart and places him in the category of great graphic artists is his ability to set down a few strokes to imply an entire scene … No one before Annibale, and only Rembrandt after him surpassed his genius for subtle suggestion.
So very true! Here, for example, is a preliminary sketch for the “Triumph of Bacchus and Ariadne” panel.
I guess they told him he couldn’t include Batwoman like that. DC would have sued.
Anyway, I don’t think I’ve seen, earlier, such a loose, abstract style of gesture drawing, as a way of working out a composition. Probably that is just my ignorance of the history of drawing, but this book really got me interested in Baroque painting, in an archeological sense: all the different layers of cartoon behind it, from the very rough to the very tight. Neat stuff, I say.