It could have been worse, John. A lot worse.

by Eric on February 9, 2015

I recently re-watched Do the Right Thing and found the ending a little shocking. No, not the violent part – which has, sadly, only become more familiar in the quarter century since 1989 – but the actual last scene.

[click to continue…]

I’m an animation history buff, as you may know. Here’s something I noticed today.

“Hell-Bent For Election”, the 1944, Chuck Jones-directed, proto-UPA pro-FDR agit-prop classic, shows Roosevelt’s streamlined profile as the head of the Win The War Special. On the other track is the Defeatist Limited, pulling various cars including, finally, the Jim Crow Car.

jimcrowcar

That is, the cartoon basically says: vote FDR, because Thomas Dewey is in favor of Jim Crow.

I am very surprised to see this messaging in 1944. I wouldn’t have thought the Democrats would have wanted to go there. Too much of a raw nerve. Too close to home for a party still based in the South. (Probably also unfair to Dewey, but the cartoon isn’t a model of fairness. It contains a pretty raw ad hitlerum argument. The surprise is only that it seems to risk offending the white Democratic base.)

It wouldn’t surprise me if the cartoonists, who were all lefties, were wishing FDR further to the left. Maybe message discipline for this stuff wasn’t very tight.

The cartoon got a lot of play in the election. From a book on history of the studio:

The film worked. Distributed in 16 mm by Brandon Films, Inc., of New York City, the cartoon could be rented for ten dollars. Boxoffice reported that it was screened in “union halls, political clubs – even in private homes at parties organized for fund raising purposes.” Naturally, the liberal press trumpeted Hell-Bent For Election: “Clever cartooning, obviously done by Hollywood’s best,” noted John T. McManus in the newspaper PM. The Daily Worker praised the cartoon’s “expert craftsmanship and sound political advice to labor and the nation.” Hell-Bent also warranted a two-page spread in Life – a periodical aimed at the middle-American mind. Direction magazine estimated that Hell-Bent was “shown to more than ten million persons.” (57)

What do you think? I’d be kind of curious to see the Life spread.