Amartya Sen turns 75 later this year (on November 3rd, to be precise), and we are going to celebrate this. In academic style, of course. Kaushik Basu and Ravi Kanbur have edited a 2-volume Festschrift, aptly called <em>Arguments for a Better World</em>. I am not sure when Sen is going to read those 1400 pages, but that detail shouldn’t spoil the party. And Basu and Kanbur are also organising, together with the Institute for Human Development a conference to celebrate his birthday. That event will take place in New Delhi on the 19th and 20th of December. The Call for Papers, which so far I haven’t seen circulating, is only open to young economists and social scientists, with ‘young’ being defined as those under 40. It’s a pity, though, that political philosophers are not invited to submit papers, given Sen’s important contributions to that field.
From the category archives:
Books
Youtube is where BBC 4 documentaries go to live, I see. Two lovely documentaries: one on John Wyndham , and another on Nigel Kneale; two of the great creators of British science fiction united by their dependence on utterly sensible and reliable heroes (and in Wyndham’s case, heroines — as the documentary points out, the Midwich Cuckoos aside, he often seems to be a proto-feminist), unmarred by self-absorbed hang-ups and disorderly emotional lives. Kneale founded the British tradition of dark but humane television scinece fiction, with 1984, Quatermass, The Year of the Sex Olympics, and The Stone Tape (which scared me witless as a kid, and which I now realise my mother bought a colour television in order to watch). Many Dr. Who stories are just recycled Kneale stories; I have a special affection for the movie Quatermass and the Pit because I watched it on TV the night of my job interview at Madison.
Wyndham is especially hard to get good information on: he’s almost absent even on the web, so it is great to have an insight into his life, even though a bit too much time is spent on the novels and films. One mystery that is not solved is what happened to all his writings prior to The Day of the Triffids. I’ve managed to get hold of just one of the pre-Triffids books, The Secret People
, which is derivative and slow-paced, if readable, but nothing like as good as his 50’s and 60’s novels. (Wyndham fans might want to put pressure on my erstwhile colleague Noel Carroll, who once proposed to write a book about Wyndham’s work, which would be lovely to read if only he’d write it).
I’ve been meaning to write a review of John McGowan’s American Liberalism: An Interpretation For Our Time for some time now. He’s a friend. I read the first draft and hashed it out with the author himself at length. The final version is much better. But it’s taken me a while to recharge for a second go. I’ll just pick on one point:
Liberalism, both as a contingent historical fact and as a matter of its most fervently held principles, is a response to pluralism. We reach here the closest liberalism ever gets to metaphysics. By metaphysics, I mean a claim to have identified an unalterable and universally present fact about the universe. (pp. 40-1)
Man, if ever there were a time I regretted not saving up the pun in the title of my “I Sought the Serif” post – this would be that time. The time I bought The Serif Fairy for the kids, that is. “The Serif Fairy has lost her wing, keeping her from performing magic. This book follows her through an airy, immaculately designed typographic landscape as she tries to recover her wing. Along the way, she makes friends and has adventures as she wanders through the Garamond Forest, visits Futura City and eventually ends her quest at Shelley Lake …”
It’s cute. Honestly, I was hoping it would be even cuter. But it’ll do. Plus it confirms Belle’s suspicions that I will indoctrinate the kids in my repetitive ways.
And I just finished Letter By Letter, by Laurent Pflughaupt. A history of each letter of the alphabet, plus soapbox from which to broadcast the author’s stern views about the morally improving qualities of calligraphy. “Revealing the fundamental characteristics of writing (rhythm, relation to the body, readability, meaning), the study and practice of calligraphy constitutes an essential basis for this new direction since it encourages the integration of skills and gestures that are indispensable to all future forms of creativity.”
The book is interesting, whether it will do all that for you or not.
I have one significant, non-typographic bargain to report. Amazon has a download of Jelly Roll Morton: The Complete Library of Congress Recordings for only $19.95. It’s out of print and the cheapest used copy I can find is $150. So I consider that a good deal.
I first became aware of Dru because she was a member of the Bristol Flickr group, and I was looking to buy a camera. What better way of deciding than to look through other people’s photos, and see what the ones I liked were taken with? So there was Dru, a slightly mumsy, middle-aged woman with a young daughter and a Morris Traveller. In other words, extrapolating from the various signifiers, I’d formed an impression of what Dru must be like. Then I met her, at one of our monthly get-togethers, in the Royal Naval Volunteer. And then she spoke. “Bloodly hell!” I thought to myself, “you’re a bloke … or used to be.” A very quick update of my mental image of Dru took place.
It isn’t very often that people I know have their biography published. In fact, through not paying attention again, I’d failed to notice that Dru’s was coming out. Only when a friend send me a link to the Guardian , with the question “Is this Flickr Dru?” did I catch on. Well, Becoming Drusilla isn’t so much a biography as the record of a friendship, and what happens to it when one of the parties announces their desire to change sex.
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This week I received my copy of <em>The Capability Approach</em>, a fat book that contains a large number of essays on… yes, good guess. It’s primarily written by social scientists or interdisciplinary oriented scholars — hence not so much the more philosophical side of that literature. Sometimes I feel very happy and satisfied, perhaps even a little proud, when I see a book to which I’ve contributed a chapter. For instance, that was the case last September when Jude Browne’s splendidly edited <em>The Future of Gender</em> came out. That volume contains many excellent essays on issues of gender and sexual difference by interesting thinkers, and I felt my own chapter was decent enough. Sadly, I do not have such feelings about my chapter in The Capability Approach. The simple reason is that that chapter was written in 2001, and analyses certain limitations of the capability approach for the analysis of gender issues. Yet in the 6 years and 8 months between sending that chapter to the editors and its ultimate publication, I think very little of what I wrote in that article is still original or not by now broadly appreciated. The literature on the capability approach has developed at an incredibly fast pace, and the arguments in that chapter are… well, a little old. Academic publishing is a slow business – often too slow. Anybody a worse experience than those 6 years and 8 months?

I haven’t been doing enough comics blogging. But I just read a couple titles that seem to go together:
Percy Gloom [amazon], by Cathy Malkasian. You can visit the book site here. Not too much there.

… And
Hieronymus B., by Ulf K. [amazon]. Top Shelf has a generous preview.
I really liked them both while feeling that both could be better. It’s a bit hard to put my finger on it.
Let start with the visual basics. We have two somewhat hapless protagonists – characters to whom things happen, mostly, rather than characters who do things. They are both prematurely aged children/innocently child-like old men. They both have big round heads and little bodies. I’m starting to think that Charlie Brown is an archetype. The bald-headed kid who gets the football yanked, but who somehow salvages some degree of philosophic dignity. Maybe there is something Charlie Brownish inherent in the comics medium. A simple circle face on a stick body. It really doesn’t get more iconically economical than that. Chris Ware, anyone?
I’m reading an interesting book, Eye For An Eye, by William Ian Miller [amazon]. (I don’t know anything about him. I just grabbed this off the shelf.) It’s a discussion of lex talionis style justice systems – a somewhat unsystematic ‘antitheory’ of justice, the author styles it. Lots of quoting from Old Norse stuff and Babylonian stuff and ancient what-not. Very colorful. Here’s a bit that’s interesting, in a subsection on “Paying Gods in Bodies and Blood”. Maybe Kieran will have something to say.
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The BBC has a feature on my friend, the philosopher Havi Carel, and the way in which philosophy has helped her come to terms with the diagnosis of an incurable disease. Havi has a book _Illness_ (US, UK) forthcoming in September, in which she draws on her own experience and tries to give a philosophical account of the meaning and significance of illness.
This post serves less as a public announcement than as a private means of self-commitment with added dollops of embarrassment should I renege, that I am not going to be blogging for the next few weeks (except perhaps one post to introduce a guest blogger), so as to get the damn book that I am writing finally done and ready. When you read me again, all going well, I should have a bouncing 350-page-or-so manuscript to announce. I reserve the right to change my mind in the case of truly dire exigencies – but they will have to be truly dire.
Doug Feith, the stupidest fucking guy on the face of the planet, has a new book out, and the back cover blurbs are … interesting. Says Jean Edward Smith
“The fact that the policy to which he contributed was flawed from the outset in no way diminishes the historical importance of this firsthand account.”
Robert Gallucci, who hired Feith as a professor of practice at my alma mater, Georgetown’s School of Foreign Service, against vehement faculty opposition, is scarcely more enthusiastic.
“Douglas Feith has written what will be a controversial book. It will certainly anger many readers because it takes a different position that most other accounts on the wisdom of going to war in Iraq, on what mistakes were made, and on what made them. But Feith’s is a serious work, well-documented, that presents the best defense to date of the defining policy of the Bush presidency. It is a readable account that deserves to be read and its argument debated.”
Nor is Henry Kissinger precisely fulsome in his praises (and if you’ve lost Henry Kissinger …)
“The fullest and most thoughtful statement of the Pentagon thinking prior to and in the first stages of the Iraq war. Even those, as I, who take issue with some of its conclusions will gain a better perspective from reading this book.”
And these were the blurbs they chose to promote the book …
More generally, consider this an open thread on dubious blurbs and promotional snippets taken from book reviews. My favourite example of the latter being the Irish Times‘ review of Iain Banks’ _The Wasp Factory._ (Powells, Amazon )
It is a sick, sick world when the confidence and investment of an astute firm of publishers is justified by a work of unparallelled depravity. There is no denying the bizarre fertility of the author’s imagination: his brilliant dialogue, his cruel humour, his repellent inventiveness. The majority of the literate public, however, will be relieved that only reviewers are obliged to look at any of it.
How could you possibly, possibly refuse to buy a book with a blurb like that?
What to do on planes, apart from sleep, follow the route on the screen or go deaf trying to hear to movie soundtrack? Well read, of course. But I’ve found that Tolstoy doesn’t really do it for me there, in departure lounges or even in similar situations (buses and trains). So it is thrillers, crime, “mystery” (as they appear to call it in Powell’s bookstore) for me. My most recent indulgence is Lee Child’s Reacher series, and most recently his _Bad Luck and Trouble_ (which I picked up in LAX on the way to Portland – I had to buy when I read the blurb: the hero is in Portland and has to rush to LA).
For those who don’t know, Reacher is a former military policeman from the US Army, with a taste for classic blues, who is spending his retirement in semi-vagrancy discovering the country of his citizenship (he grew up on military bases overseas) and gets sucked into defeating an improbable series of wicked conspiracies. Child (a Brit) writes decently and his plotting holds the attention. And whilst you wouldn’t call Reacher a liberal, he has a pretty jaundiced attitude towards the claims the American right (and indeed official America) makes for itself. There are a few weaknesses: Child makes too many plots turn on amazing coincidences and you can confidently place money on one of the apparently nice cops/FBI agents/similars turning out to be in the pockets of the bad people. So far, though, these have been forgivable flaws.
Hat tip to Steven Poole, who mentioned Child here .
I’ve been reading William Dalrymple’s The Last Mughal: Fall of a Dynasty about the Indian Rebellion of 1857 with great interest. The complacent reports of the British commanders as they went about destroying the last remnants of independent Indian power are startlingly reminiscent of the “Good News from Iraq” we got so much of in 2003, and which was briefly revived during the now collapsing surge/awakening/truce. More generally, Dalrymple gives an evocative account of the Mughal court on the eve of destruction.
But I was, perhaps unfairly, amused by Dalrymple’s introduction where he extols the merits of archival research, as against the kind of “subaltern history” that pads out existing secondary sources with large dollops of theory to produce more or less interchangeable articles with titles of the general form “Othering the Imagined Construct” (feel free to permute the parts of speech to derive your own). I’ll leave it to others to decide whether this is better or worse than the old standby “Nonsensical Phrase Drawn From Primary Source: Random Word, Random Word, and the Actual Topic of this Book,” or the generic economic article of the form “Hot Current Idea, Established Field and Putative Application”.
Apparently Amazon’s Kindle is selling well. So says their front page. I’ve always wanted an eBook reader I could really want. [click to continue…]

Tonight’s selection goes with last night’s. Late 1860’s US SF. Ergo, for fun, another Lulu edition.
"No," said Q. bravely, "at the least it must be very substantial. It must stand fire well, very well. Iron will not answer. It must be brick; we must have a Brick Moon."
Along with The Epic of Gilgamesh and The Three Little Pigs, Edward E. Hale’s "The Brick Moon" (1869) is one of the three great brickpunk classics of world literature.
Sandemanian technopreneurs look to the bold, bricks & mortar future, with a flywheel-launched, satellite-based global positioning system; but learn valuable life lessons instead.
Brick. It’s awesome stuff.
"The Brick Moon" was originally serialized in The Atlantic Monthly. And there is an interesting thematic connection with the Steam Man, above and beyond the nigh simultaneous publication. Apparently the inspiration for the Steam Man was – the BigDog of its day – this. "However, by observing carefully the cause of failure, persevering and perfecting the man-form, and by substituting steam in place of the perpetual motion machine, the present success was attained." Words to live by.
As I was saying, in "The Brick Moon", our protagonists are likewise weaned off unreal dreams. "Like all boys, we had tried our hands at perpetual motion. For me, I was sure I could square the circle, if they would give me chalk enough." Then, having put away childish things, they are soon enough hyrodynamically flywheeling tons of bricks into the lower atmosphere.
Here’s a free PDF.
Arguably, this version of the three little pigs is even better.
If you are more old school, here’s Gilgamesh: "Go up on the wall of Uruk and walk around, examine its foundation, inspect its brickwork thoroughly. Is not (even the core of) the brick structure made of kiln-fired brick, and did not the Seven Sages themselves lay out its plans?"
Brick. Awesome.