A few months ago, when I was doing research interviews in Brussels, I thought about doing a post on EU official art. Nearly every corridor in every building of the Commission, Council and Parliament has two or three examples along its walls – spectacularly bland and uninteresting prints and photographs, always with the twelve stars on a blue flag in there somewhere. The art is contentless and affectless because any strong statement, or even conveyed sense of geographic location, would probably offend somebody in one or another of the member states. There’s something about the EU that seems completely inimical to lively cultural expression.
Not for much longer perhaps. Bruce Sterling, gonzo science fiction provocateur and joint father of cyberpunk, is “getting excited”:http://www.locusmag.com/2004/Features/09_ShirleySocialFuture.html by the unlikely subject of the EU’s “acquis communautaire”:http://kypros.org/CY-EU/eng/04_negotiation_procedure/acquis_communautaire.htm.
bq. What if there were two global systems of governance, and they weren’t based on control of the landscape? Suppose they interpenetrated and competed everywhere, sort of like Tory and Labour, or Coke and Pepsi. I’m kind of liking this European ‘Acquis’ model where there is scarcely any visible ‘governing’ going on, and everything is accomplished on the levels of invisible infrastructure, like highway regulations and currency reform.
This sounds like an unlikely subject for sf, but if anyone can pull it off, it’s Sterling. At least two-thirds of his “Distraction”:http://www.amazon.com/exec/obidos/ASIN/0553576399/henryfarrell-20 is one of the wildest and funniest sf novels about politics ever written (the final section peters out pretty badly). If anyone can make regulatory international bureaucracy sound exciting, it’s going to be Sterling. And he’s onto something – there’s something deeply weird about the EU. It isn’t (and will probably never be) a fully featured state, and instead is, as Sterling says, for the most part a vast body of transnational semi-visible regulation. It’s incredibly boring on the face of it (partly because most of the regulation concerns dull matters like phytosanitary standards), but there’s something quirky and strange about the fact that it exists at all, and that it operates in the way that it does. I’m going to be interested to see whether Sterling manages to get anywhere with this.