Family Life

The NYT has an interesting article on how DNA analysis is helping African-Americans
(especially in the south) discover more about the carefully erased history of their families. Most people need to know at least the name of the white families who enslaved their forebears in order to make much progress, but as more information is digitized and collated this can become easier. I ran across this article about an informal genealogy research group in Savannah when I was searching for something else. The list of references includes the ‘Joseph Frederick Waring II papers,’ MS 1275:

Contains 35 items on African-American churches (not dated); 18 items on African-American members of the Republican Party of Georgia from 1867-1869; slave bills of sale from 1856-1859; a list of slaves from 1859, leases to African-Americans from 1865-1866, and a letter from 1851 which discusses a fugitive slave riot.

There’s also the less morally disturbing ‘Antonio J. Waring Collection, MS 1287,’ which contains “The Case of the Africans,” discussing the slave trade from 1817-1820. These two references, and an earlier note from the ‘Joseph Vallence Beven papers,’ MS 71, which, “[c]ontains correspondence dating from 1787 between George Mathews, Thomas Pinckney, and General James Jackson concerning armed fugitive slaves” brought two things home to me.

One, my brother’s friend Tom Pinckney, and a ton of Macintyre’s live along the stretch of the May River within a half-mile from my house. Pretty sure there’s even a Ravenel up in there closer to town. There are zero black families along that stretch of the river. This is obviously morally wrong. However did this inequity arise? At least I don’t go around explaining how I never benefited materially from chattel slavery because my family all emigrated from Ireland 12 minutes ago and were treated exactly like black slaves, except for not being owned outright or made legally sub-human or subject to the dreaded ‘one drop of Irish blood’ test, or even the ‘are you lighter than this piece of A4 typing paper on which I spattered some watered-down sepia ink from a toothbrush’ test. That’s a pretty low bar, though. It’s not exactly “take all thou hast, and give to the poor”-type stuff. More like, “I’m not an aggressive dickweasel! Yay me! Please give me some benne brittle!” Mmmm, tastes like exploitation of West Africa.

Two, the history of slavery in America is always taught as if there was little to no resistance from slaves. I have wondered about that plenty, thinking, when S.C. was 80% black, how in God’s name did white people keep from getting straight murdered all the time? I mean, “by using inhumanly savage violent repression,” obviously, but even so I thought there would be more “whoops, the plantation house caught on fire and nobody could get out mumble because people were standing outside in a circle armed with hoes and axes mumble.” But I’m starting to think that the slavers’ nightmare happened much more than I think, but the news of it was repressed as savagely as the small rebellions, so as to keep anybody from getting any ideas. OK, this wasn’t actually my initial point at all but it is worth considering, so I’ll just break this post up for easier commentatin’.

The English columnist Nick Cohen had [a piece on immigration in yesterday’s Observer](http://www.theguardian.com/commentisfree/2016/feb/06/liberals-harsh-truths-help-refugees-syria). For those who don’t know his work, Cohen is a former left-wing radical journalist who has now renounced “the left” for its supposedly regressive views and who, post-epiphany, lashes “liberals” and others in the pages of the Spectator and Standpoint. A Paul Johnson for a new generation.

His latest effort is full of his trademark jibes that “the left” is soft on Putin, together with swipes at stock figures such as the “no-platforming student dogmatist”. But let’s leave the fluff and the fury aside and concentrate on the substance of his piece.
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Would you like to watch a pro-natalist video from Singapore…and Mentos or something? The answer is sort of that you wouldn’t because it is the single most embarrassing thing in the world. It’s waaaaay more like the Lonely Island’s (awesome) song “I Just Had Sex” than it is like anything remotely appropriate as a domestic policy, er, proposal. But it is real. (Congratulations on the 50 years, Singapore!) I mean, you can see that it’s intended to be funny, yet…

“Aw yeah baby, I want to hang out in your void deck.” THIS WAS A REAL THING. There is a moment where you think, someone had to actively approve of this idea.

Lifted from YouTube comments (!) “Response by my London friends: ‘LOL That’s hilarious!’ Response by Singaporean viewers: ‘HAH? WHAT STROLLER? LIAK BO KIEW!’ It’s terrible when foreigners get the song more than locals. We have a terrible sense of humour.” This is not evidence of a lack of humour per se or anything other than being price-conscious IMO. Relatedly, I saw an ad for OCBC or something on Singapore Airlines: father and young son approach huge carousel and ticket booth manned by improbable moustachioed Irish fellow. “How much?” “One dollar and children under five are free.” “I’d like two tickets then.” Irish guy: “how old is your son?” “Six” Leaning in close, the Irish guy, “you know, you didn’t have to buy him a ticket. I never would have known.” “No,” says the dad looking down at his son’s gleaming, parted hair, “but he would.” I was kind of moved by this commitment to Asian values (I am a soft touch generally) until I realized the ad was ostensibly about a Singaporean refusing a free ticket. Just, no.

ETA: how exactly did they Iggy Azalea that accent up?

I spent a good chunk of yesterday reading the second half of Lynsey Addario’s [*It’s What I Do: A Photographer’s Life of Love and War*](http://itswhatidobook.com/). I’d been reading it a few pages at a time for the previous week, but then I just got carried away and had to read right to the end. As CT readers know, I’m keenly interested in photography, but it is also the case that reading accounts from war photographers (and seeing their pictures) has changed the way I think about war and conflict.

After September 11th 2001, the blogosphere erupted into being a thing, and several hundred part-time pundits spent a good period of their time arguing with one another about Afghanistan, Iraq, the Islamic world, military tactics and a thousand other things they knew virtually nothing about. Some of them are typing still. I penned what I now regard as an unfortunate essay on just war theory and Afghanistan, unfortunate because there I was applying abstract principles to conflicts where I hadn’t a clue about the human reality. I hope I’d be more careful and less reductive today, and that’s partly as a result of people like the photographer Don McCullin, and his autobiography *Unreasonable Behaviour*. I’d heard of Addario’s book a few months ago, but then I saw some of her pictures at a festival of documentary photography in Perpignan, France, and decided I had to read it.
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Hey, do you want a look at Vatican City’s hottest priests? Someone will totally sell a calendar to you. Right there next to the 10,000 other tackiest items for sale along the street that leads to St. Peter’s Basilica. It’s just black-and-white prints of photos taken on the streets in the Vatican during special days. Less appropriate sexy funtimes can be found in the Orthodox Church; the video is mildly unsafe for worth in that the camera ogles shirtless young men while they are laved from a font by a man wearing a chausuble, and that sort of thing, but the still photos are…wait, do you work in a cubicle? You don’t want to seem like this guy from the Key and Peele sketch as you’re surfing the Gaily Grind. I’ve gone tacky figurines and blessed amulets shopping there before, to buy things for Margaret, my granddad’s…maid, sort of? Housekeeper? She lived with him for more than 30 years. She was an adorable, tiny old Irish woman with a number of teeth fewer than is commonly seen, and would always fuss over how much you’d grown and make you (this was mandatory) “just a cup of tea and an English muffin with a bit of butter on it.” She planned to retire at 75. She didn’t actually know exactly how old she was, until my grandfather went to her hometown while in Ireland and looked her up in the parish church. She was older than she thought, a fact which pleases, as Agatha Christie notes, only those younger than 16 and over 80. Her three children put her in an old folk’s home as soon as she turned up. That was some King Lear shit. She called and pleaded with my grandfather to bust her out of this crummy place in New Jersey. And so she returned to her room next to the kitchen, with the old TV and the crucifixes, and the framed photos of Pope John Paul II, and performed increasingly light duties like making breakfast until she was in her late 80s or even early 90s and she needed nearby assisted living for real because she couldn’t manage the stairs. Mildly disjointly, I think the vast majority of the breakfasts my grandfather consumed during his life were brought to his bedroom on a tray and included fresh-squeezed orange juice. Sometimes he would go retrieve the prepared tray himself, but I count this the same. And WWII obviously dragged the numbers down a bit. This is a noble life goal to which we should all aspire.

Even then my grandfather would drive over to see her every Sunday. He would pick her up, take her to church, go to church himself which was shorter because he had the common sense to be an Episcopalian (though it seemed at times he actually believed, a thing likely to cause a furrowed brow among his friends) and then take her back. He didn’t even want to go to church in town! After she died he started to go to the closer Bridgehampton church he preferred, mostly IMO because they have a half-hour service at 8 a.m. without hymns, and one can get the whole thing over with and get a good tee time with leeway for a Bloody Mary, all quite early in the day. The hymns are the best part, though, so going to this service sucked. Also it was too early. Yet one felt obliged to go. But the priest there is a lovely person who married me and John and also baptized both our children. “But why, Belle, that seems like a lot of trouble to go through seeing as you’re not, in fact, a Christian?” Look, being Episcopalian is a social thing, like being a secular Jew, but with a bit more ritual effort required. Anyway it made my grandfather happy. That was the main point. Also, there’s this one awesome part where the priest anoints the kid with chrism and says “CHRIST CLAIMS YOU FOR HIS OWN.” One definitely gets the sense then that if the post-death regions exist and are not quite as one has imagined them, nonetheless one will be on firm ground. You should think of it as an excuse to throw a catered betting party with your friend-with-benefits Pascal.

I have a few observations about Asia, and living here and also traveling to nations other than Singapore. I have been mulling them over on this trip alone as I have no one to talk to (except everyone I meet, and it’ll astonish you to know I am a friendly, chatty person. Well, the friendly might surprise you if you think of me as a harpy swooping to scourge my foes with a whip of venom. In truth I smile at strangers, and it took me some little time living in NYC before I could repress the drive to meet with my gaze every person I pass, a practice that actually impedes walking in Savannah, as one frequently knows the person and cannot, under any circumstance, walk past them without speaking briefly. My children think I am “scary,” a not unadulterated good character reference. By this they mean I have a mean glare on me, but that’s part of a mother’s job. If you can’t get somebody to stop fooling around just by looking at them sideways, you have failed to cultivate your maternal powers.) I have been loath to commit them–these ideas you forgot I was talking about just now–to pixels because I feel they are disorganized and perhaps it is not even possible to unwind the tangled skein. However, you are always kind in accepting my scattered thoughts as continuous writing and thus encouraged I will proceed.
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I realize our blog was curiously silent when we were all thinking, “gay marriage–in your FACE bitches!” And, “isn’t it a good thing that not quite enough Supreme Court justices were swayed by a ludicrously weak argument first tendered in the spirit of ‘0bummercare’ on IIRC the Volokh Conspiracy; at the same time, wasn’t that scary? Still, in your FACES hypocritical Jesuitical bastards!” And, “oh Lord why in the church why? How did he steel himself to it after they welcomed him and he did bible study for an hour. An hour! What kind of mordant acid of racism could etch a stain so black on the filth-splattered escutcheon of Dixie?” And, “I love the president of the United States of America. I am crying watching YouTube. There is snot on my face.” And, “holy shit, people are giving a crap about the confederate flag?! Are you serious? No, really, what?” I’ll be honest as a girl born in Savannah “home of the official platinum-level flag of bigotry” GA; a girl whose step-father was Edmund Kirby-Smith (the fourth and only)—this last one has me reeling. Also, has me realizing that I wasn’t cool in the 90s when I used a metal Dukes of Hazzard lunchbox as a purse for like 3 years. I was a dick. Well, truth be told I was going to post about the evil of Tom Bombadil, but then I felt like I needed to explain myself, so I’ll just wait a short while (and don’t you steal my thunder!).

The thing was, we flew to my in-laws in Eugene, OR (via HK and SF) and then I found out I had to do something in Indonesia so I flew back another 24 hours maybe six days later, to Singapore and then Bali, and now I’ma sort this out, fly back to Singapore, fly HK to SF to Eugene, and then the next day fly from Eugene to SF to Newark New Jersey to Savannah, and then 6 days later to Dulles, then National, then Martha’s Vineyard? No, I must have to fly to Boston. Whyyywwyyyy? OK, some people have real problems that don’t involve them flying around the world to beautiful places, so I’ll stop moping and let’s join in a carefully composed round of huzzahs and somber reflection and sore winner uncharitable triumph, shall we? In short, America: F@#k Yeah.

People often complain that they can never listen to Bob Marley because the over-popularity of the compilation “Legend,” and its subsequent over-play in every randos college dorm room, every frat party, and every back-packer hostel, everywhere in the world. It is incongruous to sit on a big bamboo platform in Cambodia and listen to “Buffalo Soldier.” I’m sure this is no longer true and today’s college kids can have a happy experience in which they just find the song “No Woman, No Cry” all on their own. I hope. I am somewhat permanently inoculated because I listened to those songs when I was a kid. And for god’s sake, “No Woman, No Cry” is a beautiful song. But anyway, if all this bothers you for some reason, you don’t have to say “lively up your own self, Bob Marley. I’m listening to Desmond Dekker!” Just listen to different, other Bob Marley songs. I actually had this first one cued up for a post about how to not comment like a sexist dillweed, but I’m sure I’ll find something else. Small Axe, baby, coming to cut you down!

Mr. Brown!

Mr. Brown is some kind of ghost/duppy/magic user creepo getting chauffered around in a three-wheeled coffin, with crows that can talk. The sampling style is all spooky to reflect that it’s a ghost story.

High Tide or Low Tide is my favorite Bob Marley song. At my dad’s the difference between high tide and low tide is almost eight feet. So the high twice a day and low twice a day is vividly present as part of the day. Day by day it cycles one hour later, with cool high tide covering all but the tips of the marsh grass at 3pm sometimes, and then, not so many days later, the smell of vegetable rot and death-still calm of low tide at the hottest of the day. The leaves of the palmetto hang down against one another, creaking leatherly but not moving, and a great wide greasy stain of unmoving water shows at the center of the river and centipede-like sending legs up every marsh. When I was young my god-father’s black labs were named high tide and low tide. This is also the song my brother put on a mix for me when I was really bummed out, so it reminds me that he loves me.

Take that, frat-boys!

MIGRAINES ARE THE WORST. Well, no, I mean, obviously having your children be sick and not having money for the doctor is the worst.* Our domestic helper here in Singapore is prone to really bad migraines and yesterday she was totally felled, lying down in the dark and vomiting so much I had a hard time bringing her water–since you can’t drink water just after you’ve thrown up. We have O.R.S. but she hates them, and she was so miserable I didn’t want to force them down her. It is so hard to make her rest when she’s ill that if she ever listens or lies down of her own accord we know she is feeling truly awful. John half-hoped some common unknown environmental factor was the culprit and that she and I would both get better when we moved out of our old, colonial-era house. Sadly, no. I have also been having terrible migraines for the last 18 consecutive days, and unfortunately they are remodeling in the flat upstairs. This has been a source of unhappiness. THEY HAVE BEEN DRILLING.

I have also cut my pain pills down slowly over the last six months, which was clever and virtuous of me, but now I don’t have enough pain medicine and I’m like “I forgot quite entirely how horrible this was! Pain! It’s your body’s way of saying, ‘hey something is probably sort of broken or something.'” Also topamax, medicine which I take for migraines, and which I am taking more of, makes you stupid. It’s called “dope-a-max” for a reason. The combination of all these factors has made it difficult for me to learn my Japanese characters (kanji), I’ll tell you what. This is some Harrison Bergeron shit on the 24th floor. I got all 15 right on the practice quiz Zoë made for me and then I blanked on a full five when I took the real quiz half-an-hour later on Sunday evening. Years of caring about academics make it very painful for me to do badly on quizzes. Really, it is like a knife in the guts. If she would just give us a list of the English meanings it would be OK. But our tutor gives us an actual sentence with any other, as-yet-unknown-to-us kanji spelled out (in Japanese they can write the pronunciation in hiragana or katakana on top of them, small and light; they would do this for very rare words, I think, in an adults’ book, and they do for commoner ones in a book for children or learners), and then the hiragana or katakana for the kanji we are meant to have learned underlined, and we have to write the kanji below that. So we need to read the sentence correctly as well as remember that, for example, ‘ka’ can mean ‘borrow’ as well as like five other things (I say this, and we have learned only about 50 kanji so far.) Violet continues to enjoy mocking me (in the most friendly, cheerful way imaginable!) about my troubles, criticizing my disinclination to use the large full squares in my notebook (I have small, very neat handwriting, and the big boxes don’t appeal), and writing Chinese characters in the margins that are similar but a million times harder, just to put things in perspective for me.

Now, a person can listen to music in this situation, but sometimes that’s just like turning the whole thing into a rock concert. It’s better than drilling, though, usually. I don’t like to listen to podcasts, but John does and he listened to one about a year ago that was an interview with Brian Eno. In it, the interviewer was saying how much he loved Here Come The Warm Jets and Eno said that he hadn’t actually listened to it in over twenty years?!? This was flabbergasting and wrong and bad, since we should all be listening to it, be we Brian Eno or no which, on balance, we are unlikely to be. I feel awkward about your experience of this song, because on the LP, the harsh intro of the next song, “Blank Frank” starts really soon after the last note of this–sooner than the start of a hypothetical next measure. I thought of linking to within a youtube clip of the whole album but am not certain it would come off. It’s distinctive and crucial, though, so I recommend you listen to the whole of Here Come The Warm Jets on principle.

This song somewhat resembles the Cure’s “Just Like Heaven” in that the sad, sweet vocals only enter after what seems an unexpectedly-long music-only intro, and that it is shorter than you want it to be, such that you want have to re-play it.
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That’s one good thing about music–when it hits, you feel no pain. I recently had an out-of-the-blue need to hear this Cure song, partly thinking that Zoë would like it, which she does, a lot. It’s a very happy feeling to introduce someone to music that they love. I remember the first time I listened to this song vividly, because I had two friends sleeping over, one of whom had brought the tape. My step-father had an (admittedly solid) “free cheap red wine for sleepovers” policy. I was thinking it started in middle school, but on reflection I realize it must have been ninth grade. In middle school it was sort of unofficial. This encouraged a make-out during sleepovers policy also unofficially endorsed by my stepfather but WHATever, awesome parenting skillz. My step-dad had his bad side but he really knew how to throw a fun party. Let it never be said he was not fun at a party. I mean, stuff went wrong eventually, sometimes, with either drywall, glass tables, or his hand getting broken (or all three!), or firearms being discharged indoors, or my mom magnificently sweeping down the stairs in a silk 1930s gown and putting a stop to all further shenanigans by hacking a big piece out of the entryway to the living room with a machete. That last was really memorable and for whatever reason put a stop to what had been a many-year run of weekly two and three-day parties.

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UPDATE: REDOUBLE YOUR EFFORTS AT MAOIST SELF-CRITICISM, COMRADES; DO NOT BE GULLED BY MY MOPING. TELL US YOU BELIEVE SOMETHING CRAZY. IT IS A NEAR-CERTAINTY!

In the thread to one of my string of unfailingly well-intentioned, generous–not to put too fine a point on it, let’s just say, kind posts on Political Correctness, some of us discussed what it would be like if I were actually kind we had a “safe” thread in which we could discuss feminism without worrying we would ban ourselves from polite society by saying The Wrong Thing. Now, I cannot actually bring it about that other commenters will not remember what you said in this thread and be a dick to you about in some future thread. I can fight the tendency by asking everyone who participates to do so in a spirit of truthfulness and generosity; by banning unpleasant arguments in this thread; and by ruthlessly deleting future comments of this sort when they are made to one of my own posts. If the comment is not made to my own post I can still upbraid the person for violating what is meant to be a minor experiment in honesty and, yes, kindness. However, if you feel what you have to say is truly incendiary you can always just make a burner pseud for the occasion. The tradition followed at unfogged is that regular commenters donning a pseudonym of convenience choose some past political leader. I think it would be nice if we took up floral banners for the day and became Lady Clematis or some such, but I leave the details to you.

Now, I must tell you my own “I have the possibly wrong” opinion on a feminist issue, but it won’t make sense without context. This may seem like a silly tic of mine, this constant introduction of my actual life, blobs and swirls of ink floating on water and ox-gall, and slashed at, just so, with a fork, yielding marbled paper on which the posts are hard to read at times when compared with the black on white clarity of some of my co-bloggers. But this is the secret: the personal really is the political.

When I got raped at college I knew a lot about some things and nothing about others, but being a teenager I pretended to know mostly everything. I wasn’t a college student, even; the National Cathedral’s School for Girls sent two girls every year to study at New College, Oxford during the summer between junior and senior year, with a bunch of college students from Ohio. These programs are just money-farms for Oxford and the professors do not take them very seriously at all. When I got the reading list, I was 16, so I took it completely seriously. I read everything. All the books on the list. I didn’t understand that you’re not really supposed to. I read Ulysses. I did not understand it hardly at all and I just read that damn thing anyway, on my spring break, in the hammock on the sleeping porch at my dad’s in South Carolina, one leg pumping idly against the white uprights between which the screens are stretched, birdsong and cicada up there enough to be loud. So loud! The experience of forcing myself through hundreds of pages of something that I don’t understand is unique to my adolescence. Three Shakespeare plays. Secondary literature I had to get at the big library downtown in D.C.
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Oh, and Merry Christmas! (Been a hectic holiday season for the Holbo/Waring clan. Good and bad. Leave it at that. So I went off the grid.)

Here’s a bit of Crooked Timber, captured in Takoma Park, MD.

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Its been a long time coming, but we, at least, feel it’s been worth the wait. My book with Adam Swift, Family Values: The Ethics of Parent-Child Relationships, was published earlier this Fall. The book originated in conversations we started having many years ago when I was living in the UK, and we found not only that we were both planning to write books about the place of the family in liberal egalitarian theory, but had similar enough views, and different enough habits of mind, that a book written together would be better than either of us would write separately. Here’s the publisher’s blurb:

The family is hotly contested ideological terrain. Some defend the traditional two-parent heterosexual family while others welcome its demise. Opinions vary about how much control parents should have over their children’s upbringing. Family Values provides a major new theoretical account of the morality and politics of the family, telling us why the family is valuable, who has the right to parent, and what rights parents should—and should not—have over their children.

Harry Brighouse and Adam Swift argue that parent-child relationships produce the “familial relationship goods” that people need to flourish. Children’s healthy development depends on intimate relationships with authoritative adults, while the distinctive joys and challenges of parenting are part of a fulfilling life for adults. Yet the relationships that make these goods possible have little to do with biology, and do not require the extensive rights that parents currently enjoy. Challenging some of our most commonly held beliefs about the family, Brighouse and Swift explain why a child’s interest in autonomy severely limits parents’ right to shape their children’s values, and why parents have no fundamental right to confer wealth or advantage on their children.

Family Values reaffirms the vital importance of the family as a social institution while challenging its role in the reproduction of social inequality and carefully balancing the interests of parents and children.

You can read more about it, too, at the p. 99 test.

A good number of the ideas have been tested at some point or another on Crooked Timber, and we’re grateful to commentators for taking us to task. In fact we’ve been lucky in having been able to publish, and get feedback on, some of our ideas along the way – among the many reasons it’s taken us a while is that our ideas have evolved in response to the feedback we have gotten (this is my way of saying that the book is not a simple repackaging of the best-known papers we’ve published on the subject, but a wholesale rethinking with substantially different arguments and, in some cases, conclusions).

Since the book is about the family, I thought I’d share two of my children’s reactions when I first brought a copy of the book home. My 8 year old (boy) said “Oh you wrote a book, that’s interesting. Its a bit strange having that huge dead chicken on the cover, though”. The eldest (girl, whose friends were still frequenting the house in great numbers when the first copy turned up, just before she left for college) was less excited. “My friends are really impressed that you’ve written a book. But I’m not really. I mean, it’s just part of your job, isn’t it? It’s just what you’re supposed to do. I mean….its not like you taught a third grader to read, or something like that“.

I have all these songs cued up and stuff I wanted to say about The Dazz Band (it’s literally disco jazz! What is not to love?!), but then I listened to this track five times in a row today, and I thought, ‘Belle, old bean,’ I thought to myself, ‘why are you being so aintry with “Love Come Down” and bogarting this when you could be sharing it with everybody at Crooked Timber? Why?’ Readers, there is no good answer to this question, so here is Evelyn Champagne King. The first time I listened to this song about a month ago I thought I had a problem with the tinkling synth descent that opens the song and runs behind “ooh you make my love” in the chorus. Then I listened to it again. Then, I listened to it a few more times. Then I realized I loved those tinkling synth chords.

You might think I could be sharing this with one John Holbo, but there is a huge area of non-overlap in the Venn diagram of our musical tastes, and this falls right out there in the “Patrice Rushen, huh? Meh” area of John’s non-overlapping section. I can’t share it with my children because they don’t super go for this either, although, being young, they have frequently widening tastes. I introduced our older daughter to Sufjan Stevens the other day and she likes him a lot; our younger daughter objected after the first 30 seconds of listening to a purely instrumental section, “this is too sad.” I was like, “there’s a happy part here for a bit! Oh, God, no.” What is unquestionably one of the saddest songs ever recorded comes next. Violet: “is she dying? I told you it was sad! Turn it off!” OK, fine. The one verse in that song that truly pains me is “In the morning in the winter shade/ On the first of March, on the holiday/ I thought I saw you breathing.”

My brother and I were with my grandmother when she died, my father’s mother. He had finally gone upstairs to sleep, at two or three a.m., I convinced him. He had been up for so long, at the hospital, and then fighting to get her back home. My brother and I were just sitting in the room with her, with the TV on, talking, and I was holding her hand, and suddenly we fell silent and my brother said, “look.” It seemed as if she were dead, but the fan in the room was strong enough that her thin cotton nightgown was still fluttering on her chest, tiny sine waves I hoped were breaths. I had ordered ten of those nightgowns custom-sewn for her three years before she died. She only had a few she liked: all cotton, and opened all down the front and closed with snaps. But she had gotten so much thinner they gaped at the neck in too-deep a curve, and she was cold, and got chills that gave her back-spasms. I took one to a dress-maker in Savannah to have it reproduced and she sniffily told me to go to Sears, and I told her I had tried everywhere. I asked how much fabric she would need for each and I went and bought cotton by the yard, white with thin blue stripes, tiny pink polka dots, pale blue squares. And lace. The lady at the dress store didn’t even want to do it, she told me it’d cost more that $100 a gown for the work. I said my grandmother was a proud woman and this was all the clothes she was ever going to have for the rest of her life, and they should be just how she wanted, and they should take the damn money and make them. They weren’t done till after I left town and my dad was mad at me for spending too much money at my grandma’s (N.B. he was, separately, quite right, just not here); I found out later he was appalled by the cost also and had cut back on the nightgowns from ten to eight. I don’t know when I have been so mad in my life. So seeing the cotton tremble I told my brother he was wrong, and we sat in the stillness for a while longer before I really tried to check properly, because I wanted not to know just even for a few seconds more. Now Sufjan Stevens has probed a vein of sadness beneath the sheer pleasure of sharing “Love Comes Down” with all of you, but I invite you to enjoy it in a spirit of good cheer anyway. I think we would all be happy to die at 83, at home in our beds, taking liquid morphine, and with our family around us. Love does not, in fact, conquer all, but surely it snatches a kind of victory from the jaws of inevitable defeat.