Epic Rap Battles of History can be uneven but is, at times, amazing. My favorite is MLK vs. Gandhi with Key and Peele. Eastern philosophers vs. western philosophers is awesome– it deviates from the usual “who won, who’s next” close, ending instead with “what is winning?” Ten points to Ravenclaw. And “you don’t want to stand in the path of Laozi today; move, bitch, get out the way” is inspired. However, some effort should have been made to pronounce the Chinese philosophers’ names. Any effort, smdh. Finally, the philosophers on each side end up turning on one another, exactly as Schopenhauer would have it:
On the other hand, hardly has any system of philosophy come into the world when it has already begun to contemplate the destruction of all its brothers, like an Asiatic sultan when he ascends to the throne. For just as there can be only one queen in a beehive, so can only one philosophy be the order of the day. Thus systems are by nature as unsociable as spiders, each of which sits alone in its web and sees how many flies will allow themselves to be caught therein, but approaches another spider merely in order to fight with it. Thus whereas the works of poets pasture peacefully side by side, those of philosophy are born beasts of prey, and even in their destructive impulse are like scorpions, spiders, and the larvae of some insects and are turned primarily against their own species. They appear in the world like men clad in armour from the seed of the dragon’s teeth of Jason’s and til now have, like these, mutually exterminated each other. This struggle has already lasted for more than two thousand years; will there ever result from it a final victory and lasting peace?
Aaaaaanyway my actual plan was to post this Epic Rap Battle of History: Thomas Jefferson vs. Frederick Douglass.
The Library of Congress Flickr photostream is a steady source of curious gems. Today, for example: what kind of belt/waistcoat is that boater hat guy on the left sporting?
I finished Elena Ferrante’s Neapolitan quartet yesterday. I know there’s been a lot of hype about these novels, but it is entirely justified. Actually, I write “these novels” but this is actually just one long novel, distributed across four printed volumes. For those who don’t know, it concerns the relationship between two women, Elena (or Lenu or Lenuccia) – the narrator – and Lila (or Lina) from childhood to early old age, and their mutual relationship to “the neighbourhood”, a working-class district of Naples and the many other families who live there. It is a difficult friendship, infected with rivalry, jealousy and resentment from the start. Lila is both intelligent and impulsive, spiky and demanding, capable of both extraordinary determination and of self-neglect and remains forever tied to the district; Lenu eventually enjoys worldly success and social evelation, but, in her own mind, is forever in the shadow of her “brilliant friend”. [click to continue…]
I’m sure I’m not the only person who’s been thinking about the words Thucydides assigns to the Athenians in the Melian dialogue
The strong do as they will and the weak suffer what they must
And I knew the immediate context. Militarily powerful Athenians demanded that the inhabitants of neutral Melos surrender their city and pay tribute. When the Melians refused, Athens invaded, slaughtered the men and enslaved the women and children.
I didn’t however, have any broader context in which to place this episode, even though the information is readily available on Wikipedia for example, which is my source here (apologies in advance to any actual experts for inaccuracies). The story begins with the formation of the Delian League, an expression of Greek unity in the war against Persia. The Athenians used the League to supplant Sparta as the hegemon of Greece, and then to oppress the other members, leading to a series of attempted defections. In Thucydides words
Of all the causes of defection, that connected with arrears of tribute and vessels, and with failure of service, was the chief; for the Athenians were very severe and exacting, and made themselves offensive by applying the screw of necessity
Eventually, this policy led to the outbreak of war with the Spartan-led Pelopennesian League (this war was Thucydides’ subject). The attack on Melos took place during a brief period of peace about half way through the war. The war ended with Athens being utterly defeated. Only the mercy of the Spartans prevented the Athenians sharing the fate they had meted out to the Melians a decade earlier, as Sparta’s allies demanded.
Rather than extract analogies to current events, I’d like to observe that the historical setting suggests a very different reading of the dialogue to that commonly seen today. In most of the contemporary discussions I’ve read, the Athenian side of the dialogue is presented as embodying the remorseless logic of power politics. But in the light of the outcome (well known to his intended readers), it seems to me Thucydides is better read as showing the Athenians as subject to the kind of hubris that demands, and inevitably receives, punishment. By contrast, while the Melians made a bad bet in resisting, their arguments are entirely sound, and should have been convincing to a rational hegemon.
Those whom the gods wish to destroy, they first make mad.
This will be the final installment in my ‘were the Nazis right-wing and, if so, why were they socialists?’ series (part 1, part 2).
This final post will consist mostly of a long passage from a chapter titled, ‘The Conservative Dilemma’, from Conservative Revolution In The Wiemar Republic, by Roger Woods. But I’ll frame it with a few general thoughts.
Before we get to the passage, the thing you should know is that ‘Conservative Revolution’ is not a tendentious title – some sinister liberal attempt to slap ‘conservative’ onto a bunch of Nazis (who were radicals, not conservatives!) Or if it is semantically tendentious, it isn’t the author’s fault, just because it seems like an flagrant oxymoron. German nationalists, from 1918 on, used the phrase ‘die Konservative Revolution‘. It was the proper, often self-applied name of a literary/intellectual movement.
I had been planning to write this post in part about the killing of Freddie Gray in Baltimore before rioting broke out there. My mom was in Baltimore on Monday, actually, at Johns Hopkins; I talked to her and my sister and aunt in the morning. Goddamn. Then I thought I would post about a number of killings of unarmed black citizens by police and this one case in particular was so messed up that my post got too long, so I’ll leave it here for the moment. On Monday the 20th, Chicago police officer Dante Servin was found not guilty of all charges in a directed verdict from a bench trial for the fatal shooting of 22-year old Rekia Boyd. He was charged with involuntary manslaughter, reckless discharge of a firearm, and reckless conduct after shooting two people, one fatally, on March 21 of 2012. Servin lives near a park where people often gather at night and hang out. He had called in a noise complaint to 911 and then went out in his car (passing by on his way from getting food in one account, though this wasn’t clear, since most other articles discuss him putting his trash out (which involves one’s car in Chicago?!). They were right behind his house, it seems, and it’s a pity that, as lead detective on the case Officer Ed Heerdt said, Servin did have cameras mounted on his home but “he told me the system was inoperable and I was satisfied with that.” [So you didn’t check, then, or anything? Ah.] He took with him an unregistered 9mm handgun, and drove by slowly telling people to keep it down.
A bystander, Antonio Cross, who was on the phone with his cousin, says that he thought Servin was trying to buy drugs and said “f$%k you.” The cousin confirms this. Then Servin, thinking the phone in Cross’s hand was a gun, pulled out his weapon and fired over his shoulder into a group of people, shooting Cross in the hand and Rekia Boyd in the head. By this description people mean, I take it, that Servin was sitting in the car with the window down, drew the gun and fired over his left shoulder, turning around in the seat. He claimed via lawyers to have felt something “touch the back of his head”–i.e. his contention is that Cross put the phone there pretending it was a gun, just to scare him. Maybe that’s his contention? He also claimed (via others) that Cross merely “waved” the phone in such a way as to make it look like a menacing gun. The defence also, separately and quite at cross-purposes, argued that Cross’s cousin thought he heard 8-12 shots, while Servin only shot five times–so they muttered darkly about an undiscovered gun. (I think it is otiose for me to say no gun other than Servin’s was ever recovered at the scene.) The thing is, there sort of would have been shells, too, and places that got hit by bullets, and stuff like that. And if there had in fact been a gun barrel touching Servin’s head and then the gun were fired the results would have been noticeable. Well, when I say the defence said this and the defence said that, they didn’t have to work too hard, because this was a directed verdict from a bench trial. The judge (no jury) just stopped it right there after the witnesses had testified, said not guilty, and sent Officer Servin (yeah, he’s been a cop this whole time) home a free man. Why wasn’t it a jury trial? Apparently the accused can choose a trial before a judge. And what a prince of a guy Judge Porter is, because this is a totally reasonable thing to say to a grieving family: [click to continue…]
Sister Rosetta Tharpe! I think I’ve already made a whole post telling you to listen to more Sister Rosetta Tharpe before, but that doesn’t matter! Because the defect of her recorded sessions is that the guitar is mixed down way low and you can’t hear her rock out on the guitar. But I found these live sessions that just…
You weren’t expecting that old lady to play that solo were you? She has a goddamn (sorry Sister) whammy bar on that thing!
What about this? And, goddamn, not sorry, did they not let any black people even come to this concert? That’s stone cold, fellow white people. Stone. Cold.
”
This is from when she was younger.
The version of this song I know says “when you see a man jump from church to church/you know the conversion don’t amount to much,” and I have uncharitably said this about Rod Dreher.
Sister Rosetta Tharpe’s frequent performance of all these songs in nightclubs were obviously ironic and different…
This short BBC documentary about her and her influence is interesting (just 15 minutes).
UPDATE: OK you can click through and there is a whole hour of BBC documentary. I haven’t watched it. Also, she didn’t sing straight gospel in nightclubs, she sang other songs, but she also had ironic versions of the gospel songs like “This Train”, in which she sang no whiskey-drinkers or cigar-smokers would make the cut while in The Cotton Club!
In the old Blind School on Hardman Street, Liverpool, subsequently trade union offices and the home of the Picket (a music venue), there’s a cupola with a mural celebrating the workers’ movement. Sadly, the damp is getting to it. The mural was painted by artist Mick Jones, son of Jack Jones the trade union leader. Arthur Scargill leads Karl Marx and there is much other detail of interest. The owner of the nearby Hope Street Hotel owns the building now and has plans for to turn it into a gastropub, so let’s hope it gets restored rather than destroyed. (There are move shots of the mural in the adjacent sections of my Flickr stream.)
Jon Chait has an interesting column about the origins of ‘waving the bloody shirt’, which means (if you are unfamiliar with the phrase) demagogically inflaming resentment about past wrongs. The utility of such flames consisting, in part, in the generation of a smokescreen obscuring present circumstances the speaker finds it inconvenient to address in a more reasonable manner.
Chait just read a book – The Bloody Shirt: Terror After the Civil War, by Stephen Budiansky – alleging we have it almost backwards. The bloody shirt that birthed a notion didn’t belong to some dead Union soldier. That is, ‘waving the bloody shirt’ wasn’t functionally a smear against post-Civil War Democrats, turning every debate about post-war issues into a re-commencement of old hostilities. Rather, [click to continue…]
You know what’s a good idea, if you have access to a university library? Checking out nice big fat art books. The older daughter and I have been undertaking a study of French art. She likes Daumier, not Picasso. The Essence of Line: French Drawings from Ingres to Degas [amazon]. Daughter says: great stuff! I also checked out The Age of Watteau, Chardin, and Fragonard: Masterpieces of French Genre Painting [amazon], because I wanted to show both daughters a better-than-web-quality reproduction of that Fragonard swingfrom Frozen. Disney has been on a Fragonard kick since Tangled. (But I don’t suppose so many Crooked Timber readers are heavy into Disney princess films. But Tangled is really a masterpiece, I say.)
Anyway, older daughter’s reaction to Fragonard’s The Swing: is this some kind of ironic political protest? Stands to reason that Fragonard must have been the Stephen Colbert of rococo art. Book says it was painted in 1790. Presumably Fragonard read the newspapers. But wikipedia says it was painted circa 1767. That makes more sense.
The thing that’s great about Fragonard is … the trees. Just look at this ridiculous thing, The Meeting. I want someone to do a fête galante superhero comic in the style of Fragonard, with all the trees like so much Kirby Krackle, and all the heroes and heroines in satin, flouncing about. Imagine if Fragonard had painted Galactus and the Silver Surfer.
But I digress. In the Fragonard book, on the facing page, we get an amazing addition to my informal collection of silly pictures of philosophers. [click to continue…]
The past year has been one of reading long books. Naguib Mahfouz’s *Cairo Trilogy*, *War and Peace*, and, on the back of the latter Vasily Grossman’s *Life and Fate*. I’m still digesting. Is *Life and Fate* the greatest Russian novel of the past century? I don’t know, and it seems like an invidious question. But great it certainly is. Not so much for the writing — at least in translation Grossman’s prose is, well, prosaic — but for it breadth of vision, its humanism, its psychological insight and for Grossman’s courage in facing up to inconvenient facts about human beings and his own society. Grossman, Soviet war correspondent alongside his rival Ilya Ehrenberg, one-time favoured Soviet writer, seems to have imagined the book might have managed to get published under Khruschev, as *One Day in the Life of Ivan Denisovich* was. What an absurd hope to have had. *Life and Fate*, was “arrested”, the typescript seized by the KGB. But Grossman had made copies which were smuggled to the West, and the book was finally published in 1980.
At the heart of the novel is Stalingrad, briefly, as he puts it, capital of the world, the focus of a great struggle between two totalitarian powers. Alongside this, and interwoven with it, are the travails of nuclear physicist Victor Shtrum and his extended family, their dealings with a capricious state, their moral dilemmas and psychological adaptations in the face of its cruelties. In the background lurks the memory of the year 1937, knocks on the door in the night and sentences of ten years “without right of correspondence”, meaning, in actuality, a bullet in the head. Right in front is the destruction of European Jews, massacres and deportations by the invading Germans and the imminence of death. And all the time the question occurs, made vivid by Grossman cutting between Soviet POWs in Germany and zeks in Siberia of whether there is any moral difference between these two regimes. [click to continue…]
I’m reading up on the history of party politics. It’s a nice question why Henry Bolingbroke doesn’t get more credit for theorizing the benefits of Two Great Parties. But, now that I’m tucking into his “Dissertation Upon Parties”, I’m starting to get a notion.
Dude did not appreciate that regarding Whigs and Tories as closely related independent causes, yet great, does not make it great to write in closely related, independent clauses. Ahem: [click to continue…]
So, I was reading The Carolina Low-Country, published in 1931, which is a multi-author description of the physical beauty and lost culture of chivalric uh whatever of the Low Country, with a large section of Negro Spirituals in Gullah. (In practice this means they look as if they were written in old-timesy ‘let’s make fun of black people’s accents’ speak, but since no one knew the IPA and it is a real creole I’m inclined to let it slide.) Naturally its opening contribution is by a Ravenel, Charleston’s most prominent family. One of my father’s favorite stories is of the two drunk men walking along the river in Charleston: one sways and falls, clutching at the other, and they both go into the river, at which point one of them shouts “save me, for I am a Ravenel!” Since this is a True Tale of the Old South it’s almost certainly actually true; that’s just how these things work. If it included more, less probable elements it would be likelier. Like if he was bit by an alligator near Colleton or something. In any case, I came upon this gem (it has been previously established that “most important, and most purely African, is the negro’s highly developed sense of rhythm”):
To say that the spiritual is entirely or exclusively the work of the negro, or that it is “purely African in origin” is absurd. To its development, the negro brought certain highly essential qualities. Other factors necessary for the development of the spiritual he found on this side of the water. The blending and developing required infinite leisure. [emphasis mine] And this he had, for his many and varied tasks required of him in the main purely physical labor. He could, at all times, apply himself to singing while he worked.
I was ready to chuckle over the frontispiece and the second Ravenel and the two Pinckneys on the eleven-author list (one of my brothers best schoolfriends, and our next-but-three neighbor in S.C. is a Thomas Pinckney) when I looked a leeetle more closely and saw #5: Thomas R. Waring. Well, at least I’m not a white person who pretends I never personally benefited from slavery! Below, the salt-water marsh of the May River in Bluffton, which opens up to the sea behind Hilton Head Island. They never could grow anything on that. That’s just a place to hunt deer and ducks on the hammocks, and fish, and shrimp, and get oysters and crabs. I say “just” but it’s so beautiful back in there. One place across from us we call “the Lost World,” because the brackish water gets even less salt as it forms a lagoon next to black-water swamp, and the water is clear but dark like strong tea, and every bald cypress and palmetto and pine and little water oak has tattered festoons of spanish moss gray hanging down, and everything doubled in the still mirror of brown-black water. Cicadas are the only noise, making it alternately deafening and loudly silent. I saw the biggest water moccasin in the world back there one time, crazing the black mirror with S-curves. Leisurely, like. Not the rice-planting kind, the other kind.
, by Roger Woods. But I’ll frame it with a few general thoughts. 
, by Stephen Budiansky – alleging we have it almost backwards. The bloody shirt that birthed a notion didn’t belong to some dead Union soldier. That is, ‘waving the bloody shirt’ wasn’t functionally a smear against post-Civil War Democrats, turning every debate about post-war issues into a re-commencement of old hostilities. Rather, 
[amazon]. Daughter says: great stuff! I also checked out 
[amazon], because I wanted to show both daughters a better-than-web-quality reproduction of that 
