Ramesh Ponnuru gives me a little spank for getting his name wrong. Fair enough. But he goes on to say that I can’t “make an argument pertinent to anything under discussion.” No, I don’t think that’s quite it. [click to continue…]
From the category archives:
Just broke the Water Pitcher
Ramesh Ponnuru: “What on earth does Lemieux mean? Is he seriously arguing that supporters of a ban on partial-birth abortion want to punish women for having sex by exposing them, in some incredibly tiny percentage of cases, to unsafe abortions? That’s absurd.”
The context: “The ban Paul voted for, conversely, does nothing to protect fetal life, but simply tries to force doctors to perform abortions using less safe methods in some cases. Even on its face, therefore, such legislation is about regulating female sexuality and punishing women for making choices the state doesn’t approve of, which is as inconsistent with any coherent set of libertarian principles as it is with ‘states’ rights.'”
What is Ponnuru’s argument? It seems to be this. If Lemieux were right, it would be fair to accuse abortion opponents of being, in a certain sense, ‘pro-death’. But anyone who accuses the other side of being ‘the party of death’ must be wrong. Therefore Lemieux is wrong.
Ross Douthat on the great Reagan race-baiting debate. Douthat’s take: “Yes, that part was shameful, but that’s not the complete picture.” The ‘complete picture’ is more like: the great Goldwater-to-Reagan Republican realignment is “a story of liberal misgovernment on an epic scale, in which race played an important but ultimately subsidiary role.” [click to continue…]
The most entertaining cape-and-tights comic of the past several years might be Grant Morrison’s Seven Soldiers of Victory[amazon]. It’s getting to be a bit of a cliché, admittedly: toss a bunch of mismatched B-list heroes in the pot and mix it for has-been, coulda-been, struggling actor-syndrome support-group ‘well, how did I get here?’ irony. But the Klarion the Witch Boy [read the first four pages here] and Newsboy Army subplots are just so damn brilliant. Belle wants a Klarion T-shirt or, possibly, coffee mug for Thanksgiving. (Seasonally speaking, he is a Halloween-to-Thanksgiving sort of Goth-pilgrim hero.) I think it should say either "Mother, this is no time for hysteria," or, possibly, "I’ll send a monster made of 250 children to your aid."
Of course, knowing me, I’m reading vol. 1[amazon] of the Golden Age, original Seven Soldiers of Victory.The original seven were: the Vigilante; Green Arrow and Speedy (the only ones who hit the big-time); The Star-Spangled Kid and Stripesy (unusual duo, the adult is the sidekick); The Crimson Avenger and Wing (a ‘thank you velly much’ sidekick); and the Shining Knight and his flying horse, Winged Victory. There are six soldiers on the cover and either five (counting sidekicks out) or eight in the book (if you count them in, excepting horses); nine if you include the horse. In fact, the answer is: Winged Victory doesn’t count because he’s a horse, and Wing doesn’t count because he’s Chinese. (I’m not kidding. He never gets to attend any meetings either.) So there are Seven Soldiers of Victory. Their ‘slogan’: "Woe to all workers of evil!"
Why read this sort of thing? [Moves pipe to other corner of mouth.] Because in every one of these Golden Age collections, the quintessentially Young Visiteerish quality of plot and dialogue …
If you haven’t read Malcolm Nance’s Small Wars Journal essay, “Waterboarding is Torture … Period” – well, you should. It is a clear, cogent, forceful statement of the anti-torture position. At the bottom of that page you also get a long list of links and trackbacks, and a comment box. Here, for example, is a helpful explanation of why all the anti-torture complaints about ticking time bomb scenarios miss the point:
One need not imagine a ticking nuclear bomb, by the way. One only need imagine that they are a father who has captured a man who belongs to a pedophilia ring that managed to kidnap his 2 year old daughter. In other words, the life of the innocent need not be in direct or immediate danger, nor must there be a high number of innocents in danger. A single innocent babe in danger of being subjected to such inhuman cruelty deserves to be protected by any means necessary, provided one is certain they have collared a member of the ring. I would never ever be able to forgive myself for allowing my daughter to be degraded in that way, and believe I would sleep well and without guilty conscious should I subject such a man to the minimum force possible to rescue her.
Jesus wept. Meanwhile, another commenter earnestly wonders whether the reason there is so much resistance to torture is that leftists have been watching too much TV.
Then you get Alan “for it even while I was against it” Dershowitz. And Blackfive, on ‘the virtues of waterboarding and secret prisons’: “The reason that character is so important in choosing a President is that the Commander in Chief powers are almost unchecked.”
Sigh.
I don’t have original ideas to contribute to the ‘debate’. I’m against torture. Maybe this would have some rhetorical effect: you can’t waterboard your way to winning hearts and minds. Giving up our country’s longstanding commitments against torture means giving up any hope of winning any War on Terror we might think we are fighting.
I hereby add my humble voice to the chorus of indignation at the sorry sight of the Mukasey confirmation. What follows are my stray, semi-formulated musings about how we got to hell in this handbasket [click to continue…]
Well, it looks like <a href=”http://www.washingtonmonthly.com/archives/individual/2007_11/012454.php”>everyone’s</a> making <a href=”http://www.sadlyno.com/archives/7789.html”>popcorn</a> for <a href=”http://www.nytimes.com/2007/11/07/books/07cons.html?ex=1352091600&en=ee37f9bbfe3bf306&ei=5090&partner=rssuserland&emc=rss”>the big Regnery suit</a>, looking forward eagerly to the discovery phase in which we may finally learn just how many copies of Regnery books are “sold” by being shipped from one wingnut outfit to another. As the <i>New York Times</i> reports:
<blockquote>The authors also say in the lawsuit that Regnery donates books to nonprofit groups affiliated with Eagle Publishing and gives the books as incentives to subscribers to newsletters published by Eagle. The authors say they do not receive royalties for these books.
“You get 10 per cent of nothing because they basically give them away,” Mr. Patterson said in an interview.</blockquote>
<a href=http://www.firedoglake.com/2007/11/07/more-regnery-hilarity/>Jane Hamsher asks</a>, “Do these authors really not understand that it takes incredibly deep pockets to do what they’re accusing Regnery of doing, and that they are the beneficiaries of it?” Since the answer to this question is something like, “sadly, no,” it appears that this lawsuit might also suggest an answer to a question that has long vexed the philosophy of wingnuttery: <i>can there be a group of Regnery authors so stupid that other Regnery authors would notice?</i>
Elsewhere, in other wingnut welfare news, <i>New Criterion</i> editor/publisher Roger Kimball has <a href=”http://pajamasmedia.com/xpress/rogerkimball/”>donned pajamas</a> and is now <a href=”http://pajamasmedia.com/xpress/rogerkimball/2007/11/03/the_groves_of_academe_or_you_c.php”>complaining</a> that NYU is having a one-day conference about public toilets. No, you really can’t make this stuff up. (And the comments are priceless! –though some of them are probably subsidized by Regnery.)
China Mieville, a man who certainly knows his “political pelagic communities”:http://www.powells.com/partner/29956/s?kw=China%20Mieville%20The%20Scar, takes to the pages of _In These Times_ to fault “floating libertarian utopias”:http://www.inthesetimes.com/article/3328/floating_utopias/ for _not being crazy enough_. Much unfair fun ensues,
However, one senses in even their supporters’ literature a dissatisfaction with these attempts that has nothing to do with their abject failure. It is also psycho-geographical: There is something about the atolls, mounts, reefs and miniature islets on which these pioneers have attempted to perch that insults their dignity. A parable from seasteading’s past goes some way in explaining. In 1971, millionaire property developer Michael Oliver attempted to establish the Republic of Minerva on a small South Pacific sand atoll. It was soon off-handedly annexed by Tonga, and, in a traumatic actualized metaphor, allowed to dissolve back into the sea. To defeat the predatory outreach of nations and tides, it is clearly not enough to be offshore: True freedom floats.
Via “3 Quarks Daily”:http://3quarksdaily.blogs.com/3quarksdaily/2007/10/floating-utopia.html. Bonus points for anyone who figures out the obscure pun in the title of this post.
Via the Instapundit, I recently read this Michael Yon piece in which he proposes to offer his articles for free to US newspapers so that they can serve as a corrective to the misleading, negative reports on Iraq one reads today. I also read all the comments, because I am a peculiar person. My loss is your gain, however, since I am able to promote this moving, yet mysterious comment from its lowly position at 129 in the thread:
Carol Says:
There are two kinds of people in the world, those who read Michael Yon, and therefore know the truth and those who do not.It’s easy to figure it out, I just ask. I’ve stopped tipping black cab drivers who don’t know about you Michael, the smart ones do, they deserve the tip.
I will definitely send you a tip and will spread the word in deepest darkest Kensington.
I’m afraid I can’t muster any response to this more eloquent than, “wha–?” I briefly considered instituting a new practice of tipping Singaporean Tamil taxi drivers only when they had heard of dsquared, but it seems comparatively lackluster. Chinese taxi drivers only when they are willing to spit on a wallet-sized photo of Tom Friedman?
UPDATE: helpful readers point out that the commenter is talking about “black-cab” drivers, rather than cab drivers who are black. I didn’t know that. So, 100% less racist, but still crazy.
I thought, at first that he worked far harder than most of the men I knew. Later, I came to doubt this, finding that Quiggin’s work was something to be discussed rather than tackled and that what he really enjoyed was drinking cups of coffee at odd times of day
Anthony Powell, in A Dance to the Music of Time. Any of my co-authors will recognise this much of the picture, at least.
“Indeed.”:http://splinteredsunrise.wordpress.com/2007/10/16/bono-to-blight-dublin-skyline-with-giant-phallic-symbol/
Tim Lambert has some good, clean fun with Mark Steyn’s strange notions about Hollywood hygiene. (via Yglesias.) But then I flip to the NY Times and read that the bidet is finally coming to the US:
Although Americans have long shied away from conventional bidets, which are common in other countries, and the newer bidet seats, at least two major companies, Kohler and Toto, expect the seat to overcome that resistance eventually.
Proving once again that you can’t spell commodity fetishism without the ‘commode’. This calls out for something – not as beat your head against the basin stupid as Steyn; a microtrendy David Brooks column. Something wise and telling about bidet liberals vs. flyover country, do-it-yourself sons of the soil; of left-coasters who like sipping lattes, hands free, while “a remote-controlled retractable wand that spouts oscillating jets of well-aimed aerated water and a dryer that emits warm air” do the necessary. Some sort of ceramic sequel to Bowling Alone: America’s Declining Social Capital. Something faintly superior, yet self-deprecatingly alarmist, possibly involving clever yet oddly meaningless puns on ‘day’.
Quiet around here. I’ll try to amuse you.
I love Daniel Pinkwater. I feel there is something lost in all this playlisted, Netflixed, on-demand hoo-ha you call Modernity. There needs to be an element of randomized, cinematic, B-listiness. So I bought all these sketchy multi-DVD sets and, every couple weeks, Belle and I ‘snark out’, picking a disc literally at random. (First a random cartoon.) Mostly it’s worked out, until we actually drew Wild Women of Wongo from the deck. We’re too old for that stuff. Now, mostly, we go for SnarkPlatinum or SnarkSelect options (but I won’t bore you with my elaborate randomization system.)
Last week’s pick was "Illegal" (1955), starring Edward G. Robinson, plus bonus DeForest Kelley, Jayne Mansfield, and Henry Kulky action. The tag is simply false: " He was a guy who marked 100 men for death – until a blonde called ‘Angel’ O’Hara marked him for life!" Nothing of the sort happens.
I like the way they used to use quotation marks in the title itself.
But wait. If the title is "Illegal", shouldn’t I have to refer to it as "’Illegal’"?
From Michael Medved’s latest column, “Six Inconvenient Truths About the U.S. And Slavery”:
Historians agree that hundreds of thousands, and probably millions of slaves perished over the course of 300 years during the rigors of the “Middle Passage” across the Atlantic Ocean. Estimates remain inevitably imprecise, but range as high as one third of the slave “cargo” who perished from disease or overcrowding during transport from Africa. Perhaps the most horrifying aspect of these voyages involves the fact that no slave traders wanted to see this level of deadly suffering: they benefited only from delivering (and selling) live slaves, not from tossing corpses into the ocean.
So the ‘inconvenient truth’ is that the slave traders were the real moral sufferers, in this situation. (OK, you’re so smart. What do you think he meant to say?) Let’s read on.
By definition, the crime of genocide requires the deliberate slaughter of a specific group of people; slavers invariably preferred oppressing and exploiting live Africans rather than murdering them en masse. Here, the popular, facile comparisons between slavery and the Holocaust quickly break down: the Nazis occasionally benefited from the slave labor of their victims, but the ultimate purpose of facilities like Auschwitz involved mass death, not profit or productivity.
But since the most morally ‘horrifying aspect’ of the Middle Passage was, by hypothesis, the element that is missing in the Nazi case – the element that breaks the analogy: the heartrending spectacle afforded by frustrated profit motive – I take it Medved has just proved the slave trade was worse than the Holocaust?
So we don’t need to feel guilty about slavery, after all?
Oh, never mind. (Honestly, don’t these people have a Moveon ad to complain about?)
Via Sadly, no! (whose discerning discussion of the whole column is worthy of your attention.)
UPDATE: In comments it has been pointed out that my reading is not plausible. Yes, I noticed. In all seriousness, what do you think he meant to say?
Here are some follow-up thoughts to my long story arc TV post. Let me step back and take in the bigger picture. Seasonality. It’s pretty weird that it makes sense to try to deduce what is going on in a war from long-term seasonal trends. This is one way in which TV and foreign policy differ. In the TV case it is perfectly fine – good, even – to indulge in long arc story-telling. Things don’t always have to make a bit of damn sense, episode by episode, so long as there there is a satisfying up and down, up and down, in the long term. But foreign policy seems different. [click to continue…]
By general acclaim, it’s a fairly Golden age for TV. Thanks to HBO, but also for other reasons. Mostly it has to do with improved story-telling, due to whole season or multi-season story arcs, made possible largely by the DVD market, I suppose. Shows are being made to be sold as season-length packages. The effect on quality is salutary, but there are two risks. First, the show runs too long. A good story is undone – the early promise retroactively debased – by writers forced to drag it out; keep the golden goose laying past her prime. Second, a good show may be canceled, leaving the audience unable to finish the damn story.
Example: Invasion (2005) – which I’m considering buying for the typical Holbonic reason that it’s marked down 60%. (As a purchaser, I am indifferent – swayed neither in favor or against – by the consideration that it is written/produced by former teen idol Shaun Cassidy.) Who here has watched it? Any good? It seems to have won a solid fan-base, but not enough to stave off cancellation – supposedly due to a slow start, and being about a hurricane at the time of Katrina.
I like a good SF yarn. I don’t really like the thought of a cliffhanger with no resolution. But these sorts of no-end productions are actually becoming more common – the Edwin Droodification of TV, if you will. Which reminds me. I happened to catch a bit of a memorable Doctor Who episode a year ago – which I now learn is “The Unquiet Dead”. Charles Dickens is in it, and – inspired by the creepy, gaseous Gelth he has met – he promises to finish Drood, making the murderer a ‘blue elemental’. Maybe it could turn out, conversely, that there is a somewhat hypocritical family of Victorian snobs from Cloisterham under the water (!). Or something.
Let us discuss the state of TV, the long story arc, the advantages and risks that accrue thereto.