Crooked Timber

Here are some follow-up thoughts to my long story arc TV post. Let me step back and take in the bigger picture. Seasonality. It’s pretty weird that it makes sense to try to deduce what is going on in a war from long-term seasonal trends. This is one way in which TV and foreign policy differ. In the TV case it is perfectly fine – good, even – to indulge in long arc story-telling. Things don’t always have to make a bit of damn sense, episode by episode, so long as there there is a satisfying up and down, up and down, in the long term. But foreign policy seems different. Continue reading “Lost”

By general acclaim, it’s a fairly Golden age for TV. Thanks to HBO, but also for other reasons. Mostly it has to do with improved story-telling, due to whole season or multi-season story arcs, made possible largely by the DVD market, I suppose. Shows are being made to be sold as season-length packages. The effect on quality is salutary, but there are two risks. First, the show runs too long. A good story is undone – the early promise retroactively debased – by writers forced to drag it out; keep the golden goose laying past her prime. Second, a good show may be canceled, leaving the audience unable to finish the damn story.

Example: Invasion (2005) – which I’m considering buying for the typical Holbonic reason that it’s marked down 60%. (As a purchaser, I am indifferent – swayed neither in favor or against – by the consideration that it is written/produced by former teen idol Shaun Cassidy.) Who here has watched it? Any good? It seems to have won a solid fan-base, but not enough to stave off cancellation – supposedly due to a slow start, and being about a hurricane at the time of Katrina.

I like a good SF yarn. I don’t really like the thought of a cliffhanger with no resolution. But these sorts of no-end productions are actually becoming more common – the Edwin Droodification of TV, if you will. Which reminds me. I happened to catch a bit of a memorable Doctor Who episode a year ago – which I now learn is “The Unquiet Dead”. Charles Dickens is in it, and – inspired by the creepy, gaseous Gelth he has met – he promises to finish Drood, making the murderer a ‘blue elemental’. Maybe it could turn out, conversely, that there is a somewhat hypocritical family of Victorian snobs from Cloisterham under the water (!). Or something.

Let us discuss the state of TV, the long story arc, the advantages and risks that accrue thereto.

I’ve gotten a couple of reprint requests for the essay I did a while back for the Boston Review on the netroots and the Democratic party. Since the copyright for the essay reverted back to me when the BR published it, the easiest thing for me to do is to republish it here under a Creative Commons license, so that people can do what they want with it (under the broad parameters of the license). It’s beneath the fold in html format; one of these days I’ll port it into skinny-font LaTeX to annoy Daniel (if someone wants to do this themselves, of course go right ahead). I do make two (non-binding) requests of anyone who uses it. First, please say that it was first published in the Boston Review, and if you publish it on the WWW, link to their website at http://www.bostonreview.net. Second, in the unlikely event that you want to publish it in print, please send me a copy.

This is probably a good time for me to mention that the BR’s website has just undergone a substantial redesign ; it now looks much spiffier. The most recent issue has already gotten some attention because of Glenn Loury’s piece on the prison system/; also worthy of note are George Scialabba’s devastating little essay on Philip Rieff, and Roger Boylan’s article on Nabokov.

Continue reading “Netroots essay and Boston Review”

So, was Gonzales’ resignation yesterday specifically timed to happen just as the Daily Show started a two week hiatus? Inquiring (and very disappointed) minds would like to know. Not even to mention the revelations about Larry Craig’s bathroom misdemeanours. It’s very suspicious that the court judgment should have been handed down on August 8 – but that Roll Call should only have published the details yesterday. I seem to recall that the last time the Daily Show went on holiday, there was a similar outbreak of political scandals (the Libby case judgement etc). As they say, developing …

A bunch of rightwing blogs are getting excited yet again about Scott Beauchamp. For those who haven’t followed the story, Beauchamp is a US soldier in Iraq who wrote some pieces for The New Republic which, among other things, described bad behaviour by US troops, such as deliberately running over stray dogs and taunting a woman disfigured by burns. The pro-war lobby has worn out dozens of keyboards seeking to discredit Beauchamp, his story and the very possibility of running over dogs in an armoured vehicle. Now it appears the US Army has denied Beauchamp’s claims. (To reiterate, I don’t care about or intend to debate, or even to link to, the details of this case).

Some might suggest that the truth or falsity of these stories doesn’t matter much in the light of this. or this or this or this, to list just a few of the disasters have taken place while the wingnutosphere has been defending the US Army’s commitment to animal welfare.

But that would miss the point. What matters, in the world of rightwing postmodernism, is not reality but the way the media reports it. One bogus memo is enough to turn George W. Bush from a scrimshank who used his family connections to line up a cushy billet to avoid war service, and then shirked even that, into a war hero.

So, lets stick to media criticism. Not long after Beauchamp’s piece ran in a single magazine of modest circulation, all the major MSM outlets ran a story by well known critics of the war, Michael O’Hanlon and Kenneth Pollack whose intrepid journey through recently pacified parts of Iraq had convinced them that the surge was working. Here, for example, is their piece in the NY Times.

Continue reading “Beaucoup de Beauchamp”

One of the reasons I was so amused by my Soft Boys YouTube discovery is that it’s funny to see a young Kimberley Rew banging his head so furiously, alongside Robyn Hitchcock. He can really play guitar. His more recent song-writing/performing accomplishments are, to my ear, less convincingly rocking.

In other news, I was discussing TV and film with a student and it emerged that, since he hadn’t been born yet when The Simpsons started running, naturally he thinks of The Simpsons as a thing that has just always been there. A comedy equivalent of electricity and hot running water, if you will. Curious. (By the by, Amazon has seasons 1-10marked down 55%. If you are like me, you snap that sort of thing up.)

In other news, I see Keith Richards is writing his autobiography.

Via John Gruber I see Anil Dash wondering about the trend toward “square blocks of color … being used to represent percentage-based statistics instead of the traditional pie chart.” Like this.

I’d seen the one on the left—from a New York Times story about beliefs in the afterlife, and wondered about it, too. The white block in the middle of the Times graphic presumably represents “Don’t Knows” but it is not labeled. This is especially odd in the context of belief in the afterlife, as agnosticism is a recognized point of view and so not equivalent to “Don’t know” answers on other survey questions.

The main problem with this style of presentation is that it uses two dimensions to display unidimensional data. As the graphic on the right, especially, makes clear, the layout of the subcomponents of the graph is arbitrary. Maybe laying out responses on a line is impractical in a newspaper column. This is one reason pie charts are popular, but their problems are well known. (Word to the wise: don’t use them.)

Mosaic plots superficially resemble the ones pictured here, and they are sometimes used to very good effect. But the whole point of a mosaic plot is that it visually represents several categorical variables at once. It’s a picture of an n x n table, in other words, where the sizes of the blocks reflect the cell values in the table. Here’s an example. Even here you have to be careful interpreting the results. But the boxes above take this kind of picture but use it with only one variable, which doesn’t make any sense at all.

The rightwing blogosphere, with assistance from the usual MSM types like Howard Kurtz has spent the last week or two trying to discredit a soldier, Scott Beauchamp, who wrote a “Baghdad Diary” for The New Republic, which included various examples of casually callous behavior on the part of US soldiers (nothing on the scale of Abu Ghraib or other proven cases).

For the wingers, this is a continuous pattern. Before this, there was a flap about a report that failures by contractors were resulting in troops in the field not getting adequate food. Before that, it was the Jamil Hussein case, a months-long brawl with AP arising from a report by a stringer about attacks on mosques. Before that, it was reports from Lebanon of ambulances being hit by Israeli fire. And so on.[fn1] There’s too much of this to try and give comprehensive coverage, and I’m not interested in debating the details, but a search on Instapundit will usually get you started.

The Beauchamp case fits the general pattern pretty well. First, the wingers claimed that the Diary was a fabrication and that “Scott Thomas” was the creation of a writer who’d never been near Iraq. Then, when it became evident he was a real person, they rolled out the slime machine to discredit him. Then they engaged in amateur forensics to discredit particular items in his account (acres of screen space have been devoted to the question of whether the driver of a Bradley fighting vehicle can run over a dog). Then they got to the central point – true or false, material like this is bad for the cause and shouldn’t be printed.

All of this, of course, is an attempt to replicate the one undoubted triumph of the blogospheric right, Rathergate. For those who somehow missed it, Dan Rather and CBS fooled by a bogus memo purportedly from Bush’s National Guard commander, and Rather eventually lost his job as a result.

As I said, I’m not interested in, and won’t debate, the details of these stories. The main question is: How anyone could imagine that this kind of exercise can have any value?

Continue reading “One endless Rathergate”

It is a dark day for American journalism. Rick Perlstein alerts me that the Weekly World News—paper of record for “stories about aliens, Satan, giant pigs rampaging through the Georgia woods, Nostradamus-like prophets, time travel, and, of course, Bat Boy”—is going under.

During the run-up to the Iraq War, it was a Weekly World News reporter who blew the lid on Saddam’s program to clone dinosaurs for use as weapons of mass destruction. Other tabloids have their social function of course, but none was ever half so fearless.

In the words of perennial WWN columnist Ed Anger, “I’m madder than a one-legged man in an ass-kicking contest.”

Under intense pressure from the rightwing commentariat (several members of which have been appointed to its board by the Howard government) the Australian Broadcasting Corporation presented a shortened version of Martin Durkin’s The Great Global Warming Swindle last night. Our local climate science delusionists looked forward to this event with keen anticipation, but they were in for a nasty shock.

Continue reading “Durkin down under”

Glen Greenwald took a few bites out the latest NYTimes transcription, by White House stenographer Michael Gordon, of Administration/military talking points in the campaign for war against Iran, made by Brig. Gen. Kevin J. Bergner, now US military spokesman in Iraq and previously, (not reported) Special Assistant to the President and Senior Director for Iraq. So somebody at the Gray Lady apparently decided that the piece might be improved by a mininal amount of actual reporting, such as the fact that the claims in question have been repeatedly denied by the Iranian government (with backing, although this is not mentioned, from a large number of independent analysts).

What’s interesting to me is that these changes are not noted. But if the journal of record had attributed the remarks to the wrong general or mis-stated the spokesman’s position, the error would surely have been noted with a correction. A blogger who made a change like this in response to justified criticism would get accused, rightly, of a stealth correction. Shouldn’t the New York Times be held to at least as high a standard?

And to imagine there are people who think the Interweb cannot contribute to the advancement of human knowledge…

How many times have I seen the Bugs Bunny cartoon in which Bugs squares off against a baseball team called the Gashouse Gorillas? And how many times have I taken in the joke advertisements lining the walls of the baseball stadium?

So why did it take me this long to notice that one of the ads is for something called Filboid Studge? I knew the Warner Brothers animators at Termite Terrace were a smart bunch, but extra kudos are in order for the gag writer who managed to work in a nod to Saki, aka Hector Hugh Munro.

I never would have caught this Edwardian allusion, helpfully glossed in suitable detail by Steven Hart.