Shoes: The Only Band That Really Matters. Part I

by Belle Waring on January 18, 2014

No, IRL it’s The Clash. Nonetheless, power pop–it’s so wonderful! What’s the best part? The pop? It…sort of better be the pop because I like the Raspberries and, let’s be frank, the amount of “power” involved is limited. If I had to pick one power pop song that was my favorite ever, I would–I would first declare all Big Star songs off limits so they wouldn’t occupy all the top spots, but it would be “Jesus Christ”, and, well, it should oughta be The Flamin’Groovies'”Shake Some Action,” right?

But screw it, and forget the thing I implied .04 seconds ago in writing this post, because it’s really by Zion, Illnois’ finest, Shoes:

Oh but Belle, what is this mysterious power pop of which you speak? Is it a bunch of lame white bands from the late 70s and early 80s? No. It is a bunch of lame completely awesome white bands from the late 70s and early 80s. (There were some black power pop-style musicians I know nothing about, prolly. Tell me about them, edumacated readers.) Yeah, Americans liked the Beatles, but it took them years to get even the most basic grasp on the thing, during which they sounded like Badfinger, and then new wave started happening, which pushed people into a different confused direction. With the result that, amazing things happened, as above. See also:
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