I stayed up on election night to watch the results come in (can’t wait till June 8th, that’s going to be a thriller!). I had a bad feeling about the whole thing starting the moment I walked on campus that morning, and I had pretty much resigned myself to the result by about 7.30 pm (Central). But I stayed up anyway, partly because I that’s just what I do, and partly because the first test match between England and India started at 10 pm, and I couldn’t wait to see Haseeb Hameed, whom everyone was talking about. And, indeed, you could see why they were talking about him (as Aggers said, in frustration at the England camp trying to dampen down pressure: “Are we supposed to pretend we’re not seeing what we are seeing?”; or, imagine being 19 and hearing Geoffrey describe you as “a proper opening bat”).

But the player who really shone that night was Moeen Ali, who, fortunately, was still in when I awoke the next morning. And that seemed particularly fitting to me, because he seems to be the embodiment of everything Donald Trump isn’t.

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Drug Wars

by John Quiggin on May 25, 2017

I got a preview of Drug Wars by
Robin Feldman and Evan Frondorf
. It’s not about the War on Drugs, but about the devices used by Big Pharma to maintain the profits they earn from their intellectual property (ownership of drug patents, brand names and so on) and to stave off competition from generics. Feldman and Frondorf propose a number of reforms to the operation of the patenting system to enhance the role of generics. I’m more interested in a fundamental shift away from using intellectual property (patents and brand names) to finance pharmaceutical research.
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A couple months ago I made fun of an ‘inspired by Steely Dan’ Apple Music playlist that seemed to be basically a random assortment of tracks by bands, all of which had covered one Steely Dan song at some point. As I put it at the time: “Also, the Mountain Goats?”

How wrong I was! Their new album, Goths, is out. It’s a glorious, slick, lounge jazz-tinged demonstration that Danliness is next to godliness, albeit not gothliness. It also sounds like Prefab Sprout circa Steve McQueen, yet another good thing. YouTube has not hoovered up the tracks yet, but here’s a nice acoustic cover of “Andrew Eldritch Is Moving Back To Leeds” (an early release from the album that didn’t quite do it for me; but the acoustic version sounds great. John Darnielle does the deceptively-simple-counter-rhythm strumming thing, which keeps life interesting, and his voice is sweet and clear. No guitar on the album itself.) From the album, I recommend “The Grey King and the Silver Flame Attunement”; also, “Wear Black”; also, get all your Gene Loves Jezebel nostalgia out with “Abandoned Flesh”.