Creativity

One time I made a mix that was Belle’s Saddest Mix Ever. This was to go with my brother Ben’s Saddest Mix Ever. The were not disjunct. This song by Toots and the Maytals was on both:

Everytime I see your face
Something moves within my heart
And it thrills me to my soul
And tells me that
Love is gonna let me down…

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BREAKING MUST CREDIT BELLE BREAKING

What if I linked to my favorite song by everybody’s favorite Australian punk band, and merely pointed out that Ross “I Would Do Anything For Love But I Won’t” Douthat is only 8 1/2 days away from misusing found alien technology, not to better the world, because he’s a selfish monster, but to better his own life by becoming infinity percent cooler?

And look, he put out some great music, in his defense, right?

But that’s not at all what Culture tech is for and I can tell you, without spoilering the 21st Century at all, that both I myself and way MOAR KNIFE MISSLES get involved, so, it all evens out.

Are you going to go on and on about The Saints like a bunch of little bitches, or what? Not that there’s anything wrong with that! Oh, wait, now I’ve like entangled myself in my own quantum wossnames, haven’t I? COMMENT IN THE NEW THREAD. If you’re going to go on and on about something do it in an interesting fashion. Don’t feed boring trolls poorly-prepared victuals. Make the trolls earn their meagre fare. Then, eventually, you may reward them with fun-size Milky Way or something. God.

UPDATE: I failed. Because I could have written the post in a comprehensible way. But I did not. OR WAS I FAILED?!
1. Look, people have been going on about whether the Jim Crow South was maybe, possibly, kinda racist for like 425 comments down there in John’s thread. IT WAS. Also, DON’T FEED LOW CALIBER-TROLLS. “But Belle, Mao Cheng Ji started it!” STFU bitch.
2. People were not enough with the loving Breakwater’s “Say You Love Me Girl,” from below. Let’s grant they just don’t like that kind of thing, which was why they didn’t like it. OK GRANTED. Why didn’t they love Shuggie Otis more? Was it…racism? Oh, no, actually. Probably it was just liking this one other kind of music that they do like. Which is fine an all but…
3. As inestimable non-trollish commenter Michael Sullivan pointed out, if this had been a male poster reminiscing about some post-punk stuff he might well have gotten 100 comments in an hour. So, was it–sexism? No, actually, people just don’t appreciate good music sometimes. So then I was listening to The Saints. And then I noticed, damn, Ross “I Would Do Anything For Love But I Won’t” Douthat looks just like that one dude in The Saints! So I suggested an humorous vignette in which Meatloaf (not “Mr. Meatloaf”; the New York Times regrets the error; like many Indonesians, Meatloaf only uses one name) was transported back in time using the technology of Iain M. Banks’ Culture. But would that have been satisfactory? No, so I had to specify that I subsequently hunted him down and killed him with knife missiles which, if you haven’t read the books, are EXACTLY WHAT THEY SAY ON THE TIN. Then people expressed variously, bafflement (here, sorry) and the objection that The Saints, being a seminal punk band, can hardly be post-punk can they, missy? (EXPECT KNIFE MISSILES.)
I don’t know why you people make everything so difficult.

I bought this album by The Reddings for .99. I could tell it was going to be amazing because of the Platonic solids–it’s Back to Basics! Also, that one dude doesn’t have any glass in his glasses=WIN.

The Reddings/Back to Basics

But then I couldn’t listen to it till now. So I didn’t know how awesome. OMG! It’s all the deep cuts I wanted! And two of the dudes are Otis Reddings’ sons. Not to be confused with Shuggie Otis (son of Johnny Otis) and his superlative Information Inspiration. Oh damn I have to play that now in case you don’t know this song. It contains the line “here’s a pencil pad/I’m gonna spread some information.” I don’t know why, but this fills me with a deep, deep feeling of satisficing the criteria of a good life. John totally agrees (N.B. may not actually agree.)

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Not from a parody account, it would appear:

Sooooo, the youngs. you may have heard they like Justin Beiber or Rhianna or something. They don’t. They like computer constructs, only one of which is human, and we hear her voice only, and anyway there is some debate about whether she’s canon. Vocaloids! The original technology was invented by Kenmochi Hideki at the Pompeu Fabra University in Barcelona, Spain in 2000. Backed by the Yamaha Corporation, it developed the software into the commercial product “Vocaloid.” (ボーカロイド Bōkaroido). (This product exists separately from the Vocaloids I’m talking about and is used to generate back-up vocals and other things like that in ordinary pop songs). The most popular is naturally 01, Hatsune Miku. You can even see her perform live! (You should really watch this–it’s not clear quite how bizarre the scene is till partway through.) Her ‘voice’ is compressed into the upper range of human hearing, and beyond what any human could sing. But it’s not merely a person’s voice sped up; it’s constructed (though some samples were taken from a Japanese actress).
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I think it’s possible–nay, probable–naw, it is a nigh-certainty that you have not seen one of the best music videos ever made, quite randomly for French electronica duo Justice (they aren’t even, they’re sort of a rock band. But not.) It stars a young Snake Plissken (presumably before he is inserted into, and subsequently [SPOILER ALERT] escapes from, New York, in the movie “Escape From New York.” I strongly encourage everyone to go on and click full screen and listen to the song and everything. Dudes this is so fucking awesome. C’mon. Did they actually program a computer from the 1980s to make some of the “high-definition” graphics?

My best friend from middle school and I once wrote a program like that which, by displaying a series of screens on which we had drawn the lines point to point, created the image of a rotating green wire cube on a black screen on her Apple II c. It took us like four hours or something. More? Her family’s cook made killer shrimp tempura, though, so that was sustaining. And then coffee milkshakes and chocolate cookies for afters. Actually she would ask you egg preferences the night before and bring us breakfast in bed every morning that I ever slept over, which was a billion. With fresh-squeezed OJ. With sugar in the coffee already how she knew you liked it. Mrs. Hong was the shit, but she was prone to get angry and would not let anyone go in the kitchen and make a peanut butter sandwich or anything. Or even a bowl of cereal. Eventually Sacha’s mom had to fire her when Mrs. Hong threw a huge-ass knife at her during an argument over menu planning and it stuck, quivering, embedded a good two inches in the plaster of sloping ceiling of the back stairs. Even then it was a struggle (internally, for her mom). Mrs. Hong claimed it was a “warning shot” and hadn’t gone that close to Sacha’s mom’s head, which was kind of true but kind of not super-relevant. Anyway, A ROTATING CUBE YOU GUYS RLY! We were siced. Just like how siced I am about this video right now.
ETA: sometimes the frame isn’t quite wide enough, so watch on YouTube if not.

Moonshine
All that I have to say, is, to tell you that the
lanthorn is the moon; I, the man in the moon; this
thorn-bush, my thorn-bush; and this dog, my dog.

‘Ah, so it’s come to this, I see! Ms. Waring wishes to share with us her love of Geto Boys. This is a bridge too far. Really, though. These are the Let a Ho be a Ho people here. Is this some sort of feint after which other marginally less implausible opinions will seem more plausible?’ (hint: ish.) Oh look everyone! It’s Unsung, a Behind-The-Music style show about black musicians, with a whole episode about Geto Boys!

What’s that? You say that it is, possible worlds and all, conceivable that I might have found something you were less likely to watch/listen to, but I would have had need to strive hard? Look, you goobers listen to podcasts about Alan Greenspan’s tragic and shamefully-lauded legacy in US monetary policy. Multiple podcasts of such wise. You listen to podcasts with Dan Drezner in them! (Sorry Dan, but you’ve never laid down beats like this.) It would hurt you real bad to hear about a concrete way in which racism in American society is applied to obscenity and threats of violence, would it? And hear some killer tracks? Scroll on, then, one wouldn’t want you to dirty your hands. SIKE! No, motherf%*#kers! Just open a tab and listen; it ain’t like it’s going to kill you. Though you will be missing interesting and humorous visual effects. “But Belle, I hate all rap music!” OK, this is nonetheless rather historically interesting, you may find, about the spasm of violence in the late ’80s and mid ’90s in the US that seemed like it would never end, and the real fear that hip-hop induced in white listeners. This white dude who was covering the hip-hop beat at Source magazine at the time is probably the single whitest person who has ever lived, including Immanuel Kant. His last name is Soren! When he tells you, “people were scared of this music!” you think, “you wet your pants when Paul Anka came on the oldies station!” Nah, but, in fact he’s extraordinarily well-informed etc. “But Belle, I only care about the history of Neolithic Northern Africa!” Oh really! How fascinating! Well, you’re off the hook then, but you should be getting about your business, I must say. This is rather a lot of slacking already. Oh hey five minute version!
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Last Thursday I went to the launch party for Katie Green’s Lighter Than My Shadow (just published by Jonathan Cape) a graphic memoir in which she tells the story of her descent into and recovery from anorexia (and quite a bit besides). It is a big book, 524 pages in all, which somewhat belies its title, yet I read the whole thing in one sitting. I know I’m not alone in having done this: once you start, it is very hard to stop. It is compelling but a hard book to read: I felt the tears welling up several times. It is also a great book. The graphic format works perfectly for the story and Katie – a terrific illustrator – has managed to convey very vividly some little part of what it felt like from the inside. The black cloud of despair, the screaming monsters in the head, the desperate urge to control, control, control and the sense of alienation from those closest to her, the pain she knows she’s inflicting on them but can’t help doing so.

When she spoke at the book launch Katie said that she hadn’t written the book to help anyone. Nevertheless, I’m sure it will help one very large group of people, the people who can’t imagine what it is like for someone in her position, who can’t understand the sense of compulsion, and why the sick person can’t just “pull themselves together”. In giving voice to this inside, Katie has pulled off something comparable to what William Styron did for depression in Darkness Visible. That’s a pretty high standard of comparison, I know, and I’m feeling swayed by the immediate experience of just having read Lighter Than My Shadow, but I don’t think it an unfitting one.

I should disclose a slight interest. I know Katie slightly (she’s a friend of one of my children) and a photo I took is on the cover flap. So I’m not entirely impartial. Still, I think this is, objectively, a very great achievement. And I don’t mean to relativise in a way that suggests that it is great for someone who has gone through her experience to have produced something this good. I mean that it would be great for anyone to have created this, even though her experience is a condition of having done so. Anyway, people out there, this is a book that most of you ought to read. You can get it at Amazon of course, but better to buy from somewhere else. (The Guardian had a feature on the book last week.)

[This post is not entirely about Oprah Winfrey. FYI. It discusses a former slaveowner’s attempts to run her plantation after emancipation.]
Rest easy everyone! We’re cool! The Wall Street Journal’s James Taranto has sussed out this Oprah situation in a way that I think you will all find correct and satisfactory. And what is more reliable than the editorial pages of the Wall Street Journal?

Jesse Jackson hasn’t yet declared Zurich the new Selma, but from some of the news coverage you’d think Oprah Winfrey was the next Rosa Parks…It seems there was a language barrier: The clerk’s English isn’t great, and Winfrey probably doesn’t speak Swiss. “This is an absolute classic misunderstanding,” the store’s owner, Trude Goetz, told Reuters…What Winfrey construes as a racial episode is actually a story about class–a wealthy, privileged celebrity aggrieved by a lowly saleswoman’s lack of deference…It’s reminiscent of the endlessly repeated claim that criticism of Barack Obama proves racism is alive and well in America. Somehow Obama’s defenders are unable to see past the color of his skin and notice that he is president of the United States. As for Winfrey, she went all the way to Europe to discover that racism is alive in America.

Golly, don’t I feel a fool now! Thanks, the Wall Street Journal! With that out of the way I have something that is interesting and amusing to share with you, rather than something melting down with white-hot rage like a nuclear reactor core in a devastating accident. Let’s just wish we were down in the land of cotton, old times there are not forgotten, but–look away!
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Half a year ago, I invited CT readers to join me in a photo project: a photo a week on a preset theme. Dozens of people were involved at first with about twenty still active half a year later. As with related photo projects, in addition to the photo experiences, the social component has been rewarding as well.

Up front I made a decision that all themes would be adjectives and I’d go through the alphabet, which conveniently maps on to a 52-week calendar if we cycle through it twice. Bubbly, endless, obsolete, twisted and xylographic are some of the themes we’ve tackled over the past six months. It’s been eye-opening to see people’s different interpretations of the themes. It’s been fun to be reminded of the different environments in which people live (we have participants from several countries), what they tend to encounter in their daily lives, what inspires them, what poses more or less of a challenge. As an aside, it’s also led me to improve my vocabulary.

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Oh, I know what y’all are going to say. You’re going to say it’s wrong to like R. Kelly because his music is bad. No. Unnnh huuh. “But it’s got T-Pain in it!” You like “I’m on a Boat,” don’t you Sherlock? Further, “I’m a Flirt” is insanely catchy. Now you object that the Venn diagram of insanely catchy and bad has a large overlapping area, because you wrongly hate hillbilly-from-the-future Carly Rae Jepsen’s “Call Me Maybe,” but nonetheless, “I’m a Flirt” is just a good song. No. You know why else? Because I told you so. Also, everything silly you wanted in a video. Expensive cars? Stupid big jewelry? Honeys up in the VIP room? So many honeys. I’m gay for this video.

But it might seem as if it’s wrong to like R. Kelly’s music because he’s committed statutory rape on multiple occasions.
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Answers to Questions No One Asked Me, Part 1 of n+1 where n > or = 0
Belle, what’s go-go music? Many a time I have heard that question not asked by someone moving to the DC area, or not asked by a person who hasn’t heard about go-go and knows I went to high school in DC. I have failed to be asked this question on literally countless occasions. That’s all over now. Go-go is a distinctive sub-genre of music popular only in the DC metro area (including Baltimore). It has always been dance music (as in “Going to a Go-Go”) and has always relied on this one beat. As far as beats go it sounds a distinctly Latin one, but there’s no Latin influence on any of the rest of the music ever. Wikipedia claims that “unique to Go-Go is an instrumentation with 3 standard Congas and 2 “Junior Congas”, 8″ and 9″ wide and about half as tall as the standard Congas, a size rare outside of Go-Go. They were introduced to Rare Essence by Tyrone Williams aka Jungle Boogie in the early days when they couldn’t afford enough full sized Congas, and are ubiquitous ever since.”

Yeah OK, but Chuck Brown, with or without The Soul Searchers, is considered the “Godfather of Go-Go,” did everybody change their kit later? And do all mostly black musical sub-genres have to have someone named “Brown” be the godfather of them? And “it was because they couldn’t afford bigger congas” has urban legend written all over it. Anyway, yeah, a whole bunch of congas and bells and whatnot. The only time a white DC audience ever heard that many drum solos was when Ozzy Osbourne’s “Crazy Train” concert was in town. (Before Randy Rhoads died in that tragic plane accident at Ozzy’s ranch. Who knows what magic might be flying off the fretboard of his distinctive “Flying V” right now. I’ll tell you all about my deep, deep love of “Tribute” and how I cry when I listen to “Goodbye to Romance” another time.)

Yeah, anyway, why two Rare Essence songs? OK, they’re my fave go-go band. But also I think this shows the evolution of the genre from something like funk to an intriguing version of hip-hop backed with live percussion and horns. It has continued to evolve, and is still popular in the DC metro area despite never making it anywhere else. Well, that’s not quite true, in that the music has been heavily sampled for other hip-hop songs which are then, perforce, go-go.

This is ye olde skuel, “Body Moves.” It’s special because it includes the DC slang word “sice” in the call and response at the end. “Sice” is more or less entirely equivalent to “psych,” (I’m siced for this party!) but can’t be negative (you can’t “sice someone out.”):

Back in the crack epidemic years go-go clubs were the site of lots of crime and shootings, and since the DC City Council is a bunch of morons, they decided to solve this problem by banning certain clubs from playing go-go. Ha ha pretend. NO RLY! One wonders whether, if such a club were to play, say, Nelly’s “Hot in Herre” (not that it would be a good idea, mind you) whether the club would be in violation, since the main loop is a sample from Chuck Brown’s “Busting Loose.” (Notice Chuck saying “give me the bridge now,” in 1978, that’s the oldest song I know that does that.) “It’s go-go!” “But it’s just a sample. It’s as if there are invisible quotes around the go-go that make it safe!” I could imagine the liquor license board debates getting pretty metaphysical. Next up is Rare Essence’s most popular ever song. It even made it to Yo! MTV Raps, as you can see (video way worth watching).

It is a testament to how not gentrified parts of DC are that I still don’t know where the hell Montana or Minnesota Avenues is. They’re getting the shout-outs, I assume they’re in S.E., but damn, that’s a lot of not knowing shit about your hometown. Go-go’s just weird in that none of its practitioners have ever hit the big time, even though it’s more or less next to New York. Even little old Savannah, GA has had more success in this regard (Outkast). I was originally going to defend disco from its detractors in the Don Cornelius thread who complained there was only one beat and the bass could never stray, and that was bad, by showing a) the bass can walk all over the damn place, and b) no harm in having generic constraints. Do you hate Loleatta Holloway and the SalSoul Orchestra, I intended to ask? Do you hate dancing (N.B. there is a go-go break in that song, “212 North 12th St.”)? Do you hate life itself? Then I got distracted. Squirrel! What? John insisted on the title. Brought to you by Stuff White People Like.

DISTURBING UPDATE: People born on the day Blackstreet’s “No Diggity” was at #1 are old enough to comment on youtube now. I mean, I know stray dogs comment on youtube, but still. Possibly more disturbing: I have a sweet-tooth weakness for this song.

NOT PARTICULARLY DISTURBING AT ALL UPDATE: If you find the openly proffered go-go unpalatable, then listen to the more funk-like Chuck Brown track linked above. You will probably like it more. If you like funk, which you probably do, because it’s funk, and all.

Ever since I was very young I have been able to recognize that I was dreaming (not always). The first time was awful and thus memorable: I dreamed that robbers had driven down our driveway and shot my mother and father and brother and me with shotguns. And our dog. I was in terrible pain, full of buckshot and slick with blood, but I realized that I couldn’t die, in my own dream. So I thought I would go scare the robbers, that they would think I was a ghost and maybe I could call 911, maybe my family hadn’t bled out in the yard under the big oak tree. But when I came in they laughed and said some of the worst words I have ever heard, then or since: “this is your dream. We can kill you as many times as we like.”

Since then I have developed the ability to wake myself up if the dream is so awful that I can’t bear it. But since I never had anything but nightmares for years and years, with the odd exception, shit has to get pretty rough before I can pull the ripcord and sit up in bed, panting. Oddly for a person my age, I have done Freudian analysis, 3x a week on the couch just like a New Yorker cartoon, for a whole year. The goal was that I stop having nightmares. The therapy was very successful. For a time I had no nightmares at all. Even now they are scattered and few compared to my earlier life. My sister’s experience is the same, and our evening kiss good-night was always followed my the ultimate benediction: “don’t dream!”

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The application you’ve been looking for:

While some so-called environments that are less free of distraction may display one, three, or even more lines of text—all at the same time—we understand that if you could only achieve the theoretical removal of all theoretical distractions, you would finally be able to write something. And we want ū— to help you almost do that.

I think what makes Merlin Mann compelling is that he knows he has something important to get across about work and creativity, but what he has to convey is a kind of non-demonstrative non-formula, and trying to say it more than once puts him in the same business niche as a legion of people he rightfully despises. He is quite aware of this, so you see him constantly tuning his anti-pitch and sharpening his anti-advice to make sure he doesn’t find himself, late one night, naked on a bed in a motel in Omaha watching himself deliver an infomercial. It’s the problem of trying to teach something that needs to be shown, or of trying to theorize a craft — the way that critics of postwar critical theory used to say that the trouble with those guys was that they had succeeded in unifying theory and practice, in theory. His advice is excellent, but the act of delivering and listening to it subverts the point of the message, or is an example of the problem that needs solving.

Now if you’ll excuse me, I have to tweak my citation format. I’ve nearly gotten it just right.