Literature

Just finished Johny Pitts’s Afropean: Notes from a Black Europe (Penguin). It is a remarkable and highly readable book which I strongly recommend. Pitts, a journalist and photographer from Sheffield in England, embarks on a journey across Europe to discover the continent’s African communities, from Sheffield itself, through Paris, the Netherlands, Berlin, Sweden, Russia, Rome, Marseille and Lisbon. Pitts, the son of an African-American soul singer and a working-class Englishwoman, is a curious insider-outsider narrator of the book which ambles from meditations on black history and (often American) literary forbears to chance encounters with black and brown Europeans in hostels, trains, stations, cafés and universities.

Is there a unity in all this? Hard to say, since as Pitts observes, these different populations, linked by an experience of marginalisation, come to be where they are via very diverse personal and collective histories. Some have come in their best clothes from former colonies to nations they were taught about as the motherland, only to find they had to make their lives in a place that was disappointing or hostile and where the white population — British, French, or Dutch — remain ill-disposed to see their new compatriots as being part of themselves. Others have fled war, persecution and trauma in Sudan or South Africa, only to find themselves exiled on the periphery of Scandiavian social democracy. And then there are the residual African students in a Russia transformed in thirty years from somewhere professing — occastionally sincerely — the unity and equality of all humankind, into a place where it is dangerous for black people to venture out at night for fear of violent attack or worse.

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Sometimes you are reading a novel and it is so extraordinary that you think, is this the best thing I have ever read? For me, that feeling probably comes on about once a year, so there are quite a lot of books that have evoked it. Still, that they do says something, and the latest to have sparked it is Anna Burns’s Milkman, the Booker Prize winner from 2018.

Milkman is, all at once, a tremendous linguistic performance, a triumph of phenomenology, am insightful account of sexual harrassment, a meditation on gossip and what it can do, a picture of the absurdities of enforced communitarian conformity, and a clear-eyed portrayal of what it is to live under the occupation of a foreign army and the domination of the necessary resisters to that army who are, at the same time, friends and family, sometime idealists but sometimes gangsters, bullies and killers.

Anna Burns’s sentences, the stream of consciousness of her 18-year-old narrator, loop back on themselves with further thoughts and reconsiderations. The voice is a combination of personal idiosyncracy and northern Irish English, i.e. comprehensible to speakers of other versions of English but sometimes odd or disconcerting. You can’t skim and get the plot. You have to hold on, read each sentence, and sometime start it again.
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I’m nearly through reading Barbara Kingsolver’s *The Poisonwood Bible* at the moment, and very good it is too. For those who don’t know, the main part of Kingsolver’s novel is set in the Congo during the period comprising independence in 1960 and the murder of its first Prime Minister, Patrice Lumumba, on 17 January 1961 at the hands of Katangan “rebels” backed by Belgium and the US. And DR Congo (sometime Zaire) has been pretty continuously violent and unstable ever since. With its origins in King Leopold’s extractive private state (rubber), Congo has been coveted and plundered for the sake of its natural resources ever since. At the time of the Katanga crisis copper was the thing. But now what was previously a little-wanted by-product of copper extraction, cobalt, is in heavy demand because of its use in batteries.

My attention was caught yesterday by [a press release from the UK’s Natural History Museum](https://www.nhm.ac.uk/press-office/press-releases/leading-scientists-set-out-resource-challenge-of-meeting-net-zer.html), authored by a group of British geoscientists:

> The letter explains that to meet UK electric car targets for 2050 we would need to produce just under two times the current total annual world cobalt production, nearly the entire world production of neodymium, three quarters the world’s lithium production and at least half of the world’s copper production.

A friend alerted me to a piece by Asad Rehman of War on Want, provocatively entitled [*The ‘green new deal’ supported by Ocasio-Cortez and Corbyn is just a new form of colonialism*](https://www.independent.co.uk/voices/green-new-deal-alexandria-ocasio-cortez-corbyn-colonialism-climate-change-a8899876.html) which makes the point:

> The demand for renewable energy and storage technologies will far exceed the reserves for cobalt, lithium and nickel. In the case of cobalt, of which 58 per cent is currently mined in the DR of Congo, it has helped fuel a conflict that has blighted the lives of millions, led to the contamination of air, water and soil, and left the mining area as one of the top 10 most polluted places in the world.

People who are optimistic about the possibilities of decarbonizing without major disruption to Western ways of life and standards of living are often enthusiastic about new technologies, battery developments etc. I’ll include CT’s John Quiggin in that (see John’s piece from CT [Can we get to 350ppm? Yes we can from 2017](https://crookedtimber.org/2017/07/22/42710/)). John tells me he’s sceptical about claims that we are about to run out of some scare resource. Maybe he’s right about that and more exploration will reveal big reserves of copper and cobalt in other places. But even if he is, we still have to get that stuff out of the ground, and that’s predictably bad for local environments and their people, and in the short to medium term it may yet be further bad news for the people of DR Congo who have already endured seventy plus plus years as a “free” country (and 135 years since Leopold set up in business) in conditions of violence and exploitation, whilst already wealthy northerners get all the benefits.

Early last year, I began to experience some pains in my hands. I associated them with bringing a large turkey back from the butchers. Hadn’t taken the car, because parking, but it was heavier than I appreciated and I struggled with the bird as the handles of the plastic bad tore on my fingers. I went to the doctor. Tendons, probably, he said. Most likely be better in a few months.

Then in September, back from a touring holiday in France which had involved a lot of lugging of boxes and cases up and down stairs, the pain was back, worse. I lacked the strength to open cans and bottles. Some movements were fine but turning a knob or using a key sometimes — ouch!
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The most welcome change in our local area in the last few months is that we now have a local bookshop, [Storysmith Books](https://storysmithbooks.com/), and no longer have to traipse into town to Waterstones or Foyles or give our money to Jeff Bezos. I’ve always loved hanging around in bookshops (and record shops) since I was teenager, browsing, discovering new things, and that has become so much harder to do since the internet started killing the high street.

A couple of weeks before Christmas I was browsing in Storysmith, not very sure of what I wanted, and came across the first couple of volume’s of Ali Smith’s in-progress Seasons quartet *Autumn* and *Winter*. When things are in a sequence it is helpful to know what’s first, so I had to check that I wasn’t supposed to start with *Spring* or *Summer* (and indeed they’re still being written). Actually, though *Autumn* is first, the novels are quite independent (so far) and I could have read them in either order. Both *Autumn* and *Winter* are set in post-referendum Britain and the plots unfold against its division and dysfunctionality, but neither is didactically political. Each has at its centre a disruptive character who serves as a kind of moral and aesthetic exemplar: in *Autumn* it is Daniel Gluck, dying in a care-home at the age of 101 and the history of his friendship from her childhood with Elisabeth Demand a precariously employed young art historian, and his role in awakening her aesthetic sensibilty (and more broadly sensibility to life, nature). The Profumo Affair and the almost-forgotten British pop artist from the sixties, Pauline Boty, thread through the novel. In *Winter*, the action is centred around Christmas, a nature-blogger called Art who is a bit of a fraud and his trip home to see his entrepreneurial Leaver mother. Here the key relationship is between mother and her estranged sister (formerly of Greenham Common) and the disrupter is a young woman, Lux, hired by Art to impersonate the girlfriend who just dumped him. Both are wonderful books, and reminders that even against grey political skies, we can catch glimpses of beauty and spirit.

Having consumed these, and facing a wait till March for the next installment, I went looking for earlier work and finished *The Accidental*, yesterday, in which a middle-class English family, spending the summer in Norfolk, find their sense of themselves transformed by a mysterious visitor, Amber, who challenges each of them with a Nietzschean playfulness that is by turns benign and malevolent. It is a long time since I was twelve, but Smith’s imagining of the inner monologues of Astrid, the daughter and her elder brother Magnus is transporting. The theme: a family that is unhappy in its own way disturbed and changed by a chance encounter is very Anne Tylerish. But whilst Tyler’s prose is unshowy, Smith plays with language the whole time, punning, rhyming, even having characters think in sonnet form at one point. And she does this lightly and unpretentiously so that you are delighted rather than irritated. (The lightness and playfulness coupled with deadly seriousness about life and history also reminded me a lot of Pauline Erpenbeck.)

I can see that reading more Smith will take up quite a lot of the year to come.

I’m writing something introductory (intended for a general audience) about ‘themes’ in literature. Obviously my theme must be that the term is a bit hopeless until you say what you mean by ‘theme’. I’m thinking of introducing it with reference to memories of writing book reports in 6th grade (I think it was.) Mr. Lofton’s (?) class at McCornick Elementary. (Or was he my 5th grade teacher? Can’t remember.)

Anyhoo: it was requisite, on pain of getting no credit for your report, that you correctly check one or more box(es) for ‘theme’. There were exactly four options:

Man vs. Man
Man vs. Nature
Man vs. Society
Man vs. Self

That’s all there is, there ain’t no more!

(Sorry, ladies! It was the 70’s, and Ms. was a magazine, but you got no love when it came time for themes.) [click to continue…]

A couple weeks back I posted about panpsychism. Is it as preposterous as all that? Opinions differ! Today I discovered that there are arguments for it, in effect, in Erewhon, by Samuel Butler (1872).

As you may know, the utopian Erewhonians, in Butler’s famous novel, are anti-machinist. But I hadn’t realized their attitude was grounded in explicit fear of the rise of conscious machines, rather than some other model of industrial catastrophe. The narrator himself has some trouble piecing it together: [click to continue…]

I’m lecturing about Utopian/Dystopian SF this week. I’ve lectured on this before but I’m looking to up my game, so I’m open to suggestions. Lots of writings on or around this subject, as well as stories to choose from. We had a whole book event about Real Utopias here at CT. What critical writings in this vicinity do you find particularly insightful/interesting?

Yesterday I was browsing through The Cambridge Companion to Utopian Literature, seeking inspiration/information. From the introduction to Kenneth M. Roemer, “Paradise Transformed: Varieties of 19th Century Utopias”:
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H.P. Lovecraft, the opening paragraphs of “Old England and the Hyphen” (1916):

Of the various intentional fallacies exhaled like miasmic vapours from the rotting cosmopolitanism of vitiated American politics, and doubly rife during these days of European conflict, none is more disgusting than that contemptible subterfuge of certain foreign elements whereby the legitimate zeal of the genuine native stock for England’s cause is denounced and compared to the unpatriotic disaffection of those working in behalf of England’s enemies. The Prussian propagandists and Irish irresponsibles, failing in their clumsy efforts to use the United States as a tool of vengeance upon the Mistress of the Seas, have seized with ingenious and unexpected eagerness on a current slogan coined to counteract their own traitorous machinations, and have begun to fling the trite demand “America first” in the face of every American who is unable to share their puerile hatred of the British Empire. In demanding that American citizens impartially withhold love and allegiance from any government save their own, thereby binding themselves to a policy of rigid coldness in considering the fortunes of their Mother Country, the Prusso-Hibernian herd have the sole apparent advantage of outward technical justification. If the United States were truly the radical, aloof, mongrelised nation into which they idealise it, their plea might possibly be more appropriate. But in comparing the lingering loyalty of a German-American for Germany, or of an Irish-American for Ireland, with that of a native American for England, these politicians make their fundamental psychological error.

England, despite the contentions of trifling theorists, is not and never will be a really foreign country; nor is a true love of America possible without a corresponding love for the British race and ideals that created America. The difficulties which caused the severance of the American Colonies from the rest of the Empire were essentially internal ones, and have no moral bearing on this country’s attitude toward the parent land in its relations with alien civilisations. Just as Robert Edward Lee chose to follow the government of Virginia rather than that of the Federal Union in 1861, so did the Anglo-American Revolutionary leaders choose local to central allegiance in 1775. Their rebellion was in itself a characteristically English act, and could in no manner annul the purely English origin and nature of the new republic. American history before the conflict of 1775-1783 is English history, and we are lawful heirs of the unnumbered glories of the Saxon line. Shakespeare and Milton, Dryden and Pope, Young and Thomson, Johnson and Goldsmith, are our own poets; William the Conqueror, Edward the Black Prince, Elizabeth, and William of Nassau’ are our own royalty; Crecy, Poictiers, and Agincourt are our own victories; Lord Bacon, Sir Isaac Newton, Hobbes, Locke, Sir Robert Boyle, and Sir William Herschel are our own philosophers and scientists; what true American lives, who would wish, by rejecting an Englishman’s heritage, to despoil his country of such racial laurels? Let those men be silent, who would, in envy, deny to the citizens of the United States the right to cherish and revere the ancestral honours that are theirs, and to remain faithful to the Anglo-Saxon ideals of their English forefathers!

(I’m reading the book, but if you google you can probably find it.)

My older daughter was feeling pretty low so I said I would read to her while she did some drawing. Normally that means Moomin books or Discworld or something. Tonight, she was in the mood for more scholarly fare. She requested: King Arthur’s Enchantresses, Morgan and Her Sisters In Arthurian Tradition, by Carolyne Larrington (a book I got her a few years ago, but which proved a bit much then.)

So I’m reading about Geoffrey of Monmouth’s Merlin, so forth, and this bit comes up, which I think I may include in my science fiction module, next time round.

Is Geoffrey’s Morgan supernatural or human? Did she acquire her magical powers from the Other World, or is she simply an educated, mortal woman who has actively studied the knowledge she wields?

Geoffrey gives us no origin story. But our author writes: [click to continue…]

Another Kierkegaard post, then! The masses are clamoring for them, demanding this sweet release from ongoing Olympic coverage! Also, Trump!

19th Century European philosophy. Does it crack along the 1848 faultline, after which Hegel is dead? Not sure but maybe. In addition, many of the main figures are odd men out – Kierkegaard, Nietzsche (and I like Schopenhauer, too.) Hegel was huge but his stock collapsed. He went from hero to zero and later figures like Frege, whom analytic philosophers sometimes suppose must have been opposed to Hegel, just didn’t give him much thought. (Frege was worried about Lotze, i.e. neo-Kantianism, not Hegel. The notion that analytic philosophy opposes Hegel is a kind of anachronistic back-formation of Russell and Moore’s opposition to the likes of McTaggart, i.e. the Scottish Hegelians, who were their own thing. But I digress.) Philosophy in general had a fallen rep in the second half of the 19th century, at least in German-speaking regions. Also in France? An age of positivism? Natural science was what you wanted to be doing, not speculative nonsense. There is a strong regionalism. German stuff in the 19th Century is very German. The Romantics. (Whereas, in the 17th Century, the Frenchness of Descartes, the Germanness of Leibniz, the Englishness of Locke, even the Jewishness of Spinoza seem less formidable obstacles to mutual comprehension. I am broad-brushing, not dismissing historical digs into this stuff. Tell me I’m wrong! It won’t hurt my feelings.)

Kierkegaard is not the lone wolf Nietzsche will be later, but he’s a regional figure. Part of the Copenhagen scene, the Danish Golden Age. Nordic literary culture, tied into German culture and French culture, too, but distinctive and somewhat self-contained. So I’m asking myself: what are good historical handles? And I think: maybe read some Georg Brandes? He was very influenced by Kierkegaard, at the end of a passionate Hegelian fling in youth. He gave the first public lectures on Nietzsche, at a time when he – Brandes – was personally famous, a towering figure in criticism. He was responsible for Nietzsche’s fame, in effect. (Is that too strong?) He also traveled to England, met J.S. Mill, after translating The Subjection of Women into Danish.

I was very much surprised when Mill informed me that he had not read a line of Hegel, either in the original or in translation, and regarded the entire Hegelian philosophy as sterile and empty sophistry. I mentally confronted this with the opinion of the man at the Copenhagen University who knew the history of philosophy best, my teacher, Hans Bröchner, who knew, so to speak, nothing of contemporary English and French philosophy, and did not think them worth studying. I came to the conclusion that here was a task for one who understood the thinkers of the two directions, who did not mutually understand one another.

I thought that in philosophy, too, I knew what I wanted, and saw a road open in front of me. However, I never travelled it. (276-7, Reminiscences of My Childhood and Youth)

Yet there’s a lot of philosophical interest in his books. (You can get a number for free from the Internet Archive, as they were all translated into English in the early 20th Century, when Brandes was at the height of his fame.) [click to continue…]

We acquired this fridge magnet at some point.

Nice use of Papyrus. Nice combination of Papyrus with whatever that faux-handwriting script font is.

Fits with Henry’s link to an incongruous appropriation of Beckett.

Suppose we wanted to make a collection of cheerful thoughts from depressed writers. You can’t spell ‘unhappiness’ without the happiness! What else might be included?

First things first: thanks to everyone who dug deep (or shallow) to purchase (or just freely download) a copy of Reason and Persuasion, allowing us to enjoy evanescent ecstasies of semi-upward-mobility into the 5-digit sales range on Amazon for a period of some days now. Now please keep that Amazon aspidistra flying for the next several years running and we’ll have ourselves a standard textbook! (Sigh. I know. No hope. If I want sales like that, I have to update Facebook more than once every 4 years. And be on Twitter. Shudder.)

As I was saying: it is also fun to watch the (no doubt CT-fueled) evolution of the ‘customers who viewed this item also viewed’ Amazon scrollbar, associating our Plato book with all manner of comics and science fiction. I hope the present post shall further enrich that eclectic mix.

Back in December I posted about how I would like a history of semi-popular philosophy of mind, to complement the history of science fiction. Many people left genuinely useful, interesting comments, for which I am sincerely grateful. Today I would like to strike out along a semi-parallel line. Science fiction film, with its special effects, has a strong phenotypic and genotypic relation to stage magic. Georges Méliès was a stage magician. But sf is older than film; stage magic, too. We might enhance our sense of the modern origins of the former by coordinating with the modern history of the latter. I just read a good little book, Conjuring Science: A History of Scientific Entertainment and Stage Magic in Modern France, by Sofia Lachappelle, that doesn’t make the sf connection, but makes it easy to make. (It’s an overpriced good little book, I’m sorry to say. Oh, academic publishing. But perhaps you, like me, enjoy library privileges somewhere.)

It contains some nice sentences, certainly. For example: “While Robertson was presenting his phantasmagoria in an abandoned convent and professors of amusing physics were performing their wonders, scientific and technological innovations were impacting the world of the theater at large.” (118)

As I was saying: history of modern stage magic. I’ll quote passages, and comment, and supplement with relevant images. [click to continue…]

I finished Elena Ferrante’s Neapolitan quartet yesterday. I know there’s been a lot of hype about these novels, but it is entirely justified. Actually, I write “these novels” but this is actually just one long novel, distributed across four printed volumes. For those who don’t know, it concerns the relationship between two women, Elena (or Lenu or Lenuccia) – the narrator – and Lila (or Lina) from childhood to early old age, and their mutual relationship to “the neighbourhood”, a working-class district of Naples and the many other families who live there. It is a difficult friendship, infected with rivalry, jealousy and resentment from the start. Lila is both intelligent and impulsive, spiky and demanding, capable of both extraordinary determination and of self-neglect and remains forever tied to the district; Lenu eventually enjoys worldly success and social evelation, but, in her own mind, is forever in the shadow of her “brilliant friend”.
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