I m pleased to see that “Norman Geras is linking”:http://normblog.typepad.com/normblog/2006/02/going_over_yond.html to “an interesting essay by David Carithers on Steve Earle”:http://www.americanpopularculture.com/journal/articles/fall_2005/carithers.htm . The essay links Earle to the pragmatic tradition, and especially to Emerson. Though the essay verges on the pretentious, it is certainly worth a look. As Geras mentions:
bq. Section II of Carithers’ essay is about Earle’s opposition to the death penalty. He discusses two of his powerful songs on the subject, ‘Billy Austin’ from The Hard Way, and ‘Over Yonder (Jonathan’s Song)’ from Transcendental Blues.
As Geras doesn’t mention, section III of the essay is about John Walker’s Blues, Earle’s disturbing meditation on the fate of the 19-year-old John Walker Lindh, the “American Taliban”. If I recall correctly, Earle’s own son was the same age at the time, a fact that gave Earle a different perpective on the calls for vengeance and retribution that were widespread after Lindh’s capture.
{ 2 comments }
soru 02.14.06 at 1:42 pm
I’m a big Steve Earle fan. ‘John Walker’s Blues’ is a great outlaw song, ‘Jerusalem’ is a great political song. But I’m not sure I’d defend ‘Condi Condi’.
Oh Condi Condi Can’t you hear me call
I’m standin’ in the street outside your garden wall
Pocketful of money belly full of wine
Condi in my heart and romance on my mind
Listen to me Condi don’t be afraid
I come here tonight to chase your blues away
I’ll never hurt you I’ll treat you right
Oh Condaleeza won’t you come out tonight
Pretty little Condi precious as can be
Bet you never had another lover like me
soru
Chris Bertram 02.14.06 at 5:59 pm
Actually soru I think Jerusalem is rather weak and platitudinous and that Condi Condi is wickedly funny. But neither are anything close to his best output.
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