The Guardian has a lovely new arts blog that leads off with a piece about the 20 paintings to see in the flesh before you die:
“van Eyck, The Madonna of Chancellor Rolin, c.1435, Musée du Louvre, Paris
Caravaggio, The Burial of St. Lucy (1608), Museo di Palazzo Bellomo, Syracuse, Sicily
Rembrandt, Aristotle with a Bust of Homer (1654), Metropolitan Museum of Art, New York
San Rock Art, South African National Museum, Cape Town
Paul Cézanne, Mont Sainte-Victoire from Les Lauves (1904 – 6), Pushkin Museum of Fine Arts, Moscow
Michelangelo, Moses (installed 1545), Church of San Pietro in Vincoli, Rome
Leonardo da Vinci, The Adoration of the Magi, (c. 1481), Uffizi Gallery, Florence
Mark Rothko, The Rothko Chapel (paintings 1965-66; chapel opened 1971), Houston, Texas
Vermeer, View of Delft (c.1660-61), Mauritshuis, The Hague
Matthias Grünewald, The Isenheim Altarpiece (c.1509-15), Musée Unterlinden, Colmar, France
Hans Holbein, The Dead Christ, (1521-2), Kunstmuseum, Basel
Velázquez, Las Meninas (1656), Museo Nacional del Prado, Madrid
Funerary Mask of Tutankhamun (1333-1323BC), Egyptian Museum, Cairo
Jackson Pollock, One: Number 31, 1950, Museum of Modern Art, New York
Masaccio, The Expulsion of Adam and Eve from Paradise (c.1427), Brancacci Chapel, Santa Maria del Carmine, Florence.
Pablo Picasso, Guernica (1937), Reina Sofia Museum, Madrid
Titian, Danaë (c. 1544-6), Museo Nazionale di Capodimonte, Naples
Raphael, The School of Athens (1510-11), Stanza della Signatura, Vatican Palace, Rome
Parthenon Sculptures (“Elgin Marbles”), c. 444 BC, British Museum, London
Henri Matisse, The Dance (1910), Hermitage Museum, St. Petersburg, Russia.”
The comments unfairly criticise Jonathan Jones’ selection as too European, but he says himself it’s a subjective list of paintings so serious or affecting as to be worth travelling to see. And he invites readers to suggest their own. It’s an interesting take in the age of mechanical reproduction. The suggestions so far lean heavily on the 20th century, with the odd old master thrown in. I hope the Guardian’s commenters take up Jones’ challenge to broaden the field.
I’ve seen maybe a quarter of Jones’ list (if we allow ‘seen’ to include works I have shuffled past in the Louvre). But I’d still add to it Chagall’s stained glass windows in the Hadassah Hospital in Israel. They are deeply moving and can only be properly experienced by going there. You haven’t experienced Chagall till you’ve experienced him with light coming through (although the Chagall gallery in Nice comes close). Secondly, I’d add Monet’s Nymphéas which have been specially hung in curved rooms at the Orangerie in Paris. A recently attempted visit confirms the Orangerie is still impossible to get into, so this addition to the list is really wishful thinking.
The Guardian’s arts blog also reminds me to post a link to a wonderful stage interview of Gael Garcia Bernal at the NFT a couple of weeks back. The character GGB most identifies with is the sweet but irresponsible Julio from Y Tu Mamá También, but his thoughtful comments about politics and inequality in Mexico show this actor has more to say for himself than your average horny teenager.