I was listening to NPR’s All Song’s Considered, because whenever life seems jittery, the dulcet tones of Bob Boilen make it alright. They played a track by Motopony which quite earwormed me into buying the album. Turns out it contains several excellent tracks, in my humble opinion, and a few duds. Belle, my Facebook wife (that’s sort of like a cross between a common-law wife and Tron, as I understand the legalities), likes them, too. So she checked them out on Facebook and, apparently, they need a ride from L.A. to San Diego. Hope that works out for them. I’ll link to two tracks I particularly liked. First, “Seer”. That’s the one they played on NPR. I can’t quite peg it. Like … Jethro Tull, “Cross-Eyed Mary” meets … something that’s … pleasantly cheesy/grungy/Queens Of The Stone Age in a non-Jethro Tullish way, and no flute? But in a good way. Definitely no flute. You tell me what it sounds like. I also really like “June”. Because my favorite album is Fleetwood Mac, Tusk, and “June” – especially the ‘Hold on’ chorus bit – has a very Lindsey Buckingham Tusk era thing going on. I like the moog-as-bass on a lot of the tracks. Is it moog? Some other vintage electric organ sound? (Oh hey: here’s a live version of “Seer”. And a live version of “June”.)
I got the new Bon Iver album and it, too, has got some solid tracks but also some that make me fear that, in 5 years, Bon Iver is going to sound like Bruce Hornsby and the Range. I hope I’m wrong about that.