Via Ta-Nehisi Coates, a couple months back, I found this gallery of classic images of Venus – downsized courtesy of Anna Utopia Giordano and Photoshop. (The gallery was down for a while, so I didn’t post about it at the time. But now I see it’s up again.) Coates also linked to this post by Bob Duggan, responding to the Photoshopped images. I disagree with almost everything Duggan says. The grotesque results do not in any way shape or form show that there is anything grotesque about the thin, modern beauty standards the artist means to critique (I assume this is the intent.) It’s like trying to prove that moustaches are funny by drawing moustaches on famous paintings. You could also perform the exercise in reverse. Take some reasonably iconic superthin female image and give it the Titian treatment – or the full Rubens – and I’m sure the results would be incongruous and funny. It wouldn’t prove hips and stomachs are themselves inherently hilarious.
Which is not to deny that the superthin standard is grotesque, in a technical sense: it’s extreme and unrealistic to the point of caricature. Duh. But it seems to me that what is objectionable here, if anything, is not the extremity but the standardization. It’s also quite puzzling. Why is beauty culture (per the specs of the fashion industry) such a stable, monolithic body-type monoculture? Feel free to pipe up about how you like ’em with more meat on the bone, so you must be a feminist! (So do I!) But that’s not really what I’m asking. People – men and women – in fact find a wide variety of female body-types attractive. Fashion is all about variety and the new. It seems natural enough to me that the fashion world should gravitate to extremes, and that power-law-type distributions should tend to apply. But fashion is way more than 80-20 in favor of a very particular flavor of thinness. (Or am I wrong?) And thin has been in for a long time. Setting aside whether/to what degree this is to be condemned and/or something done about it, why is it this way? In your expert opinion.
Why don’t we get more change and multi-polarity in ‘ideal’ body-types from the fashion world?
Is it just that fashion designers like to draw nine-heads tall stick figures. And it all flows from that?