In his column this morning, David Brooks has a roundup of young conservative voices we should be listening to. He divides them into four groups: paleoconservatives, lower-middle reformists, soft libertarians, and Burkean revivalists. I want to focus on the last, for as is so often the case with Brooks, he gets it wrong—but in revealing ways. [click to continue…]
I saw an exhibit about a very disturbing matter concerning violence against women near the US-Mexican border. The exhibit addresses the rape, torture and violent killings of hundreds of girls and young women in Ciudad Juárez since 1993 and the fact that there has not been much movement on behalf of the Mexican authorities to prosecute the perpetrators.
“Wall of Memories” by Diane Kahlo “is an installation of painting, sculpture and video about the epidemic of violence against women and girls in Ciudad Juarez, Mexico.” (source)
Throughout the history of western art, typically only those of wealthy and noble class were immortalized through portraiture. By painting the faces of these young victims in the form of a small icon, Kahlo was able to memorialize the young women whose social and economic status would not typically be the subject of a painted portrait. Other aspects of this exhibition bring together Aztec and Meso-American civilizations and symbols of death and rebirth. The artist wishes to draw attention to the fact that to this date, the violence against women continues with impunity.
I wasn’t familiar with this situation, but reading up on it briefly, I see that it has gotten some coverage although in rather specialized outlets for the most part. I wanted to spread additional awareness. Here are a few more images from the exhibit.