by Felix Gilman on May 16, 2013
Throat-clearing:
#### _1._
Never respond to reviews, they tell you, in the fiction-writing community, or at least my little part of it. This is probably good prudential advice, but also in its way quite satisfying; self-effacing and self-aggrandizing at once, in a Delphic sort of way.  One adopts a posture of: lo, there it is, the book, it speaks for itself or doesn’t, if there was more to say the book would have said it.  They don’t let you get away with that sort of thing at the day job. Anyway this is now so ingrained in me that it actually feels vaguely transgressive to write this, like standing up to object at a wedding.
####_2._Â
I am of course tremendously grateful to all of these very smart and thoughtful and talented writers for expending so much of their smarts and thoughtfulness on my books about Evil Trains; with particular gratitude to Henry Farrell for putting this together. There’s more here than I can possibly respond to, and many interesting ideas that I need to spend more time thinking about.
####_3._
All the posters may well have read these books more recently than I have, certainly the first one, which is now _ancient_ from my perspective; plus, they remember only the books that were actually written, whereas I also have in my head all the things that got cut, or were meant to go in but for one reason or another didn’t, and thousands of changes of mind. Â It’s very strange to go back to them.
####_4._
Spoilers. [click to continue…]
by Henry Farrell on May 14, 2013
A kind of coda and suggestion for future work regarding Corey’s “essay”:http://www.thenation.com/article/174219/nietzsches-marginal-children-friedrich-hayek on the links between Nietzschian thought and modern economics. In one respect, I’d ask whether there may be stronger connections than Corey suggests. In particular, I can’t help wondering whether Max Weber might be an interesting vector of contagion. His more sociologically inflected account of the economy clearly had great influence on the Austrians whom Corey is interested in, but his later work, especially “Politics as a Vocation”:http://anthropos-lab.net/wp/wp-content/uploads/2011/12/Weber-Politics-as-a-Vocation.pdf, has strong and explicit Nietzschian overtones. However, for Weber, politics rather than the market is the “theater of self-disclosure, the stage upon which we discover and reveal our ultimate ends.” His heroes are politicians, who attach themselves to an end, follow a particular god despite that end’s radical contingency – the value of politics is that it provides a ground in which these very few individuals can fully develop themselves through struggle with others holding equally strongly to other gods who are equally contingent.
Weber’s political aristocracy, however, has little directly to do with the actual aristocracy of German politics in the early twentieth century, despite his right wing views. It’s clear that those on the left, as well as those conventionally subject to contempt as journalists and scribblers can be as heroic as those on the right, as long as they recognize and embrace the paradoxes of political action. It seems to me at least possible that this account might have served as a bridge, through which Nietzschian influences might have escaped into economic thought. If this were so, though, it would suggest that the key was not marginalism, so much as a very particular interpretation of marginalism by Austrians, whose relationship to mainstream economics has always been rather awkward.
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by Miriam Elizabeth Burstein on May 14, 2013
Mash-ups are everywhere these days: zombies keep finding their way into historical novels, and softcore porn into _Jane Eyre._ Making genres and modes collide is hardly a new thing; what is Arthur Conan Doyle’s _The Hound of the Baskervilles,_ after all, but dear rational Sherlock Holmes startled to find himself set loose in Bronte-esque Gothic? But Holmes vanquishes his Gothic surroundings, so that we are all back on familiar, if not entirely comforting (poor Sir Henry Baskerville…) formula territory at the end. By contrast, the vogue for zombified historical novels, vampirized Austen, and sexed-up Dickens doesn’t resolve the conflicts between genres and modes so much as play them up for all their worth: yes, ladies and gentlemen, honest Abe hunted vampires. [click to continue…]
In The Rise of Ransom City, Felix Gilman attempts a couple of tricks one really shouldn’t try at home. First, he shows rather than tells how history is made by economics, politics and changes in popular belief, not the bravery of heroes. Second, he keeps much of the plot-driving action off-stage. The narrator Harry Ransom is a charismatic storyteller with a knack for coming close to the action but never quite bending it to his will. He says at the outset that he’s changed history four times. But when he explains how, you realize Ransom’s usually a part of someone else’s plan or that it’s something he failed to do that changes how things turn out. It’s all quite subtly done and my first read-through was spent in a fog of mild frustration. It wasn’t until I realized that Ransom is more Forrest Gump than secret agent that I started to get along with this book.
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by John Holbo on May 13, 2013
This is, in a silly way, a footnote to my previous Kevin Williamson post, but, more seriously, to my contribution to our Erik Olin Wright event. In my post on Wright I remarked that, in a sense, he’s pushing against an open door: he wants Americans, who think ‘socialism’ is a dirty word, to be more open to utopian thinking. The problem, I pointed out, is that thinking ‘socialism’ is a dirty word is positively, not negatively, correlated with utopianism, because conservatives are, typically, very utopian, especially in their rhetoric – more so than socialists these days; certainly more so than liberals. Wright responded that his project “is not mainly directed at ideologically committed Conservatives whose core values support the power and privilege of dominant classes. The core audience is people who are loosely sympathetic to some mix of liberal egalitarian, radical democratic and communitarian ideals.” [click to continue…]
by John Q on May 12, 2013
There’s been a lot of excitement about the discovery of two Earth-like[^1] planets, a mere 1200 light years away. Pretty soon, I guess, we’ll be thinking about sending colonists. So, I thought it might be worthwhile to a little bit of arithmetic on the exercise.
I’m going to assume (generously, I think) that the minimum size for a successful colony is 10 000. The only experience we have is the Apollo program, which transported 12 astronauts to the Moon (a distance of 1 light second) at a cost of $100 billion or so (current values). So, assuming linear scaling (again, very generously, given the need to accelerate to near lightspeed), that’s a cost of around $100 trillion per light-second for 10 000 people. 1200 light-years is around 30 billion light-seconds, so the total cost comes out roughly equal to the value of current world GDP accumulated over the life of the universe.
Even supposing that technological advances made travel possible over such distances possible, why would we bother. By hypothesis, that would require the ability to live in interstellar space for thousands of years. A civilisation with that ability would have no need of planets.
On behalf of my fellow Australians, I’m going to make a counter-offer. For a mere $10 trillion, we can find you an area of land larger than a typical European country, almost certainly more habitable than the new planets, and much closer. We’ll do all the work of supplying water and air, build 10 000 mansions for the inhabitants and guarantee a lifetime supply of food. I’m hoping for a spotters fee of 0.01 per cent.
On a related point, what should we be wishing for here? The fact that no-one has sent a detectable signal in our direction suggests that intelligent life forms similar to humans are very rare. If habitable planets are very rare, then this is unsurprising – interstellar distances preclude both travel and any kind of two-way communication. If on the other hand, the emergence of intelligent life is common, then the evidence suggests that its disappearance, through processes like nuclear war, must also be common.
[^1] Where Earth-like means somewhere between Venus-like and Mars-like.
by Henry Farrell on May 11, 2013
I like the Los Angeles Review of Books quite a lot. I’ve given them real, actual money. But this “article”:http://lareviewofbooks.org/article.php?type=&id=1653&fulltext=1&media=#article-text-cutpoint by James Harkin on Marx and public choice theory is, to put it plainly, shit. Below the fold, a lengthy and repetitive diatribe, which I’m posting less because I think it will be especially entertaining to readers, than to do my little bit to discourage others from writing similar articles in the future. Also, perhaps it might get LARB to rethink their quality filters.Taking various claims stated by the argument in turn …
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by Corey Robin on May 11, 2013
So much of the discourse around the US and genocide focuses on the sin of omission, the failure of the US to prevent or stop genocide elsewhere. Now that former Guatemalan dictator EfraÃn RÃos Montt has been found guilty of genocide and sentenced to 80 years in prison—a fact established by a UN truth commission in 1997 but often ignored in the literature on genocide and intervention, which tends to focus on Rwanda and Bosnia—perhaps we can attend to the sin of commission. For the US support for Rios Montt was extensive. I wrote about just a little of it in the London Review of Books in 2004:
On 5 December 1982, Ronald Reagan met the Guatemalan president, EfraÃn RÃos Montt, in Honduras. It was a useful meeting for Reagan. ‘Well, I learned a lot,’ he told reporters on Air Force One. ‘You’d be surprised. They’re all individual countries.’ It was also a useful meeting for RÃos Montt. Reagan declared him ‘a man of great personal integrity . . . totally dedicated to democracy’, and claimed that the Guatemalan strongman was getting ‘a bum rap’ from human rights organisations for his military’s campaign against leftist guerrillas. The next day, one of Guatemala’s elite platoons entered a jungle village called Las Dos Erres and killed 162 of its inhabitants, 67 of them children. Soldiers grabbed babies and toddlers by their legs, swung them in the air, and smashed their heads against a wall. Older children and adults were forced to kneel at the edge of a well, where a single blow from a sledgehammer sent them plummeting below. The platoon then raped a selection of women and girls it had saved for last, pummelling their stomachs in order to force the pregnant among them to miscarry. They tossed the women into the well and filled it with dirt, burying an unlucky few alive. The only traces of the bodies later visitors would find were blood on the walls and placentas and umbilical cords on the ground.
by Henry Farrell on May 10, 2013
*The Half-Made World* and *The Rise of Ransom City* are tricky creatures. They object to being categorized. However much you might want to fix them to the corkboard (with a neatly typed label beneath, identifying species, and date and place of capture) they’re going to wriggle off their pins, if they haven’t already fluttered right back out of the killing jar. Books like this are not easily susceptible to chloroform.
The best I can do is to talk a bit about what they are *not*, and how (I think), they avoid a particular trap. Here, I [disagree with Abigail Nussbaum](https://crookedtimber.org/2013/05/09/on-the-meeting-of-epic-fantasy-and-western-in-felix-gilmans-half-made-world-duology-abigail-nussbaum/), so you likely want to re-read her arguments again before you read mine. Also, I owe much of this to a long email conversation with Eleanor Arnason, (whom you *emphatically* shouldn’t hold responsible for what I say, though she equally emphatically deserves my gratitude). [click to continue…]
by John Holbo on May 10, 2013
by Corey Robin on May 9, 2013
“Nathan Leopold is not the only boy who has read Nietzsche.” So said Clarence Darrow at the trial of Leopold and Loeb, the two University of Chicago law students who had murdered young Bobby Franks for no other reason than to prove that they were Nietzschean Supermen who could.
When I’m feeling mischievous, I think of using that line as an epigraph for an essay on Nietzsche and libertarianism. How many teenage boys, after all, have found their way into the free market via Nietzsche? None, one insider tells me; a lot, says another. My impression is that the latter is right, but good data is hard to come by.
Every ten years, Liberty Magazine polls its readers about their intellectual influences. The magazine draws up a list of candidates to vote on. Nietzsche is never on it. Even so, he gets written in each time by the readers. So much so that the editors have been forced to acknowledge on more than one occasion that should they put his name on the pre-approved list of possible influences he might draw more votes than some if not many of the others.
Ask any scholar about this connection between Nietzsche and libertarianism and she’ll tell you those teenage boys don’t know what they’re talking about. Nietzsche loathed capitalism almost as much as he loathed capitalists, whom he loathed almost as much as he loathed economists. Still I’ve wondered: Might there not be more than the misguided enthusiasm of adolescents connecting Nietzsche to the modern movement for free markets?
Today The Nation is publishing an essay by me—”Nietzsche’s Marginal Children“—that attempts to provide an answer. It’s long; I’ve been working on it for more than a year. But it’s my best guess as to what the connection might be. [click to continue…]
by Abigail Nussbaum on May 9, 2013
#### I
Felix Gilman’s *The Half-Made World* and *The Rise of Ransom City* tell a familiar story in an unexpected way. There is a fantasy world. There is a fantastic menace plaguing it. There is a magical weapon that could destroy that menace. There is a plucky hero, or heroes, who undertake to retrieve that weapon. There is a war that emerges from, enables, and/or complicates their efforts.
It’s a story we all know, which Gilman seems very much aware of; in his telling of it, he seems determined to confound the expectations that emerge from that knowledge. For one thing, our heroes are neither particularly plucky nor, until forced to by the most utter extremes of circumstances, particularly heroic. One of them, John Creedmoor, is in fact a servant of The Gun, one of the Powers whose defeat is the books’ business. A former idealist who bounced from one cause to another, Creedmoor took up the Gun’s service after realizing that he lacked the strength of character to commit to any moral cause (and certainly not any that might require him to stay firm in his beliefs in the face of mockery and humiliation). Throughout *The Half-Made World,* he needles Marmion, the spirit animating his magical revolver, who has endowed him with strength, healing powers, and longevity, over the senselessness of the violence it asks him to commit. But in the end he always carries out his masters’ orders—most memorably, the kidnapping of the young daughter of an industrialist, which is so bungled that the child dies before her father can even be approached for ransom. As *The Half-Made World*’s villain, Lowry, astutely puts it, Creedmoor is the kind of person who demands “to be admired both for his loyalty and for his disloyalty [to the Guns], and for his oh-so-tortured indecision between the two.” [click to continue…]
Sometime ago (just after the 2001 general election), I was listening to a senior adviser to Tony Blair at a non-academic public policy conference. He started saying some things that were quite critical of the promises New Labour had made, and implemented, in education, and I found myself, at first, thinking how sensible and well-thought out the criticisms were. Then, I started thinking that I recognized the language in which they were couched, and, eventually, realised that the reason it all sounded so good was that it had been taken, more or less verbatim, from something I had written. My first, momentary, response was to be irritated by this—but, once I remembered where I had written it (the cover story of a magazine that was distributed widely at the previous Labour Party conference) I was, simply, pleased. Of course, he is not going to cite me in a speech, and if you write in that sort of venue you should be hoping that somebody like him will take your words and ideas and make them their own.
If an academic had done that, I would have remained irritated (for about 20 minutes, I imagine, I really don’t care that much), and I think that it would have counted as plagiarism. If a student did the same thing I would regard it as serious academic misconduct. But in the context it seemed just fine.
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by Francis Spufford on May 8, 2013
*The Half-Made World* and *The Rise of Ransom City* are both rich books, full of pleasures for the reader; but the pair of them are also, to an unusual degree, in the business of being deliberately frustrating, of withholding from readers a set of expected pleasures that seemed to have been virtually promised us. I mean pleasures that are usual to fantasy – pleasures, even, that are usual to the implicit contract a plot makes between writer and reader. And it’s this I want to concentrate on a little, because it seems to me that what Felix Gilman holds back, what he refuses to deliver, is essential to the power of the effect he does create. (Spoiler alert, by the way. I can’t talk about what Gilman doesn’t do, in plot terms, without sometimes revealing what he does.) [click to continue…]
by John Holbo on May 8, 2013
“All successful revolutions are the kicking in of a rotten door.” – J. K. Galbraith
Kickstarter is glorious insofar as it is a well-earned kick to a rotten door.
That’s why a lot of people are griped about Zach Braff funding his Garden City sequel this way.
The idea – and it’s a great one – is that Kickstarter allows filmmakers who otherwise would have NO access to Hollywood and NO access to serious investors to scrounge up enough money to make their movies. Zach Braff has contacts. Zach Braff has a name. Zach Braff has a track record. Zach Braff has residuals. He can get in a room with money people. He is represented by a major talent agency. But the poor schmoe in Mobile, Alabama or Walla Walla, Washington has none of those advantages.
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