Elizabeth Cotten had an unlikely musical career. As a left-handed young girl she taught herself to play her brother’s banjo. Then she bought a guitar from Sears Roebuck at 11 and proceeded to play it Jimi Hendrix-style, upside-down. After getting married at 17 she basically gave up playing guitar for 25 years, except for occasional church performances. Quite at random, she was hired as a maid by part of the Seeger family–working for Pete Seeger’s dad and the children of his second wife. She picked up the guitar again, and blew everybody’s mind. Mike Seeger (Pete’s half-brother) started recording her and the sessions were made into an album from Folkways Records–Folksongs and Instrumentals with Guitar. Her signature tune “Freight Train” became hugely popular among the folk musicians of the revival of the late 50s/early 60s, being covered by Joan Baez and Bob Dylan among many others.
She started to tour and perform with big names, released another influential record in 1967, Shake Sugaree, and kept touring and playing till the end of her life (January 5, 1895 – June 29, 1987). Her unusual picking style was greatly admired, because it’s totally awesome! People have worked out alternate ways to play the songs that don’t involve playing the guitar upside down and backwards. (John spent two weeks learning “Freight Train” when we were on Martha’s Vineyard last year, causing our children to, in extremis, institute a strict “no Freight Train” policy. Happily, though, now it reminds us of my aunt’s house and all being together with my siblings and cousins, and beach plums, and the creek with its perfect flat wet stones, and the cold Atlantic, so grey.) Her music is distinctive because of the bass lines–the strings sounding the lowest notes were at the bottom of the guitar and so she picks out distinctive tunes on them. The highest string being on top, she sometimes treats the guitar like a banjo–since that’s where the high-pitched drone string is. I just learned reading the wikipedia article that she wrote “Freight Train” at 11!
Her voice is wonderful, but many of her best songs are instrumental only:
I’m having trouble choosing here, “In The Sweet By and By” is beautiful…some songs are painfully short, like “Mama, There’s Nobody Here But The Baby” or “Ain’t Got No Honey Baby Now.” [Which I can’t find a working video of :/ ] 56 seconds? NO. Although Harry Taussig plays a killer version on steel guitar. I’ll close with the topical “Take Me Back to Baltimore.”
My dad is an incredible guitarist, and plays steel 12-string bottle-neck slide, though he removes the second string from the highest two strings, making it 10-string. He also picks in this style–and we are big fans of Ry Cooder who is a master at it. When I was a kid we always had music playing. My godfather played the fiddle and we had plenty of other random musicians at parties, which, in South Carolina through to the late 70s were always two- or three-day affairs. We had a whole crew of Hell’s Angels camped out in the back yard one time. My brother and I would sing, folk songs like “Froggy Went a-Courting.” That’s happiness for me, standing on the front porch catching lizards on the screen, listening to live music and the leathery sounds of the palmetto pushed by the wind, live oaks tossing their heads and their festoons of Spanish moss, my feet slowly blackening with the super-fine dust of mildew that settles inevitably on the grey floor of any screen porch, the sky and the hydrangeas planted around the base of the house and the screen porch ceiling all alike powder-blue, the smell of salt water and marsh and endless joints burning mingled into a perfect sweetness. High tide. Got to be high tide at 2 p.m. with a summer thunderstorm blowing up far across the river. Not low tide and with all hanging breathless and hot, and the mud flats on the sandbar across the river stinking in the sun. Eating cold boiled peanuts and watermelon and drinking sweet tea. Perfect. Except now I’m homesick!
From the category archives:
Arts
B.B. King died last Thursday. I feel he was one of the last great blues stars. But as talented as he was I have a terrible confession to make. He was so influential on white rockers such as Eric Clapton that a) they just copied him slavishly lick for lick, all the time, forever b) I have developed a back-formation feeling that unfairly prejudices me against the music of a true guitar hero.
This song is objectively awesome. I…have to go to the doctor in a bit, and I might need to study kanji* re-play Monument Valley, so I don’t have much to say except OMG THIS THIS EVERYTHING!
Lead-singer and guitarist Brittany Howard has an incredible voice, obviously. I thought she was a dude at first. (John professed bafflement that I ever thought this. [This was not a function of her incredibleness, but just plain I didn’t know who was singing and heard it as a dude.]). Alabama Shakes has a really wide range of song-styles. What is this like? I would say sort of reminiscent of the Doors in ways, but I actually kind of hate the Doors, so. The guitar able to go so clean when she wants it to, as all the other instruments cut out, like at 2:19, it’s a later Pink Floyd-ish thing? (Which, btw, I have been really feeling lately. Anybody want to join me for some Shine on You Crazy Diamond? It’s only 25 minutes long. IT’S WORTH IT.)
*I am just going to stop taking topamax. Screw this. My brains have turned to mush and I have horrible headaches anyway. Though to be scrupulously over-generous to myself, our tutor gives us the hardest test I can think of: Japanese sentences with blanks for the kanji and hiragana for the sound, and then we have to write the character. It’s easy to see each character and remember what it means. The sounds…more troublesome. I would do better by just flipping the paper over and writing all 15 characters down. I should probably do that Sunday, then cross them out as they go in, but I’m doing the class with Zoe and I am way slower than her already.
OK, I got y’all this far, now you get a video about outer space. It’s AWESOME.
P.S. I will take ALL THE GRAVY BOATS. Just send’em on over. (John waves hands like X in background mouthing “noooo!”)
P.P.S. I am aware the title is now inaccurate.
Sister Rosetta Tharpe! I think I’ve already made a whole post telling you to listen to more Sister Rosetta Tharpe before, but that doesn’t matter! Because the defect of her recorded sessions is that the guitar is mixed down way low and you can’t hear her rock out on the guitar. But I found these live sessions that just…
You weren’t expecting that old lady to play that solo were you? She has a goddamn (sorry Sister) whammy bar on that thing!
What about this? And, goddamn, not sorry, did they not let any black people even come to this concert? That’s stone cold, fellow white people. Stone. Cold.
”
This is from when she was younger.
The version of this song I know says “when you see a man jump from church to church/you know the conversion don’t amount to much,” and I have uncharitably said this about Rod Dreher.
Sister Rosetta Tharpe’s frequent performance of all these songs in nightclubs were obviously ironic and different…
This short BBC documentary about her and her influence is interesting (just 15 minutes).
UPDATE: OK you can click through and there is a whole hour of BBC documentary. I haven’t watched it. Also, she didn’t sing straight gospel in nightclubs, she sang other songs, but she also had ironic versions of the gospel songs like “This Train”, in which she sang no whiskey-drinkers or cigar-smokers would make the cut while in The Cotton Club!
I mentioned a little while ago that I had an excellent plan for a project. I have always wanted to make my own Tarot deck, since I was a young teenager. Well, I say this, but probably since I was nine or ten. At the time I imagined that I would have to successfully pull a wood-block print for all the backs, and paint each one, perfectly, all 78, and then if a drop of water got on them later? I would die. So I imagined having them laminated, but then I considered the state of much-used laminated papers such as those employed in classes, and I thought it unwise to entrust to the process anything about which I cared greatly. Yellowing, bubbling, peeling; these are all terrible. Now many things exist which can facilitate my devising of a deck of cards, such as the use of photoshop to create perfectly symmetrical arabesques for the reverses based on only one properly-inked section. But of course the infinitely more pleasing prospect is that of getting my designs printed on card stock, and the edges trimmed, and then all shared with others! I had only ever intended my own version of the designs in the Waite-Smith deck,* but then I remembered that I had had another idea, which was to make a set of cards based on Great-Aunt Nora Cloud’s deck in John Crowley’s Little, Big. Truly it’s Violet’s deck, but we see it used by Nora Cloud in the course of the book. (Violet is my younger daughter’s name; mine can be her deck also.) Those who have read the book will know that the deck, its reading, and physical disposition figure greatly in the work, and those of you who have not SHOULD GO READ IT NOW DEAR GOD READ LITTLE, BIG FOR THE FIRST TIME I ENVY YOU! Really, it’s maybe my single favourite book.
UPDATED below
[click to continue…]
That’s one good thing about music–when it hits, you feel no pain. I recently had an out-of-the-blue need to hear this Cure song, partly thinking that Zoë would like it, which she does, a lot. It’s a very happy feeling to introduce someone to music that they love. I remember the first time I listened to this song vividly, because I had two friends sleeping over, one of whom had brought the tape. My step-father had an (admittedly solid) “free cheap red wine for sleepovers” policy. I was thinking it started in middle school, but on reflection I realize it must have been ninth grade. In middle school it was sort of unofficial. This encouraged a make-out during sleepovers policy also unofficially endorsed by my stepfather but WHATever, awesome parenting skillz. My step-dad had his bad side but he really knew how to throw a fun party. Let it never be said he was not fun at a party. I mean, stuff went wrong eventually, sometimes, with either drywall, glass tables, or his hand getting broken (or all three!), or firearms being discharged indoors, or my mom magnificently sweeping down the stairs in a silk 1930s gown and putting a stop to all further shenanigans by hacking a big piece out of the entryway to the living room with a machete. That last was really memorable and for whatever reason put a stop to what had been a many-year run of weekly two and three-day parties.
I wasn’t paying attention to un-approved comments in the queue, so a bunch got stuck there. Why? Because I almost never do anything about them until a co-blogger is like, “hey Belle, remember how we have a moderation queue that ever requires you to do a thing ever?” I just went and approved them all, as is generally my inclination, even–I will have you know–the ones calling me a bad person who writes in a fundamentally unserious way about serious subjects, and who is personal friends with Brad DeLong even though he is an economic quisling and opinionatedly wrong about works of history about Eastern Europe which I (myself, Belle Waring) have not read. So, if it seemed as if you were in moderation hell, sorry about that.
You also really have to work at it to get me to ban you; please don’t. It’s tedious. I wouldn’t do it even if I personally disagreed with you about historiography of Eastern Europe, rather than at a trusted remove (at which remove I also won’t ban you obvi, since, here you are). Well, if I knew you were fabricating lies and hurling spurious claims of ‘anti-Semite’ everywhere I’d hassle you, but you’d have to be King Dick of it to get banned on my account. I did have some homophobia in the first thread from whoever it is who has been baiting MPAVictoria so incessantly. It was fake homophobia that he wasn’t even selling. I wasn’t buying a nickel bag of it. But pretending to be bigoted is almost worse. I seriously am too bored to look up his very-like-another-person’s name right now. You, thingface, knock it off, and MPAV for the love of all that is unholy just don’t rise snapping to that hand-tied-fly what has been cast onto the mottled surface of our limpen stream. And then…a male commenter said this to me:
[click to continue…]
The author is a genius but would prefer to remain mildly anonymous. I think it reads like Donald Barthelme. (I mean, the Stevens influence is also pretty definitely there.) [click to continue…]
Prof. Henry Higgins: I could totlly teach you to talk good lol.
Eliza Doolittle: no way! I talk too bad!
HH: you would even be hot then haha.
ED: but I have a smudge on my face.
HH: inorite?
ED: it’s small but it like hides my whole face. it is a magic smudge.
HH: if you didn’t have a magic smudge you could be hot. jk you will prolly never get that smudge off. you will never be hotlol.
ED: please teach me to talk good even though I suck and stuff plz!
HH: I guess, god whatever
ED: some dudes think I’m hot!
HH: as if. they are just saying whatever to get into your pants. they can tell u still talk stupid.
ED: OMG u r so mean I am seriously crying now for real!
HH: you are way too emoshe. that’s why I can’t even deal with chicks sometimes. this is all about a bet I made with my bro. a brotimes bet. brotimes.
ED: I hate you! I am running away!
HH: you ran away to my mom’s house because you love me.
ED: no one ever said I was hot before until you said I looked barely tolerable. will u PLEASE GO OUT WITH ME PLEADE!
HH: OK I am like 70 u know.
ED: and I am like 25 and no one ever said that they had gotten used to seeing my face among other objects they saw during the day, like cabs and umbrellas! u r the 1! you saw thru the magic smudge! IT WAS MAGIC!
HH: yeah I’m pretty amazing. OK fine.
ED: I love u so much!
HH: I love me too.
finis
UPDATE: If I had been making fun of Shaw it would have said “Pygmalion: a Series of Text Messages,” wouldn’t it? What am I likeliest to have seen recently? The original London production with Julie Andrews? Possibly, just conceivably, the Audrey Hepburn/Rex Harrison movie? Let your imaginations run wild. Secondly, it has been brought to my attention that Mallory Ortberg thought of this first, which is too bad insofar as she is way funnier than me, but good insofar as she is both way funnier than me and a more dedicated, prolific writer, and I get to read the things she writes on the internet. So, it’s win-win! The only thing for me to do is keep training harder, like that montage in Rocky IV when Rocky is training in Siberia while Ivan Drago is being put through his paces in a futuristic Soviet lab, so it turns out Rocky is training in a more authentically Russian way than Drago, because he is in the snow carrying wood and buckets. IRONIC! The music for this is awesome, although it annoys John when it comes up on shuffle in iTunes. “What the f%*k? Oh this is one of your montages isn’t it. You know, the Thundercats theme song came on while I was with Violet at drum lessons yesterday.” Forget the haters!
I’m glad to have spread the gorey news regarding Daumier. Some commenters were evidently unfamiliar. Here’s a nice Flickr set if you just want to browse. But, for CT’s especially philosophically-minded and discerning readership, one from Daumier’s “Histoire Ancienne” series. (It also belongs in my collection of philosophers looking silly. This one is also good.)
I present: Socrates doing a soft cancan, to Aspasia’s discomfort. [click to continue…]
While I’m on the subject of Honoré Daumier, let me just show a couple other items from the aforementioned whomping great volume. A pair of lithographs from the Caricatural Salon of 1840 (which I saved myself the trouble of scanning by finding here. Kind of interesting comparisons with some comics frames.)
Anyway, the first is “The Ascension of Christ. After the Original Painting By Brrdhkmann”:
So Manspreading is a thing, hence a controversy. I don’t have a lot to add to this Jezebel post on the subject. Except I do! I did some important historical research by remembering that Honoré Daumier got there first with “The Omnibus”.
You know what’s a good idea, if you have access to a university library? Checking out nice big fat art books. The older daughter and I have been undertaking a study of French art. She likes Daumier, not Picasso. The Essence of Line: French Drawings from Ingres to Degas
Anyway, older daughter’s reaction to Fragonard’s The Swing: is this some kind of ironic political protest? Stands to reason that Fragonard must have been the Stephen Colbert of rococo art. Book says it was painted in 1790. Presumably Fragonard read the newspapers. But wikipedia says it was painted circa 1767. That makes more sense.
The thing that’s great about Fragonard is … the trees. Just look at this ridiculous thing, The Meeting. I want someone to do a fête galante superhero comic in the style of Fragonard, with all the trees like so much Kirby Krackle, and all the heroes and heroines in satin, flouncing about. Imagine if Fragonard had painted Galactus and the Silver Surfer.
But I digress. In the Fragonard book, on the facing page, we get an amazing addition to my informal collection of silly pictures of philosophers. [click to continue…]
DJ Earworm has come out with his 2014 year-end mix. For those who have not hear them before, he makes mashups at the end of the year with the top 25 songs. Since he started making ‘Summermash 13’ and ‘Summermash 14,’ the songs from earlier in the year don’t get as much love, which is sort of too bad if the good songs were earlier in the year, but OK since you can hear him use the same bit quite differently. Assuming you don’t know these songs (except three maybe, except none maybe) the lines of the song and even words of a line are all from different songs.
Lots of people online have been saying it’s not that great, not like back in the day. Partly because everyone must ritualistically claim that 2009 was the best, ever, forever. This is defensible but non-obvious. It blew everyone’s mind, and it is beautiful, but there is a lot of Blackeyed Peas and Miley Cyrus’s first solo album in there and you’re not telling me that’s right. What there is is good Lady Gaga songs. I want some of those. Partly people are saying it’s weaksauce because the songs (raw material) sucked. This is a fair and an unfair point. Fair, in that they mostly sucked, but by no means all, since Lorde’s Team is great, and I like Happy a lot (shut up h8ers) and…and…mmm, there was plenty of suckage. No, screw it, “Fancy” is idiotic but kind of fun, what do you want in a song. I mean, other than an Australian chick trying and failing to sound like…(considers YouTube history)…this totally random rapper Yolanda laying it down in front of egg-crate foam. Seriously, who is this? Not really anyone, and yet her flow is so much better than Iggy’s. Is this evidence that we live in a just world?
Unfair (the criticism of 2014’s mix) in that every year most of the songs are terrible. This year suffered in not having an EDM track to bring the EPIC. Last hear there was only one: “Don’t You Worry Child.” If you listen to last year’s mix you can hear that it made the chorus rousing (like starting at 1:11.) This year DJ Earworm relied on the crazy lead-in to the stupid chorus of Katy Perry’s “Dark Horse” for this purpose, and took 0 sung sections from the song, a WAY SOLID decision [not linking to this because if you want to see Katy Perry turn someone into a glass of wine because he gave her a massive basket of Spicy Cheetos carried by slaves that’s on y’all]. The thing he did that was inspirational was he made the ridiculous Charlie XCX “I’m so fancy/Everybody knows/In the fast lane/From LA to Tokyo” part of “Fancy” be the chorus and be all moving and sweet. Like the ending of last year’s mix made “Thrift Shop” and a Justin Timberlake song beautiful. How? Is he magic? He’s magic probably, is the answer. Belle, why do you even know all these shitty songs? Do your children like these shitty songs? No, they only like good music, actually. I, um, I ride in the taxi all the time and hear Singapore radio stations? I see the mashups and think “what the hell song was that?” Checks. “Oh god, it’s Maroon 5. If Adam Levine bleeds or gets blown up one more time in a video he will die of blood loss, and I will not mourn his passing.”
ANYWAY speaking of Magic, one of the not-good songs in the year-end mix was a meagre Canadian reggae song called “Rude,” which you must now go listen to the first 45 seconds of so you can fully appreciate the genius of this cover. No, go. No. Seriously, I’m not posting it until you—OK, then. Now this you really want to watch. This is not you humoring me, this is straight awesome and not in some abstruse possibly ironic way where I double back and like Christina Aguilera (I don’t obvs.)
See! I am in love with this kid now! I feel, re-reading this, vaguely defensive and like I need to reassure you that I spend lots of time listening to Can and Ike and Tina Turner and Parliament/Funkadelic and Porter Wagoner and am a good person, but whatever. I’ma let my freak-flag of ‘hating things by knowing about them in intricate detail’ flag fly (please ask me if you’d like me to synopsize all the Twilight books. My daughters wanted to know where I even learned the name of the Vampire pureblood association that is all mad at Edward and Bella for their forbidden creation of a half-etc. child, and even granting that I read it on the internet why did I remember it? I have no defense.)
Bit late, but a family-oriented, all-American blog like Crooked Timber should have a Thanksgiving-themed post.
This semester I was teaching ‘topics in aesthetics’ and we ended up doing a unit on fakes and forgeries. I read a bunch of stuff on the history of famous cases. Lots of fascinating material, of course. I like the story of Lothar Malskat and the Turkeys In The Schwahl, entertainingly retold in Jonathan Keats, Forged: Why Fakes are the Great Art of Our Age
Long story short: this guy Malskat was a fake and a fraud! He was supposed to restore the painting in this here 13th Century church cloister but it was, basically, like, gone. Nothing left. So he made it up! Here’s an excerpt: [click to continue…]