From the category archives:

Books

Fun summer reading

by Henry Farrell on July 14, 2014

Books I’ve read in the last while that I’d recommend:

[click to continue…]

Unread Books?

by Harry on July 9, 2014

Jordan Ellenberg has devised an ingenious way of working out what books get bought but not read:

Amazon’s “Popular Highlights” feature provides one quick and dirty measure. Every book’s Kindle page lists the five passages most highlighted by readers. If every reader is getting to the end, those highlights could be scattered throughout the length of the book. If nobody has made it past the introduction, the popular highlights will be clustered at the beginning.Thus, the Hawking Index (HI): Take the page numbers of a book’s five top highlights, average them, and divide by the number of pages in the whole book. The higher the number, the more of the book we’re guessing most people are likely to have read.

Using this method, he finds that Donna Tartt’s The Goldfinch has an HI of 98.5%, whereas Thomas Piketty’s Capital in the Twenty-First Century has an HI of just 2.4%, worse even than Stephen Hawking’s Brief History of Time, widely known as the ‘most unread book of all time’.

I find the Tartt result unsurprising because when, recently, I read her first book,The Secret History I spent the first 350 pages wondering why on earth I was reading it. Not only were all the characters repulsive, but, worse, I strongly suspected the author thought they were really cool. The picture of the author did not inspire confidence that I might be wrong. And, there really seemed to be no plot and I am someone who has no compunction putting down a bad book, so the fact that despite all that I remained hooked impressed me a lot (and it was completely worth it: from around p.350 it is riveting).

But (in Jordan’s spirit of this being entertainment, not science) several comments. First, in defense of Piketty, it is a great read, not at all what I had been led to expect, so if people are giving up they are missing out. Second, though, most copies of Hawking’s book were sold prior to Kindle, and I suspect that hard copies of books, which are sometimes bought for show, are more likely to go unread than kindle copies, which are often bought in order not to show (see 50 Shades). So, Hawking, I think, is still a winner. Next, though, the problem with the method is that I suspect that the kind of people who mark passages in their kindles are unrepresentative readers (not being rude, or anything, just seems quirky). But, finally. When I was a teenager, I saw Aleksandr Solzhenitsyn’s The Gulag Archipelago on the bookshelves of just about every house I ever went to, including the houses of people whom I never saw reading even a shopping list, let alone talking about a book. I do believe there are, or at least have been, people who have read it, but I’d be amazed if it would have gotten a HI of 0.5%.

Finally, finally, I wonder about academic books? I am pretty sure my first book has been cited much more often than it has read, and I have pretty compelling evidence that two of the reviewers didn’t read it (one reviewer based his entire review on the blurb for the book; and a second attributed to me, and criticized, exactly the opposite thesis from the one that I was defending).

Anyway, other nominees for unread, or ought-to-be-unread, books, with or without evidence?

My apologies for the delay in posting the second half of my reply to the symposium. I was traveling. Let me repeat at the outset my deep appreciation for the insightful comments provided by the contributors to this symposium. This is the sort of exchange that makes intellectual life rewarding. Given the delay since the original postings, I did not want to assume that readers of this post would remember what was said in the earlier ones, and I’ve tried to write this in a way that will be intelligible on its own. I take up here the six contributions that I did not discuss in the previous post. I’ll begin with David Owen, Michael Blake, Kieran Oberman and Ryan Pevnick, all of whom have related concerns. At the end, I’ll discuss the posts by Brian Weatherson and Patti Lenard.

In various, sometimes overlapping ways, David, Michael, Kieran and Ryan have raised questions about my theory of social membership. To recall (or, for those who have not read the book, to summarize), the central claim of that theory is that immigrants become members of society over time and their social membership gives them a moral claim to most of the legal rights that citizens enjoy and eventually to citizenship itself. It is important to note, however, that I do not start with a general theory of social membership that I try to justify on the basis of abstract principles and then apply to particular issues. Rather I start with the actual practices of democratic states and ask whether these practices seem to make moral sense. It is only after I have explored arguments about particular practices that I try to show that the idea of social membership is a common thread in many of these arguments. Moreover, my theory of social membership is not presented as a full account of why immigrants are morally entitled to legal rights. I contend that immigrants also have claims to legal rights based on the duty of every state to protect the human rights of anyone within the state’s jurisdiction and based on other considerations like reciprocity and proportionality as well. I think that this way of doing political theory “from the ground up” differs from the approach of some of my interlocutors, especially Kieran and Ryan. My approach is likely to be less systematic and involve more balancing of competing considerations, but I think that it is more closely connected to ordinary moral views, even when, as in the open borders chapters, it leads to radical conclusions.
[click to continue…]

Why the case for open borders is crucial to defending the rights of resident migrants

Joseph Carens’s important, engaging and superbly written book aims to offer “a general account of how democrats should think about immigration” (p10) based on “fundamental democratic principles” that Carens believes most people in Europe and North America already hold (p5). This methodological stance dictates the structure of the book. What is most controversial is pushed to the back. Chapters 11 and 12 make the argument Carens is most famous for: the case for open borders. Chapters 1-10 set that all aside to address a range of everyday migration controversies, from naturalisation to religious dress codes, under the assumption that states have a broad right to control immigration as they wish. The boast of the book is that it can adopt this underlying assumption and still defend a set of progressive policy proposals requiring states to extend a variety of rights to migrants. The case for open borders is meant to be Carens’s encore – a treat performance once the main show is over – not a premise upon which the whole thing hinges. Does Carens pull it off? In my view, no. Most of the arguments that Carens makes for migrants’ rights in Chapters 1-10 fail unless the right of states to control immigration is called into question. Conversely, if one accepts not only the common assumption that states have a right to control immigration but also the common beliefs that lie behind that assumption, then one has reason to resist the extension of rights to migrants.
[click to continue…]

Joseph Carens has written a brilliant and stimulating book. I can’t remember the last time I filled a book with so many marginal jottings, either because he had made a striking point that I wanted a reminder of, or because what he said was so thought-provoking, or, often, both.

I agree with the vast majority of Professor Carens’s conclusions. It would make a boring symposium contribution to just list points of agreement, so I’m going to spend a bit of time here on a few points where I don’t agree. Now I’m sure you’ve heard a philosopher give an introduction like that once or twice before, and it can sound rather trite. So I want to start with a couple more positive things.

The fact that the book is so rich, that there are things worth talking about on basically every page, means that it would be a joy to teach. I don’t think there are many philosophy departments around that currently have on the curriculum a course on the ethics of immigration. Here’s some free advice to my fellow philosophers: Add such a course, and have Professor Carens’s book be a central text in it. You’ll get a topic, and a text, that are interesting to people who normally wouldn’t take philosophy classes. You’ll get more topics for fruitful discussion than you can easily handle. And, especially in a university with any kind of diversity, you’ll get the chance for you, and the students, to learn from how the lived experiences of the different members of the class interact with the theoretical issues at hand. I know many universities have been adding, with great success, courses on the ethics of food. A course on the ethics of immigration could have a similar kind of success.

[click to continue…]

This is the first contribution in a Crooked Timber symposium on Joseph Carens’s The Ethics of Immigration (Oxford, 2013). Over the next week there will be a number of further contributions by guests and Crooked Timber bloggers, followed at some near but later time by a response to critics from Joseph Carens himself.

Some worries about Carens’s democratic consensus

Joseph Carens started the contemporary discussion of immigration and justice back in 1987 with his essay “Aliens and Citizens: the Case for Open Borders” (Review of Politics 49:2) and has pursued the topic doggedly since then in a series of books and papers. But we’ve had to wait until now for the definitive statement of his views. The Ethics of Immigration is a terrific book in various different ways. First, in assembling a challenging series of arguments around its core topic; second, in breaking new ground in how to do political philosophy; and third, in demonstrating that a work in political philosophy can be written with such clarity and can communicate with the lay reader without sacrificing rigour or philosophical depth. In this last respect it is astonishing: it is beautifully written, never hides behind jargon and engages with its readers without patronising them. In short, it is a great achievement.
[click to continue…]

Gene Wolfe is 83

by Henry Farrell on May 7, 2014

I’ve been reading my way through the New Sun tetralogy again over the last few months. In honour of the day, one of my favourite passages (as the protagonist, Severian descends a cliff, in a world grown so old that the object of ‘mining’ is not to find seams of raw minerals, but instead to discover the relicts of the past and convert them to use).

The past stood at my shoulder, naked and defenseless as all dead things, as though it were time itself that had been laid open by the fall of the mountain. Fossil bones protruded from the surface in places, the bones of mighty animals and of men. The forest had set its own dead there as well, stumps and limbs that time had turned to stone, so that I wondered as I descended, if it might not be that Urth is not, as we assume, older than her daughters the trees, and imagined them growing in the emptiness before the face of the sun, tree clinging to tree with tangled roots and interlacing twigs until at last their accumulation became our Urth, and they only the nap of her garment.

Deeper than these lay the buildings and mechanisms of humanity. (And it may be that those of other races lay there as well, for several of the stories in the brown book I carried seemed to imply that colonies once existed here of those beings whom we call the cacogens, though they are in fact of myriad races, each as distinct as our own.) I saw metals there that were green and blue in the same sense that copper is said to be red or silver white, colored metals so curiously wrought that I could not be certain whether their shapes had been intended as works of art or as parts for strange machines, and it may be indeed that among some of those unfathomable peoples there is no distinction.

At one point, only slightly less than halfway down, the line of the fault had coincided with the tiled wall of some great building, so that the windy path I trod slashed across it. What the design was those tiles traced, I never knew; as I descended the cliff I was too near to see it, and when I reached the base at last it was too high for me to discern, lost in the shifting mists of the falling river. Yet as I walked, I saw it as an insect may be said to see the face in a portrait over whose surface it creeps. The tiles were of many shapes, though they fit together so closely, and at first I thought them representations of birds, lizards, fish and suchlike creatures, all interlocked in the grip of life. Now I feel that this was not so, that they were instead the shapes of a geometry I failed to comprehend, diagrams so complex that the living forms seemed to appear in them as the forms of actual animals appear from the intricate geometries of complex molecules.

Does Inequality Help Artists? Not So Much

by Henry Farrell on May 6, 2014

Matthew Yglesias, responding to Tyler Cowen and my critique of same.

high levels of income inequality lead to high prices for art. A lot of this reflects higher prices for old paintings by dead artists, but the art market exhibits sufficient efficiency that higher prices also benefit new works by living artists. … The mechanism, basically, is that art-buying is mostly done by very rich people so when very rich people get richer, the price of art gets bid up. When buying power shifts to the middle class they tend to buy more banal things like bigger houses or nicer cars.

Whether these price trends are good for the arts is going to depend on a bunch of other questions that the paper doesn’t address. Do higher prices for art works induce artists to become more productive? Does greater output come at the expense of quality? Do people shift into painting from more mass market artistic pursuits (music, movies) or from careers outside the arts? Do higher prices make art less accessible to non-rich art lovers? One can imagine a whole range of different outcomes here. But the evidence that inequality boosts the financial returns to the fine arts — largely by diverting financial resources away from middle class consumption of normal stuff — seems compelling.

By coincidence, I’ve recently finished reading The People’s Platform, Astra Taylor’s wonderful new book on culture and the Internet (Amazon, Powells), which gives a much more jaundiced account of what is happening to art in the age of inequality (see here for an interview which gives some flavor of her thinking). [click to continue…]

Elizabeth Bear on knowledge in pre-modern society

by Henry Farrell on April 30, 2014

I’ve just finished Elizabeth Bear’s _Eternal Sky_ sequence (Powells, Amazon). It’s fantasy, based around a rough analogue to Central-Asia-plus-China-plus-bits-of-Rus, in which pasty skinned Westerners are weird and occasional aberrations. It’s also enormous fun. It’s also technically impressive in its grasp of how feudal and tribal societies actually work. Bear really gets the consequences of imperfect information sharing in pre-modern societies and uses it as a core engine of plot. Rather than the usual fantasy model of ‘bunch of disparate comrades united on a single heroic quest,’ it goes for the far trickier ‘bunch of disparate comrades who split up and go in many different directions, most of the time with only the vaguest idea of what the others are doing.’ It pains me to think how much work she must have done to keep track of who knows what at which point, but it pays off. The really nice part is that the villain (who bears a strong resemblance to Hassan-i Sabbāh) is not a commander of the usual armies of mindless hordes. Instead, he mostly has to work through treachery, dissimulation and manipulation of collective knowledge. His magics (which are costly) mostly involve better communication, which allow him both to work more easily with subordinates, and to spread disinformation so that it takes hold quickly, forestalling some alliances while encouraging others. [click to continue…]

A Parade of Improbabilities

by Henry Farrell on April 29, 2014

cover-revolutionsUK

Felix Gilman’s new book, _The Revolutions_ is out (Powells, Amazon) . It’s very, very good. The novel starts from the strange blend of middle-class self improvement, encounter with (and misappropriation of) ideas from Asia and social change that led to an explosion of occultism in the late Victorian period. In Gilman’s fin-de-siecle London, the theosophists’ view of the universe was _actually right_ (or, if not right, at least possessed of a convincing verisimilitude), allowing him to mix astral travel, lordlings of dubious personal character, ruthless newspaper magnate-magicians with a planetary romance involving diaphanous Martians, now exiled from their ruined world to its two moons. But it’s a Gilman book, hence tricky. The title combines the “revolutions of the spheres,” that occultists must calculate to travel outside the boundaries of the Earth, with the revolutions in human understanding, as people really began to understand the nature of cosmological space and geological time.

[click to continue…]

Henry has nudged me a little, every so often, towards participating more in the life of Crooked Timber — or participating at all, really, since it’s been almost four years since my last posting. Fair enough. And so now, without further ado: Here I am again, ready to complain.

The Marxist Internet Archive (marxists.org) is a vast and growing resource, run entirely by donated labor, and as polylingual as circumstances permit. (Do they have Trotsky in Tagalog? Indeed they do.) Yesterday, a notice appeared in the Archive’s Facebook group, and also on its homepage, saying that Lawrence & Wishart’s lawyers demand removal of material from the Marx-Engels Collected Works: “Accordingly, from 30th April 2014, no material from MECW is available from marxists.org. English translations of Marx and Engels from other sources will continue to be available.”

Responding to L&W’s demand in a suitable manner would require someone with Marx’s or Engels’s knack for invective and scatology, and I’m not even going to try. But the idea that most of their work is going to be removed from the website on May Day is just grotesque.
[click to continue…]

My Chait thread was a moderate disaster. I was like: ‘by saying X, I think Chait meant Y.’ And you were like: ‘by saying ‘by saying X, Chait meant Z,’ are you saying Q?’ And I was like: what? Z? Q? No: Y!’ And you were like: ‘Y what?’ Anyway, I take almost full responsibility for how that went down wrong. Some of the comments came round but it was, overall, a poor frame for my point. My bad.

Let’s cut all that loose and try again, from quite a different angle. This post is also, sort of, a presentation of arguments I cheekily refused to disclose in this post. On we go!

Conor Friedersdorf’s argument that gay marriage opponents shouldn’t be likened to racist bigots goes something like this.

P1: Racism is pretty simple.

“A belief in the superiority of one race and the inferiority of another.”

P2: Opposition to same-sex marriage is complex.

“One thing I’ve noticed in this debate is how unfamiliar proponents of stigma are with thoughtful orthodox Christians — that is to say, they haven’t interacted with them personally, critiqued the best version of their arguments, or even been exposed to the most sophisticated version of their reasoning, which I find to be obviously earnest, if ultimately unpersuasive.”

C: Comparing same-sex marriage opponents to racist bigots falsifies by over-simplification.

Friedersdorf is braced for resistance to P2. But P2 is ok and the problem is P1. I hope it’s obvious to you, when it’s put so simply. Racism is not … simple. (How could it be?) [click to continue…]

“The Luck in the Head”

by Henry Farrell on April 15, 2014

lith

A new collection of Ian Miller‘s art is out today. When I was in my early twenties, I was mildly obsessed by Miller’s graphic novel collaboration with M. John Harrison, The Luck in the Head, to the point that a few years ago, when I could finally afford to, I bought a couple of the originals, including the ‘Procession of the Mammy’ shown above (reproduction isn’t wonderful; it’s far sharper and not nearly as drenched with red in real life).

I thought about this graphic novel, and the Harrison short story it built on a lot last year, when Margaret Thatcher died. Neil Gaiman describes in his introduction to Harrison’s work how:

For me, the first experience of reading Viriconium Nights and In Viriconium was a revelation. I was a young man when I first encountered them, half a lifetime ago, and I remember the first experience of Harrison’s prose, as clear as mountain-water and as cold. The stories tangle in my head with the time that I first read them – the Thatcher Years in England seem already to be retreating into myth. They were larger-than-life times when we were living them, and there’s more than a tang of the London I remember informing the city in these tales, and something of the decaying brassiness of Thatcher herself in the rotting malevolence of Mammy Vooley (indeed, when Harrison retold the story of “The Luck in the Head” in graphic novel form, illustrated by Ian Miller, Mammy Vooley was explicitly drawn as an avatar of Margaret Thatcher).

He doesn’t mention (but then it’s an aside) how Harrison and Miller’s collaboration captures the contrast between Thatcher’s role as emblem and her frailty as a human being. In the picture, she’s already become a kind of ritual object, carted around to no particular purpose beyond display. Like the teapots that are the helmets of her supporters, she’s been superannuated and put to new uses that are both ludicrous and sinister. Another panel shows her after the procession, without her wig, shaven-headed, exhausted and empty, pushed along in a bath-chair by a lackey wearing a fish-head mask (a reference both to Miller’s art – he likes to draw fish – and to an incident in Harrison’s short novel _In Viriconium_). Miller and Harrison depict Thatcherism not as the revolution it believed itself to be, but as an aftermath where the symbols have been emptied of all meaning. Put another way, the senescent Thatcher depicted by Miller and Harrison’s Mammy Vooley represents less a foretelling of Thatcher’s own decline, than the decay of the movement that she represented (a decay which was already present in its moment of full flowering).

Ha, just kidding! Sorry, sensei! It’s actually me, your friendly yet irreverent and over-enthusiastic Belle Waring. I read so much manga, dudes. So much. In Singapore, we use the metric system and everything, (which is way more rational, except for acres which are totes intuitive and based on a meaningful connenction to the land) so I know for certain I read a metric f$^Kton of manga. There are just piles around, and John is like “we’re reading Black Butler now?” Me: “Mmmmmaybe. Zoë said she was going to stop reading it at volume VIII. [For free, online at mangareader.net (since we only own I-V) which, OMG it’s gonna kill the print business! But no, because it bitens the ween.] There were about to be zombies (she’s scared of zombies). 1hr 15 minutes later she said the zombies weren’t as bad as she thought. Sebastian’s hot, so.”

The truth is that we never acquire great amounts of anything until a) John has already bought the full (iff sub 20, for he is an frugal Oregonian) run. Then, slowly, like a hopeful NYC resident of his new summer house in Bridgehampton feeding corn to deer, he coaxes us out by telling us that these are, in fact, excellent manga such as normal people read, and we all ignore him and say things like “you bought the hardback edition of Lois Lane: Superman’s Girlfriend, which is like a moving, 12-minute-long youtube-tribute-to-Paul Walker supercut of the Fast and Furious movies, except of superdickery–we don’t believe a word you say, man. Saying you wanted to read the entire thing to us aloud over a series of like 20 f&c*#ng nights ironically is not a valid objection.” And you shouldn’t feed the deer because they are adorable vermin and they eat every single thing you have every planted that is not actively poisonous to deer (don’t think this isn’t a bigass section at at the nursery). That’s why we haven’t read 20th Century Boys, despite owning the books. Or b) the other way we get stuff is I start to like it (this is the win scenario for my children). When I started reading Naruto, we had volumes 1-23. We now have volumes 1-66, roughly 8 weeks later. Why am I reading thousands of pages of comics about ninjas? Oh, golly, I thought you’d never ask!
[click to continue…]

Piketty on Capital: A Footnote

by Henry Farrell on April 5, 2014

I’m sure that there’s going to be plenty more discussion here on Thomas Piketty’s Capital in the Twenty-First Century (there’s lots of good arguments to be had, but it is every bit the major work that people say it is), but in the meantime, a correction. Dean Baker, in a somewhat grumpy review, says:

bq. Rather than continuing in this vein, I will just take one item that provides an extraordinary example of the book’s lack of attentiveness to institutional detail. In questioning his contribution to advancing technology, Piketty asks: “Did Bill [Gates] invent the computer or just the mouse?” Of course the mouse was first popularized by Apple, Microsoft’s rival. It’s a trivial issue, but it displays the lack of interest in the specifics of the institutional structure that is crucial for constructing a more egalitarian path going forward.

I’ve been seeing the Gates quote circulate a bit among left-leaning friends, very likely because of its structural similarity to “a notorious claim”:http://codeandculture.wordpress.com/2011/12/29/how-the-poor-debtors/ by a rather different big sweeping economics book that precipitated a lot of derision (nb though that Gabriel Rossman, despite repeated calumny from He Who Must Not Be Named, decided in retrospect that the mistake wasn’t that big of a deal). Whichever which way, Dean’s use of the Piketty quote is unfortunately rather misleading. What Piketty actually says (p.512 of the proofs version of the book, which I assume maps on to the final text):

bq. “As for Bill Gates and Ronald Reagan, each with his own cult of personality (Did Bill invent the computer or just the mouse? Did Ronnie destroy the USSR single-handedly, or with the help of the pope?), it may be useful to recall that the US economy was much more innovative in 1950-1970 than in 1990-2010, to judge by the fact that productivity growth was nearly twice as high in the former period as in the latter, and since the United States was in both periods at the world technology frontier, this difference must be related to the pace of innovation.”

In other words, Piketty isn’t claiming that Bill Gates invented the computer, or the mouse, any more that he’s claiming that Saint Ronald went in there like Rambo with his missile launcher (with or without the help of trusty sidekick JP-II) to bring the Soviet Union to its knees. He’s engaging in sarcastic hyperbole to illustrate the ludicrous way in which popular wisdom attributes vast historical changes to the intervention of singular, godlike culture heroes. This is quite unambiguous in context, especially as Piketty has talked some pages before about Gates’ actual role (in a brief discussion of operating systems). Taken out of context, as it is in Baker’s review, it wrongly suggests that Piketty is ignorant or sloppy to a quite extraordinary degree.

Now, to be clear, I don’t think that this is deliberate dishonesty on Baker’s part. I can see how this kind of mistake can happen (I rely on notes myself when writing reviews; there but for the grace of God …). I also think that the broader point that Piketty’s book has little to say about institutions is a fair one. But Baker’s misattribution to Piketty of a bewilderingly stupid-sounding claim that Piketty obviously does not make is the kind of thing that could go viral (and already is going semi-hemi-quasi viral). Thus, I think, it’s worth pointing out that it’s just not so.

Update: Dean Baker has modified his review to say that the Gates bit was a “throwaway line,” which helps imo clarify his real disagreement.