That’s one good thing about music—when it hits, you feel no pain. I recently had an out-of-the-blue need to hear this Cure song, partly thinking that Zoë would like it, which she does, a lot. It’s a very happy feeling to introduce someone to music that they love. I remember the first time I listened to this song vividly, because I had two friends sleeping over, one of whom had brought the tape. My step-father had an (admittedly solid) “free cheap red wine for sleepovers” policy. I was thinking it started in middle school, but on reflection I realize it must have been ninth grade. In middle school it was sort of unofficial. This encouraged a make-out during sleepovers policy also unofficially endorsed by my stepfather but WHATever, awesome parenting skillz. My step-dad had his bad side but he really knew how to throw a fun party. Let it never be said he was not fun at a party. I mean, stuff went wrong eventually, sometimes, with either drywall, glass tables, or his hand getting broken (or all three!), or firearms being discharged indoors, or my mom magnificently sweeping down the stairs in a silk 1930s gown and putting a stop to all further shenanigans by hacking a big piece out of the entryway to the living room with a machete. That last was really memorable and for whatever reason put a stop to what had been a many-year run of weekly two and three-day parties.
From the category archives:
UPDATE: REDOUBLE YOUR EFFORTS AT MAOIST SELF-CRITICISM, COMRADES; DO NOT BE GULLED BY MY MOPING. TELL US YOU BELIEVE SOMETHING CRAZY. IT IS A NEAR-CERTAINTY!
In the thread to one of my string of unfailingly well-intentioned, generous—not to put too fine a point on it, let’s just say, kind posts on Political Correctness, some of us discussed what it would be like if
I were actually kind we had a “safe” thread in which we could discuss feminism without worrying we would ban ourselves from polite society by saying The Wrong Thing. Now, I cannot actually bring it about that other commenters will not remember what you said in this thread and be a dick to you about in some future thread. I can fight the tendency by asking everyone who participates to do so in a spirit of truthfulness and generosity; by banning unpleasant arguments in this thread; and by ruthlessly deleting future comments of this sort when they are made to one of my own posts. If the comment is not made to my own post I can still upbraid the person for violating what is meant to be a minor experiment in honesty and, yes, kindness. However, if you feel what you have to say is truly incendiary you can always just make a burner pseud for the occasion. The tradition followed at unfogged is that regular commenters donning a pseudonym of convenience choose some past political leader. I think it would be nice if we took up floral banners for the day and became Lady Clematis or some such, but I leave the details to you.
Now, I must tell you my own “I have the possibly wrong” opinion on a feminist issue, but it won’t make sense without context. This may seem like a silly tic of mine, this constant introduction of my actual life, blobs and swirls of ink floating on water and ox-gall, and slashed at, just so, with a fork, yielding marbled paper on which the posts are hard to read at times when compared with the black on white clarity of some of my co-bloggers. But this is the secret: the personal really is the political.
When I got raped at college I knew a lot about some things and nothing about others, but being a teenager I pretended to know mostly everything. I wasn’t a college student, even; the National Cathedral’s School for Girls sent two girls every year to study at New College, Oxford during the summer between junior and senior year, with a bunch of college students from Ohio. These programs are just money-farms for Oxford and the professors do not take them very seriously at all. When I got the reading list, I was 16, so I took it completely seriously. I read everything. All the books on the list. I didn’t understand that you’re not really supposed to. I read Ulysses. I did not understand it hardly at all and I just read that damn thing anyway, on my spring break, in the hammock on the sleeping porch at my dad’s in South Carolina, one leg pumping idly against the white uprights between which the screens are stretched, birdsong and cicada up there enough to be loud. So loud! The experience of forcing myself through hundreds of pages of something that I don’t understand is unique to my adolescence. Three Shakespeare plays. Secondary literature I had to get at the big library downtown in D.C.
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Oh, and Merry Christmas! (Been a hectic holiday season for the Holbo/Waring clan. Good and bad. Leave it at that. So I went off the grid.)
Here’s a bit of Crooked Timber, captured in Takoma Park, MD.
Its been a long time coming, but we, at least, feel it’s been worth the wait. My book with Adam Swift, Family Values: The Ethics of Parent-Child Relationships, was published earlier this Fall. The book originated in conversations we started having many years ago when I was living in the UK, and we found not only that we were both planning to write books about the place of the family in liberal egalitarian theory, but had similar enough views, and different enough habits of mind, that a book written together would be better than either of us would write separately. Here’s the publisher’s blurb:
The family is hotly contested ideological terrain. Some defend the traditional two-parent heterosexual family while others welcome its demise. Opinions vary about how much control parents should have over their children’s upbringing. Family Values provides a major new theoretical account of the morality and politics of the family, telling us why the family is valuable, who has the right to parent, and what rights parents should—and should not—have over their children.
Harry Brighouse and Adam Swift argue that parent-child relationships produce the “familial relationship goods” that people need to flourish. Children’s healthy development depends on intimate relationships with authoritative adults, while the distinctive joys and challenges of parenting are part of a fulfilling life for adults. Yet the relationships that make these goods possible have little to do with biology, and do not require the extensive rights that parents currently enjoy. Challenging some of our most commonly held beliefs about the family, Brighouse and Swift explain why a child’s interest in autonomy severely limits parents’ right to shape their children’s values, and why parents have no fundamental right to confer wealth or advantage on their children.
Family Values reaffirms the vital importance of the family as a social institution while challenging its role in the reproduction of social inequality and carefully balancing the interests of parents and children.
You can read more about it, too, at the p. 99 test.
A good number of the ideas have been tested at some point or another on Crooked Timber, and we’re grateful to commentators for taking us to task. In fact we’ve been lucky in having been able to publish, and get feedback on, some of our ideas along the way – among the many reasons it’s taken us a while is that our ideas have evolved in response to the feedback we have gotten (this is my way of saying that the book is not a simple repackaging of the best-known papers we’ve published on the subject, but a wholesale rethinking with substantially different arguments and, in some cases, conclusions).
Since the book is about the family, I thought I’d share two of my children’s reactions when I first brought a copy of the book home. My 8 year old (boy) said “Oh you wrote a book, that’s interesting. Its a bit strange having that huge dead chicken on the cover, though”. The eldest (girl, whose friends were still frequenting the house in great numbers when the first copy turned up, just before she left for college) was less excited. “My friends are really impressed that you’ve written a book. But I’m not really. I mean, it’s just part of your job, isn’t it? It’s just what you’re supposed to do. I mean….its not like you taught a third grader to read, or something like that“.
I have all these songs cued up and stuff I wanted to say about The Dazz Band (it’s literally disco jazz! What is not to love?!), but then I listened to this track five times in a row today, and I thought, ‘Belle, old bean,’ I thought to myself, ‘why are you being so aintry with “Love Come Down” and bogarting this when you could be sharing it with everybody at Crooked Timber? Why?’ Readers, there is no good answer to this question, so here is Evelyn Champagne King. The first time I listened to this song about a month ago I thought I had a problem with the tinkling synth descent that opens the song and runs behind “ooh you make my love” in the chorus. Then I listened to it again. Then, I listened to it a few more times. Then I realized I loved those tinkling synth chords.
You might think I could be sharing this with one John Holbo, but there is a huge area of non-overlap in the Venn diagram of our musical tastes, and this falls right out there in the “Patrice Rushen, huh? Meh” area of John’s non-overlapping section. I can’t share it with my children because they don’t super go for this either, although, being young, they have frequently widening tastes. I introduced our older daughter to Sufjan Stevens the other day and she likes him a lot; our younger daughter objected after the first 30 seconds of listening to a purely instrumental section, “this is too sad.” I was like, “there’s a happy part here for a bit! Oh, God, no.” What is unquestionably one of the saddest songs ever recorded comes next. Violet: “is she dying? I told you it was sad! Turn it off!” OK, fine. The one verse in that song that truly pains me is “In the morning in the winter shade/ On the first of March, on the holiday/ I thought I saw you breathing.”
My brother and I were with my grandmother when she died, my father’s mother. He had finally gone upstairs to sleep, at two or three a.m., I convinced him. He had been up for so long, at the hospital, and then fighting to get her back home. My brother and I were just sitting in the room with her, with the TV on, talking, and I was holding her hand, and suddenly we fell silent and my brother said, “look.” It seemed as if she were dead, but the fan in the room was strong enough that her thin cotton nightgown was still fluttering on her chest, tiny sine waves I hoped were breaths. I had ordered ten of those nightgowns custom-sewn for her three years before she died. She only had a few she liked: all cotton, and opened all down the front and closed with snaps. But she had gotten so much thinner they gaped at the neck in too-deep a curve, and she was cold, and got chills that gave her back-spasms. I took one to a dress-maker in Savannah to have it reproduced and she sniffily told me to go to Sears, and I told her I had tried everywhere. I asked how much fabric she would need for each and I went and bought cotton by the yard, white with thin blue stripes, tiny pink polka dots, pale blue squares. And lace. The lady at the dress store didn’t even want to do it, she told me it’d cost more that $100 a gown for the work. I said my grandmother was a proud woman and this was all the clothes she was ever going to have for the rest of her life, and they should be just how she wanted, and they should take the damn money and make them. They weren’t done till after I left town and my dad was mad at me for spending too much money at my grandma’s (N.B. he was, separately, quite right, just not here); I found out later he was appalled by the cost also and had cut back on the nightgowns from ten to eight. I don’t know when I have been so mad in my life. So seeing the cotton tremble I told my brother he was wrong, and we sat in the stillness for a while longer before I really tried to check properly, because I wanted not to know just even for a few seconds more. Now Sufjan Stevens has probed a vein of sadness beneath the sheer pleasure of sharing “Love Comes Down” with all of you, but I invite you to enjoy it in a spirit of good cheer anyway. I think we would all be happy to die at 83, at home in our beds, taking liquid morphine, and with our family around us. Love does not, in fact, conquer all, but surely it snatches a kind of victory from the jaws of inevitable defeat.
John and I have stayed in Singapore so long for a number of reasons—mainly he has tenure in Philosophy now and prior to that a good tenure-track job with excellent housing benefits, which is not the easiest thing to find ever. But also it is a really good place for children, even if it might be a boring place for…older children? People in their twenties? Pure physical safety is an underrated quality. I can remember once when I was walking back home the 750 metres to our house from the children’s hospital, where Violet, then four, was deathly ill with a norovirus (she was either vomiting or having diarrhea every 45 minutes for the first five days; she would have died if she weren’t on an IV drip, and we had to carefully clean her up and change the sheets each time. And again. She was so brave. I couldn’t stop thinking about all the mothers in third-world countries whose babies were dying in their arms right then for want of this same simple treatment.) I stayed with her in the hospital all seven days, sleeping with her in her single bed, but John was spelling me so I could shower at home. The walk involves a trip under a big highway overpass. It’s decently lit, but not to way back up under the eaves of the ground and the ceiling of the thudding road. First of all, it doesn’t even smell much like pee! (I know, right?) It smells a little like pee. A little. Usually it smells like wet dirt after rain, or like dried-out leaves, or coppery mud, or stale exhaust from an idling double-decker bus (they pull a vicious U-turn there; it’s sort of magnificent, like the hippos doing ballet in Fantasia.) Like smoke, if Sumatra has been improvidently, per usual, set on fire. Like the water in the canal that runs between the two directions of the lower road, either uniform turbid red and two metres deep after the rain, or here and there transparent with skrims of various weeds and slimes that blossom instantaneously, and tadpoles that the egrets stalk in the hand-span deep water at the slack.
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When Zoë was maybe 10 and old enough to start randomly looking at things on the internet without much supervision other than Google SafeSearch (well, such a thing was likely to occur; I’m not sure she was old enough per se) I had a little talk with her. And Violet, but Violet wasn’t paying attention. I re-had the talk with Violet later. It went like this: don’t ever go to 4chan, OK? OK. Also, there are weirdos on the internet who are grownups but want to have sex with children. Her: “Whaaaaa—??@? I thought people had sex so that—” Ya, I know. Just, roll with me. They pretend to be other kids so they can talk to kids. So don’t talk to weirdos who ask you a lot of personal questions, and don’t ever tell anyone on the internet where you live, and later when you have photos and an email and attachments don’t send them to anyone. But also if somehow something weird happens and you get scared of someone or feel like something is wrong you should always tell me, and I’ll never be mad at you even if you didn’t do 100% “the right thing,” and it’s never too late to say something is making you scared or feel weird, like, there’s not a crucial window that goes by and then if you miss it you can never speak up because it’s your fault now, because you didn’t say anything before. Also, don’t go to 4chan. Shit, don’t even go to reddit. I’m not saying this because it’s cool and fun, it’s just gross. [Dear CT reader who frequents a perfectly nice and informative knitting sub-reddit that isn’t even sexist at all: them’s the breaks.]
I oke-bray the ules-ray by getting Zoë an FB account for Xmas one year that—her age being the number after ten—was not one of the approved years. It was her top request on her list to Santa. (And free!) I made myself a page administrator, set the privacy settings myself, and said she couldn’t put pictures of herself up. I couldn’t issue a blanket “no anything-chan” rule because of course zerochan.net has all the best pictures in the world. For several years she has obsessively searched for and downloaded both official and (moreso) fan art, and then uploaded it again into massive albums on her FB page. There’s over 5K images on there!
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September! When I made a monthly music-themed mix, September won. At this very moment I’m obsessively listening to this song, “Don’t Wait,” by Maipei. John finds the vocals too computer-processed, but it’s important to note that they are too computer-processed in an Air-song-from-1998 way, and not in a T-Pain-song-from-2008 way.
But obviously when September rolls around, this ticking, percussive guitar/synth/O HAI ITS THE HORNZ thing comes to mind. Firstly, are those, like, daishikis from outer space, or Chinese-inspired sequined outfits from outer space, what say ye? Secondly, John notes no one goes for the balding afro anymore. A man in that position nowadays would shave his head. Not Maurice White. He has the sexual self-confidence to rock this balding afro with pride.
Feel free to tell me “September” is some disco bullshit compared to “Evil” or “Shining Star.” I will ignore your reasonably well-supported claim because WAIIIAIIAIIIAIIsay do you rememberWAIIIAIII…
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For some people, anyway. I don’t normally post photos with people, but this little girl was born right on this blog and look at her now! All grown up and going to Martha’s Vineyard. Everyone’s glad to be home in Singapore eating roti prata and murtabak, though. Well, no, I miss real summer like that. High dunes and cold water and fresh corn and berry cobbler and lobster rolls. But if you read my aunt Laura Wainwright’s book Home Bird you can hear that it gets wickedly cold in the wintertime.
Later when I’m not tired I’ll make it be so you can click on a high-res version, this one is kinda lame but it busts the margins otherwise…
I have never given my Dad a Father’s Day card until this year. I’m pretty sure the holiday didn’t exist when I was growing up in Hungary, certainly not in popular consciousness. But since I sent my Mom three really cute Mother’s Day cards this year, I thought I’d look for something for my Dad as well. I’m especially proud about having sent my Mom a card on time for once, by the way. Mother’s Day is a week earlier in Europe than in the US, which has gotten me in trouble more than once.
For my Mom, I was able to find some cute cards that were just cute, period. One was more gendered than I would have preferred with its focus on cooking, but given that my Mom is in fact a superb cook (having even published a cook book in addition to her lengthy list of scientific publications), it worked as one of three.
I fired up Etsy to look for something sweet for my Dad. The dog holding a wrench fixing the car made me laugh out loud. The card with all the sports paraphernalia resulted in the same reaction. Then there was the fishing theme and the lawn mower. Oh, and golf. None of these even come close to describing my experiences with my Dad in any way. The extent to which these cards in no way reflect anything I know of my father was at first amusing, but eventually disturbing. Is it really that hard to come up with something cute or funny, or gosh, perhaps even both that doesn’t play into such stereotypes? I can’t be the only person with a father for whom fixing a car or going fishing are not standard activities.
Thanks to some Etsy sellers’ flexibility in what they sell, I did get to ask a card maker to create something that was more about the bond than the activity. Happy Father’s Day to all caring and loving fathers, whether your preferred activity with your child is playing ball, baking a treat or solving the Rubik’s cube.
“Midnight in the Garden of Good an Evil” is not a great movie but an OK one; certainly if you want to see a lot of purty pictures of Savannah it’s a good one. Kevin Spacey portrays, according to my grandmother Henrietta, the main character extremely convincingly—even going so far as to both have his mannerisms and resemble him somewhat, which she thought incredible for a picture of a dead man. There must have been video of him, obviously. There are a number of very unconvincing things about the book, mainly the idea that this white journalist from New York (IIRC) could insinuate himself into both white high society (second tier—but still) and black society in so short a time as to be both privy to all kind of secrets and taken by an…I don’t know voodoo I guess…practitioner on a midnight rowboat ride up in a marsh somewhere. (First-tier Savannah society is so insular you could only gain that kind of access by marrying someone, even though it’s true everyone loves to gossip. But getting invited to parties?) I say “voodoo I guess” because despite the fact that people totally do this thing, or practice this religion, or whatever, we don’t even really call it anything, so much do we not talk about it. No, that’s an exaggeration, we call it voodoo; there’s an island near my dad’s place in Bluffton called either Voodoo Island or Devil’s Elbow Island (or more cheerfully Potato Island, but I think the Crams pushed that and it never happened.) You can read a short story about it here, if you like. I had been thinking for a while people might like to read it, it’s from 2004, so quite a while ago. Yeah, voodoo, but not like in Florida where people have actual Santeria churches and storefronts and stuff; more like everyone is a devout Christian—but everyone—but still there are women who will do voodoo for you. As I say in the story, white people hire black people to put curses on other white people. And I’m not entirely sure how they find them, except that everyone knows who to ask? Everyone knows everything about everyone, is the answer to that. Well, no, there are information asymmetries: the black community as a whole knows more because maids know everything about their employers but not vice versa, and so on for a lot of other things.
OK, my mom texted me earlier that it was snowing in D.C. That is wrecked-up sideways, people. LAND’S SAKES IT IS THE MIDDLE OF APRIL?! In a way I should really post the Weezer song “My Name is Jonas,” because, do you know what else? Guess what I received in a text today—words of deep concern from my little brother. Building’s not going as he planned. The vortex means digging is banned. The dozer will not clear a path; the driver swears he learned his math! The workers are going home—I reckon, because the dirt’s frozen! How’s the man meant to get a cellar dug for his cool 1950s-plan cabin on the lower meadow of his proppity up in West Virginia if it starts snowing and the workers are going home? Now I imagine it’s all going to melt in a trice but this really has been retarding his plans, for real, and not just in a Weezer song (which is an excellent song, but not as good as “Say it Ain’t So,” The Best Weezer Song. Um. OK, no, I’m changing my
plea to guilty claim to “The World Has Turned And Left Me Here“). Yep, they have had the stones and the timber and all that, sufficient to build a cabin, and all taken from the woods itself, but they haven’t been able to break ground till last week because they couldn’t break into the damn ground!
And now it’s snowing on all they poor heads, even that of Fatso, the chihuahua-pomeranian mix, who isn’t fat, and was chosen for his mighty endurance and ability to withstand the harsh winters by sitting in a dog bed made of a damn knitting basket or something right up next to the wood stove. I am told that despite being a pom-chi-chi (no, psych, it’s cause he’s 1/4 pom and the rest chi), Fatso has the soul of a black lab, and that I will love him and not think he is a wretched yappy creature whom humans brought into the world only in order to illuminate the First Noble Truth. We’ll see. E’erbody says so, though. Hmmm. OK Fatso, win my heart. He’ll get a chance this summer when I meet him for the first time.
Anyway, for the rest of y’all, here’s DJ Earworm’s Summermash 2013, with the “hey where’s all my ‘Get Lucky’ and ‘Blurred Lines’”
you were wondering about I was complaining about with regard to the 2013 mashup (which has grown on me). Watch, listen, and imagine. Summer is coming, sure as anything. If she is delayed in some way I feel certain that small felt and metal figures whose manipulable fingers become dark with smuts over the course of the film will be animated in stop-motion and narrated over by an avuncular zombie Burl Ives in such wise as to overcome any difficulties as may be posed by the Snow Miser or Jim DeMint or whoever.
Ha, just kidding! Sorry, sensei! It’s actually me, your friendly yet irreverent and over-enthusiastic Belle Waring. I read so much manga, dudes. So much. In Singapore, we use the metric system and everything, (which is way more rational, except for acres which are totes intuitive and based on a meaningful connenction to the land) so I know for certain I read a metric f$^Kton of manga. There are just piles around, and John is like “we’re reading Black Butler now?” Me: “Mmmmmaybe. Zoë said she was going to stop reading it at volume VIII. [For free, online at mangareader.net (since we only own I-V) which, OMG it’s gonna kill the print business! But no, because it bitens the ween.] There were about to be zombies (she’s scared of zombies). 1hr 15 minutes later she said the zombies weren’t as bad as she thought. Sebastian’s hot, so.”
The truth is that we never acquire great amounts of anything until a) John has already bought the full (iff sub 20, for he is an frugal Oregonian) run. Then, slowly, like a hopeful NYC resident of his new summer house in Bridgehampton feeding corn to deer, he coaxes us out by telling us that these are, in fact, excellent manga such as normal people read, and we all ignore him and say things like “you bought the hardback edition of Lois Lane: Superman’s Girlfriend, which is like a moving, 12-minute-long youtube-tribute-to-Paul Walker supercut of the Fast and Furious movies, except of superdickery—we don’t believe a word you say, man. Saying you wanted to read the entire thing to us aloud over a series of like 20 f&c*#ng nights ironically is not a valid objection.” And you shouldn’t feed the deer because they are adorable vermin and they eat every single thing you have every planted that is not actively poisonous to deer (don’t think this isn’t a bigass section at at the nursery). That’s why we haven’t read 20th Century Boys, despite owning the books. Or b) the other way we get stuff is I start to like it (this is the win scenario for my children). When I started reading Naruto, we had volumes 1-23. We now have volumes 1-66, roughly 8 weeks later. Why am I reading thousands of pages of comics about ninjas? Oh, golly, I thought you’d never ask!
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In many European Countries (fn1), scholars applying for research grants with the National Research Councils can indicate that they had a child, and get additional ‘time recognition’. Many grants, especially the most prestigious and best-funded grants, work with a time-limit, e.g. you can only apply until Y years after getting your PhD degree, or between X and Y years after getting your PhD degree. If you had a baby, you can add a certain number of months to Y – which makes the timeframe more flexible for the applicant.
if you want to be shocked by something in the [ERC] report, you can have a look at their policy towards the deduction of parental leave from the qualifying period for a starting grant: 18 months per children for women, the actual amount of parental leave taken for men. Say what? What is the presupposition here that justifies such a differential treatment? What was wrong with “the actual amount of leave taken” (perhaps times a multiplier to be more family friendly) for both gender? I felt insulted both as a father of two children born in quite rapid succession at a critical period of my career and on behalf of my wife, who apparently is considered by the ERC to be not being devoted to her work for 18 months, even if she worked full-time the day her mandatory maternity leave ended.
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Today something wonderful happened to me. I was thinking yesterday, “Bruno Mars has got an incredible voice. There are so many pop stars that can’t sing for shit, and their voice isn’t just using Auto-Tune as a crutch, nnn hnnn no it is not, their voice isn’t even the sort of thing that has legs at all, most likely, and their manager probably just set it in an Auto-Tune wheelchair and got panicked and pushed throw pillows up all around. And then? Then it sings “Roar,” and may the Good Lord keep us [do not click on that link. I was morally obligated to provide it in the interests of completeness]. Bruno Mars can legit sing. And he’s a talented guitarist. And he’s pretty as hell—where are all the so, so many Bruno Mars songs that I love?” Now, “Locked Out of Heaven” is a really good song. It references the early 80s turn towards well-Policed reggae in a way I really like. Many pop bands did a reggae thing during that period that [here Belle draws shape of ‘square’ in air with forefinger of each hand] was often too rightthere on all ‘eff oh you are’ beats, ironically lacked any freedom to move, and was one of many musical equations asymptotically approaching the x-axis of the Sisters of Mercy. The drum machine in the Sisters of Mercy was named Doktor Avalanche, and he was an actually important person in the band.
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