A Dream About Dandys and Beanos

by Harry on July 2, 2008

John’s post below reminds me that I haven’t yet noted Margaret Drabble’s well-deserved elevation to Dame of the British Empire. I read The Waterfall in my late teens, just because it was on my parents’ bookshelves, and didn’t like it at all, presumably because I didn’t understand a word of it (my parents’ bookshelves provided a lot of my teen reading, including every single on of Shaw’s plays, and the very weighty Auld report on the William Tyndale affair – I was not very discriminating and even read The Concrete Boot which is, if I remember correctly, truly dreadful). I started reading Drabble’s novels as an adult only after hearing her talk about The Witch of Exmoor on Radio 4 and heard her talk about its foray into political philosophy (I assign chapter 1 in my upper division political philosophy class to be read after we play the original position game). But I liked them so much that I stopped about half way into her ouevre, on the principle that I want to have more available to read for the first time later in my life (the same reason that I stopped reading Trollope and Dostoevsky, and stopped watching the new series of Doctor Who half way through the second season; from which you can tell that have an iron will). Anyway, John’s post reminded me of Lady Drabble’s elevation because she is the author of one of my favourite passages from the whole of literature. It brilliantly the evokes the personality of a middle-aged man whom life has (so far) defeated. It’s on page 11 of The Needle’s Eye which is, I think, my favourite of her books so far. Dour and depressed Simon Camish, enduring an unsuccessful marriage, is about to go to a dinner party hosted by his friends Nick and Diana:

He wondered what they would try on him this time, remembering the last occasion when he had been invited out to dinner without his wife and had found there, like a risen ghost, a woman whom he had once admired for two whole years, hopelessly mildly and unrequited, and produced for him so much too late, laid on his plate like a peach or a slice of pineapple, yet still, even served up, with a ghost-like and sullen aspect, as unwilling and hopeless a prospect as ever, with the added disadvantage (unlike the comparable peach) of being no longer loved and no longer desired. What more useless than an image of a past goal, never attained and no longer wanted? It was an indictment of both past and present, like a dreadful dream he had once had, in which he had found himself in a room full of unread Dandys and Beanos—hundreds and hundreds of them, piles and piles of them, all virgin, all untouched, and had woken finding himself thirty, and the Beanos not even there. Surely she would not arise again, this ghostly creature, expecting to be wooed across such a muddy ditch….

Marvelous. Right down to the hint that it was the Beanos, not the Dandys, that really mattered.

{ 10 comments }

1

vivian 07.03.08 at 1:41 am

Book recommendations before a long weekend, with enough time to get to the library. Thank you! Also, at least one recurring joke in Private Eye now makes sense.

2

LFC 07.03.08 at 3:00 am

I’ve never read Drabble (tried once or twice, didn’t seem to take), but that is a great quotation, so maybe I’ll pick up The Needle’s Eye. As for your reading every single one of Shaw’s plays as a teenager, I’d say you could have done a whole lot worse (especially if you also read some of the Prefaces to the plays for good measure).

3

deliasmith 07.03.08 at 9:23 am

Margaret Drabble has also written a fine biography of Arnold Bennett – an author she has generously and consistently tried to rescue from the condescension of the academy.

A recent personal moment of Drabble resonance came when I read this article about a walk she took through Stoke-on-Trent.

Towards the end there is this paragraph:

There is, nevertheless, something perversely cosy and comforting about the long 19th-century terraces with their little workmen’s cottages. Walking from leafy Etruria Road down Victoria Street, across Shelton New Road and Stoke Old Road, you pass stretches of mean, jerry-built uniformity. The houses front the street, with no barrier of step or yard, and you can peer into the rooms through net curtains. Stretches of 19th-century terrace will suddenly erupt into strange and occasionally fantastic interludes of more recent date. Some of these homes are depressingly dingy, but some are well kept and inviting. The modest smallness of scale is in its way endearing.

I lived at 92 Victoria Street, between Etruria Road and Shelton New Road, until I was 18.

There ought to be a word in the literary-critical dictionary of terms for the sensation of reading an admired author’s description of a familiar building or landscape. In this case, and generally I assume, the sensation is a mixture of pleasure at the recognition (both reader’s and writer’s) and disappointment at the resort to cliché – ‘some are well kept and inviting’.

And even Homer nods: she seems to have missed the little wooden plaque screwed to the front of one of the houses at the Etruria Road end of Victoria Street recording the brief residence there of H G Wells. He was in the Potteries to pick up local, industrial, colour. He visited several factories, and certainly it was on this visit that he saw the blast furnace that he used in a horror story, ‘The Cone’.

4

James Wimberley 07.03.08 at 11:10 am

Oeuvre. Or better, œuvre.

5

LFC 07.03.08 at 2:21 pm

The first comment I wrote got stuck in moderation so, trying again, I’ll just say thanks for the quotation from ‘The Needle’s Eye.’

6

LC 07.03.08 at 2:23 pm

Thanks for ‘The Needle’s Eye’ quote.

7

harry b 07.03.08 at 5:17 pm

james — you expect me to be able to spell? Actually, copying the passage taught me how to spell the plural of Dandy.

8

norroyandulsterkingofarms 07.04.08 at 5:38 am

“Lady Drabble”? There’s no such person. She’s now Dame Margaret, or Dame Margaret Drabble if there happens to be another Dame Margaret in the room.
(Since her husband was knighted last year she *could* be called Lady Holroyd, but I doubt she’d thank you for it.)

9

chris y 07.05.08 at 10:34 am

Her reworking of the Oxford Companion to Eng. Lit. in 1995 was probably worth a Damery on its own. One of the few reference books that can be enjoyably read straight through, like a novel, and full of good stuff for the non-specialist.

10

Hattie 07.06.08 at 5:02 am

My favorite of hers was *The Realms of Gold.* I think I’ll get it out and read it again. She is one of trio of writers who fascinate me because they are the same age as I am: the other two are Joyce Carol Oates and Margaret Atwood.

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