John Scalzi reminds me that there are only 10 days left before Hugo nominations close. Three recommendations (one the subject of a recent CT seminar; another the subject of a forthcoming one), and more about other 2012 f/sf books that I liked below the fold. People should obviously feel free to add other recommendations in comments.
Karin Tidbeck, _Jagannath_ (Powells, Amazon). A lovely and original collection of stories by a Swedish author, most published for the first time in English. It’s hard to pick an individual story, but “Brita’s Holiday Village” is as good as any and available online. Tidbeck writes in the afterword about the profound influence of H.P. Lovecraft. However, the affect of her work is very different. Her stories are not motivated by self-loathing or disgust with the human race, but by a kind of wary affection. The monsters in her stories are our faintly embarrassing relations, and acknowledged as such.
Felix Gilman, _The Rise of Ransom City_ (Powells, Amazon). Up for discussion soon at _Crooked Timber_, along with its sort-of-prequel, _The Half-Made World._ Like its predecessor, it’s an oblique take on the American Dream, albeit a different version of it – one which perhaps owes less to the mythologies of the West than to Mark Twain, and perhaps O.Henry’s Jeff Peters stories. It’s funny and self-aware in a way that few f/sf books are (another excellent example is Robert Charles Wilson’s _Julian Comstock_).
Francis Spufford’s _Red Plenty_ (Powells, Amazon). All you could want to know here, and, arguably one of the best science fiction novels written in the last several decades. I say ‘arguably’ only because one might claim that it isn’t, and shouldn’t count as part of the genre. The underlying question is whether you think about science fiction as a genre consisting of books about the future, or as a particular method of fictional inquiry. If the former, it plausibly should not be included (although the fact that it is _haunted_ by science fiction, as both Gilman and Holbo suggested in their essays for our seminar, explains some of its power). If the latter, it should be, and should indeed be taken as a model for _how you do_ ambitious sociological science fiction, while retaining an interest in individual human beings.

