I’ll be catching up on my sleep over the next few weeks, having spent many an evening up late in front of the telly followed by rising at six to see the last few overs. “A tremendous achievement”:http://news.bbc.co.uk/sport1/hi/cricket/england/9343026.stm , almost without blemish, with records broken and many wonderful individual moments. One Australian I was drinking with last night claimed that the Ashes never meant much to them, because they could never take the urn home. Well, the fox who tried so hard reach the grapes claimed they were sour anyway. Open thead.

This “Vanity Fair”:http://www.vanityfair.com/politics/features/2011/02/the-guardian-201102 piece on the journalistic politics of Wikileaks is well worth reading – it’s the most comprehensive account of the evolving relationship between Wikileaks, the Guardian and other news organizations that I’ve seen. I _think_ (this perhaps reflects my preconceptions as much as anything else) that the piece provides implicit support for two propositions. [click to continue…]

Since that Flaming Lips deal seems to have expired; since concerns have been expressed in comments, to the effect that the very category of Metaphysical McGuffin may constitute deplorably Platonic confusion about the very nature of art, I’ll offer some free music that settles all that. How about Of Montreal’s cover of “Color Me In”? (From this page.)

Something new and nothing to do
I’m just the idea
I must be real cause somehow I feel
That I’m just the idea

The original Broadcast version is here.

Is that clear?

A stray note on the history of science fiction, in relation to theatrical absurdity qua independent but relatable phenomenon, via the intermediation of McGuffins, actual and potential, scientifical, metaphysical and occasionally fistical, and suchish chickenegg castings of shadows …

The note is: Beckett’s 1930 poem, “Whoroscope”, seems like an interesting work to think about.

It also seems worth chicking and eggsamining how Beckett and co. came close to satirizing, avant lalettre, Gernsback’s glorious goose egg of a golden coinage, ‘scientifiction‘. But I see that Gernsback actually proposed the term a few years earlier, in 1926. So that would be upsetting the eggcart before the chicken. And we wouldn’t want to do that o no.

Why am I thinking these thoughts? In part because I’m reading Martin Esslin, The Theatre of the Absurd [amazon] – on the iPad! It’s interesting. And it’s just what I wanted my iPad to do for me. Old good books re-released in inexpensive e-book format.

Couple quick thoughts about that. [click to continue…]

Man, I haven’t heard this for a long time. Amazon has it for $1.99. A bargain for the Lips completist in your house, or even just in your cranium. Sort of got a Syd Barrett does Brian Wilson in the Midwest vibe, with real low, low feedback-y production values. In short, it sounds a lot like the Flaming Lips. I like “Ice Drummer”. Can’t even link to it anywhere. Not a YouTube video or anything. Goes kinda BAH-duh-duh-BUH-Bah-duh-duh-BUH-BAH-duh-duh-BUH-BUH-DAH. With this little twickle-twickle-TWICK guitar on top. If you can imagine it. There are lots of good songs about drummers, if you think about it. Please provide examples in comments, to prove yourself.

I like the fact that the engraving on Jim Woodring’s Nibbus Maximus is so clearly influenced by my own recent work (via boingboing): [click to continue…]

No, he doesn’t call them that. But here’s what he says:

I think you can be as outlandish as you want or as surreal as you want, as long as the characters are based in something real. You can put them in any situation or any reality as long as their reactions have something to do with humans beings and you’re focused on that element of it. I’m not interested in necessarily doing realistic things, obviously. I like fanciful stuff. But it can’t be just fanciful without people in it. Then it’s of no real interest. If you decide that people are turning into carrots or something as your story idea, then I think that I would have to figure out why that’s important to me as a person and why that story resonates in some way. Otherwise there’s no story. It’s just a gimmick. (10)

Quoted in Charlie Kaufman: Confessions of an Original Mind [amazon], by Doreen Alexander Child. (No, I don’t know whether it’s good. Just started.)

This isn’t the most incandescently brilliant theoretical formulation I’ve ever encountered, but … [click to continue…]

I’m preparing to teach philosophy and film again and I’m looking for examples of films that hinge on more or less bald stipulations of metaphysically preposterous states of affairs. That is, cases in which something impossible happens, and it isn’t identified as science or magic. It just is. Examples:

The Exterminating Angel (hey, Criterion Collection has it out since last year! good!)

Groundhog Day

Being John Malkovich

In each case, it’s not hard to think of other films that are clearly sf or fairy tales/ghost stories, but that are more or less the same story, in terms of set-up, general mood and themes. [click to continue…]

Not only is much of Queensland underwater, but the northern half of the state has finally carried out its long-standing threat to secede, forming a new entity called Capricornia
,
according to the ever-reliable Daily Mail. I confidently predict civil war and further secession as Cairns and other cities seek to escape the oppressive rule of Townsville, the self-proclaimed

Hat tips: Crikey/Deltoid

These aren’t exact new thoughts, but versions of them have been expressed hereabouts of late, and G. K. Chesterton puts them amusingly and very quotably. So I quote, again, from What’s Wrong With The World? Which I’ve decided is altogether more amusing than Orthodoxy, with longer stretches of complete sanity which, when that grows stale, is punctuated by protests against women’s suffrage and such. [click to continue…]

As mentioned in comments to a post the other day, Kodachrome is coming to an end on Thursday. The New York Times has a nice article about it. Of course this isn’t the end for film, or even of slide film (there’s still Velvia and a few other options). Kodachrome was always an unusual and capital intensive process. I was struck by the following sentence from the article: “At the peak, there were about 25 labs worldwide that processed Kodachrome.” That’s a very very small number for the _peak_ . There are probably still many thousands of labs that will develop colour print (C41) film and probably dozens even in the UK that will handle the more common transparency process (E6). Still, RIP.

UPDATE! – “More from NYT”:http://lens.blogs.nytimes.com/2010/12/29/a-color-saturated-sun-sets-on-kodachrome/ , with pictures!

I got an iPad for X-Mas so – finally! – I can get in on this e-book thing. I bought Quiggin’s Zombie Economics. Also, Mieville’s Kraken. Now I’m thinking about writing: Krakenomics: How Really Big Things Can Drag Down You, And Everyone You Love, To The Very Bottom, And There’s Nothing You Can Do About It, Probably. “Chapter 1: Shit Creek and the Paddle – Learning To Love Learned Helplessness”. Or something like that. But I’m too lazy to write it, so you write it. Also, I haven’t even read the Mieville yet, so what do I know?

But I’m thinking about quoting our John in something I’m writing (yes, on Zizek). But I can’t footnote a Kindle edition. No pages. What will the world come to? Bibliography has gotten a bit old and odd in the head in the age of the internet, but the existence of pages themselves is kind of a watershed. On the one hand, there’s really no reason why a text that can be poured into a virtual vessel as easily as it can be inspirited into the corpse of a tree should have to have ‘pages’. Still, it’s traditional. Harumph. I suppose I’m going to have to use Amazon’s ‘search inside’ or Google Books and pretend I read the paper version, as a proper scholar would. Or just email John Q. and ask.

Brad DeLong has just posted “a couple of links”:http://delong.typepad.com/sdj/2010/12/rebound-redux-have-we-moved-past-jevons-on-efficiency-the-great-energy-challenge.html to articles that attack “an article by David Owen in the New Yorker [subscription required]”:http://www.newyorker.com/reporting/2010/12/20/101220fa_fact_owen. Owen’s article relied heavily on the claim that increased energy efficiency doesn’t really deliver the hoped-for environmental benefits, because of something called the “rebound effect”. Here’s an explanation of that effect “by James Barrett”:http://www.greatenergychallengeblog.com/2010/12/rebounds-gone-wild/ in one of the linked pieces:

bq. In essence the rebound effect is the fact that as energy efficiency goes up, using energy consuming products becomes less expensive, which in turn leads us to consume more energy. Jevons’ claim was that this rebound effect would be so large that increasing energy efficiency would not decrease energy use….

Owen’s critics say that although the rebound effect is real, whether it is large enough to have the effects Owen claims is an empirical matter, and they are sceptical. Basically, they argue that the increase in energy consumption is not just down to lower prices but also to greater wealth, house size, etc. and so without greater efficiency, we might be consuming a whole lot more energy than we actually are. Basically: it all depends on the facts, and the jury’s out.

Ok, so now let’s do a little substitution in that sentence quoted earlier.
[click to continue…]

Here’s a paper that will provoke a wave of denial in type nerds everywhere. Short version: setting information in hard-to-read fonts, including Comic Sans Italic, led to better retention amongst research subjects because of “disfluency”. When you have to work harder to read it, you remember it better.

Abstract: Previous research has shown that disfluency – the subjective experience of difficulty associated with cognitive operations – leads to deeper processing. Two studies explore the extent to which this deeper processing engendered by disfluency interventions can lead to improved memory performance. Study 1 found that information in hard-to-read fonts was better remembered than easier to read information in a controlled laboratory setting. Study 2 extended this finding to high school classrooms. The results suggest that superficial changes to learning materials could yield significant improvements in educational outcomes.

In the meantime, you can pry this Scala Regular from my cold, dead hands.