I thought this news item involved several of those colorful British idioms that I never quite get exactly. But no – these are real birds.

A pair of gay flamingos have adopted an abandoned chick, becoming parents after being together for six years, a British conservation organisation said Monday.

Kieran asks where John Holbo is. Ahem. (Longer wikipedia entry here.)

“The 17-year Cicadas are coming.”:http://news.nationalgeographic.com/news/2007/05/070521-cicada-facts.html The fact that subsets of them are named by Brood Year and the current batch is Brood XIII is just fantastic. Surely (where’s John Holbo when you need him?) there is a ’50s Attack of the Giant Cicadas film called Brood Thirteen. Or an early comic book? Even better, according to National Geographic, “Each brood of 17-year cicadas actually consists of three different species … and each one has its own song. … The three songs have been described as sounding like the word ‘pharaoh,’ a sizzling skillet, and a rotary lawn sprinkler.” _Cicadas of the Pharoah_ (Tor 1986), shortlisted for a Hugo. _Lawn Sprinklers of the Pharoah_ was the admittedly failed sequel.

My fifth blogiversary was almost two weeks ago and I nearly missed it. I think when I came on sabbatical my blogging went on one as well even though I’ve tried to stay on the scene to some extent.

Looking back, I can tell I was an early adopter, because in my first post I felt the need to explain what a blog is.

People often wonder when (if ever) is a good time to start blogging. I’ve decided that graduate school was the perfect time. [click to continue…]

Went to see Shane Meadows’s much-hyped-by-the-critics “This is England”:http://www.imdb.com/title/tt0480025/ last night. What a piss-poor film it is. Poorly acted, poorly scripted, and hardly redeemed by some really clunking cinematography. The film would be kind of ok as a drama offering on BBC2 (or BBC4) but insightful socio-historical document it isn’t. The action all takes place on a bog-standard depressing-concrete housing estate with the standard row of depressing-concrete shops (plus free-standing Pakistani newsagents) and — for those who don’t know — gravitates around the tensions within early-80s skinhead culture between two-tone ska fans and racist knuckleheads. Young boy with father-killed-in-the-Falklands (Shaun) gravitates to the cool(ish) multiracial ska crowd but then becomes seduced by boastful-but-insecure racist psychopath Combo, the movie then plods along to its predictable violent “climax”. Thatcher and the Falklands lurk predictably in the background. Redeeming features? The National Front meeting in the pub isn’t badly observed, but, in truth, it can’t have been all that hard to set up a little cameo involving dopey skinheads, tatooed bikers and fat Nazis in bad suits. TiE goes a long way to showing that, just so long as you make a film with a certain kind of subject matter, critics will give you a good write-up. Sit at home and watch old episodes of _Shameless_ or rent a copy of _La Haine_ : both are better acted and both offer more insight into their subject-matters than _This is England_.

Seeing as the kids are on the front page, indulge me a bit. My wife had a baby boy early yesterday morning (hurray!) and this morning I brought our three-year-old daughter up to see the new arrival. She has in principle been getting used to the idea of being a big sister for a while, and was excited to meet him. As we’re walking in she says, “What is that thing on your wrist, Daddy?” “It’s so that people here know that I’m your little brother’s daddy,” I said. She stopped walking and looked up at me. “But … but you’re my daddy,” she said.

Onward to sibling rivalry, I suppose.

For your weekend reading pleasure: the special theme section of the Journal of Computer-Mediated Communication I edited on The Social, Political, Economic, and Cultural Dimensions of Search Engines is out. The Introduction gives you the motivation for this collection and a summary of the pieces. From the Abstract:

Search engines are some of the most popular destinations on the Web—understandably so, given the vast amounts of information available to users and the need for help in sifting through online content. While the results of significant technical achievements, search engines are also embedded in social processes and institutions that influence how they function and how they are used. This special theme section of the Journal of Computer-Mediated Communication explores these non-technical aspects of search engines and their uses.

Enjoy!

I make a strict point of never blogging anything in the nature of a student-teacher or colleague-colleague interaction, but when a civilian knocks on my office door, comes in and says something funny, it’s fair game boyo.

So this kid comes in the door. (And he’s not a student at my institution but he’s home for the summer.) And he wants to ask me about Wittgenstein and philosophy of language and ‘reclaiming Kant’. And so I ask him a bit about what he means by that (sounds reasonable.) And, well, there is a bit of confusion. And it transpires that the reason nothing he is saying about the Sage of Königsberg is making much sense to me is that actually he’s talking about some project to do with Eve Ensler and The Vagina Monologues, etc. I ended up telling him I didn’t think Wittgenstein was quite what he was looking for. Still, these sorts of linguistic questions are quite interesting. Anyhoo. There was a moment there.

[edited to shield delicate sensibilities, ward off search engines, and to make the post funnier, actually]

I use Yahoo! Music for most of my music-listening at work. I like the service and at $60 for two years (they had a special when I signed up, the regular now is $72/year) it’s a great deal.

The system allows the user to customize various stations by giving it feedback about what songs and artists are of interest.* It’s a helpful feature, for the most part. But I think services like this might want to tweak the system so certain songs are kept off playlists at certain times of the year. I am not suggesting that they should be banned, of course, but perhaps not streamed unless sought out actively by the user.

I may like Boney M, but I really have absolutely no interest in listening to a Christmas song from them in the middle of May.

This reminds me of the dance club I used to go to in Budapest when I was in high school. One of the most popular Jive songs at the club was Rockin’ Around The Christmas Tree . It was very bizarre to listen to it over and over again in June.

[*] For those who don’t know about Y!M, this is just one of the many ways one can listen to music on this sytem. Yes, I am aware of Pandora, last.fm, etc.

Our 5-year old, Zoë, is very bad at losing at games. Today she wept copiously, following a painful defeat in tic-tac-toe. (In her defense, she was exhausted and feeling frazzled for independent reasons. But really: one should chill, when it comes to this game.) Zoë: ‘It’s not FAAAAIIRRR!’ Daddy [against better judgment]: ‘Why isn’t it fair?’ Zoë: ‘Because I tried my very best, but I still didn’t have fun.’ There is something to that, as a theory of justice.

Someone just asked if Phil Nugent — whose blog I have promoted at Crooked Timber pretty much since arriving here — is related to Ted Nugent, the guitarist best known for “Yank Me, Crank Me (But Don’t Wake Me to Thank Me)” and other tender ballads.

I am unable to answer that question. I don’t know anything about the man, or even remember how I came to read his blog. The last reference to The Phil Nugent Experience here was picked up by Kevin Drum and briefly propagated across the netrootsosphere. It seemed as if some glorious future beckoned.
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Evaluating a recent book about Derrida at Notre Dame Philosophical Reviews, Nancy J. Holland says:

One wonders, for instance, about the statement that philosophy in America “has the role of legitimating the US government and the scientific enterprise” leading to the suggestions that analytic philosophy “has as its telos the establishment of a universal culture for a static, totalitarian universal civilization” (pp. 124-125). Intriguing, and possibly even largely justified, but surely in need of much more argument.

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Tyler Cowen provides a “sociological explanation of tipping norms”:http://www.marginalrevolution.com/marginalrevolution/2007/05/why_does_americ.html in the US.

The real question is why America is structured so that waiters and waitresses can sell feel-good services (“you are a generous tipper and a fine man”) to strangers, in return for money. In other words, how did waiters end up as fundraisers …? Most cross-cultural explanations of tipping start with the agency problem between diners and servers (“can you bring my drink now?”), but I believe that is the wrong approach. I view tipping as correlated with effective fundraising in other areas, and Americans as being especially willing to set this additional fundraising arena in motion.

I think that he’s right not to focus on the agency problem, but I also suspect as a first approximation that any sociological explanation has to refer to different norms about equality and conspicuous consumption. Certainly, my personal experience of eating out in Germany during the couple of years that I lived there was that tipping beyond the nominal 50c to 1 euro that indicated you had enjoyed your meal was not only not obligatory, but actively frowned upon by the waitstaff. It suggested (or so my German friends told me) that you were trying to demonstrate your superiority to them by playing Lord/Lady Bountiful.

My Valve colleague, Scott, has the actual ‘is anyone still being made to read Shakespeare?‘ thing covered. This is about something else.

Matthew Yglesias has a 90’s nostalgia post, dissing Semisonic for their 1998 earworm, “Closing Time”. Matt is not feeling strangely fine; rather, finding it ‘weirdly hilarious’ that anyone would write: they were “no longer upstarts, underdogs or indie rockers. Instead they had a hit song and sales of two million albums worldwide to follow up.”

Here’s the thing. [click to continue…]