Josh Glenn has a great little slideshow for you, in the Boston Globe. His worthy theme: Winsor McCay’s classic early comic strip, “Dream of a Rarebit Fiend” [1904-1913]. (McCay is more famous for Little Nemo. You’ve certainly heard of that one.) The occasion: a lavish new edition, The Complete Dream of the Rarebit Fiend, all the strips reprinted for the first time at full size; edited and annotated by some fanatic by the name of Ullrich Merkl. Here’s the book page. You can download substantial samples (PDF). Looks nice, though pricey. (Older editions [amazon] are in print as well.)
As I was saying: Josh’s little slideshow – with voiceover – documents the influence of “Rarebit Fiend” on five later films: L’Age D’Or, King Kong, Dumbo, Mary Poppins, Tim Burton’s Charlie and the Chocolate Factory. I guess Glenn is taking his cue from Merkl’s work. I deem it well worth 3 minutes and 31 seconds of your time.
Speaking of the shift from print cartooning to film, Winsor McCay, if you don’t know, is pretty much the God-Grandfather of the animated cartoon. He was one of the very first (the very first?), and hand-drew every damn frame, apparently. (With an occasional assistant.) And he did these vaudeville tours in which he lectured and interacted with the films. Obviously the joke is to synchronize your patter with the film itself. YouTube has it all: “Little Nemo” (1911) (but you have to wait until, like, 8:30 minutes in for the actual animation to start.) “Gertie the Dinosaur” (1914); and “Gertie on Tour” (1921); “How a Mosquito Operates” (1912); and some other stuff, too. Gertie the Dinosaur has the distinction of being the first made-for-animation character, I believe.
Last but not least, Josh Glenn himself has a fun new book out: Taking Things Seriously [amazon] – I’ll get around to reviewing that one. Basically, he invited people to submit their objects. And so they did.