So there’s this bit by Aristotle (famous philosopher) where he discusses tragedy. (If you don’t know it … well, you should Know Your Meme. Do some research, already.) Why do good people like to watch bad things happening to good people, so long as it’s fictional? Katharsis? Related topics: why do people like watching horror movies, since they are scary, and being scared is, apparently, unpleasant? [click to continue…]
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Hope Mirrlees’ 1926 fantasy novel/fairy tale, Lud-in-the-Mist, has a funny old publication history. An unauthorized version appeared in 1970, again in 1977, because publishers couldn’t figure out whether the lady – who died in 1978 – was alive. (Here’s Michael Swanwick, trying to sort it out.) I just noticed Amazon has a cheap Kindle edition available. I think you would be quite mad to read any other fantasy novel or fairy tale first, if you have so far failed to read this one, and are looking for anything of the sort with which to stock your electronic device.
It’s a fable of alienation and reconciliation. I’ll quote from chapter 1. Our proper Master Nathaniel has a strange secret, tucked into his soul. [click to continue…]
I have a horrible cold. Getting better, but as of Monday fever was pretty bad, thanks for your concern. I was trying to get some work done – any work. What I proved capable of was: reading Save the Cat, which I’m planning to discuss in my science fiction and philosophy class (yes, I’m lucky like that. I get paid to teach such stuff.)
Why Save The Cat? [click to continue…]
I’m reading up on the history of party politics. It’s a nice question why Henry Bolingbroke doesn’t get more credit for theorizing the benefits of Two Great Parties. But, now that I’m tucking into his “Dissertation Upon Parties”, I’m starting to get a notion.
Dude did not appreciate that regarding Whigs and Tories as closely related independent causes, yet great, does not make it great to write in closely related, independent clauses. Ahem: [click to continue…]
A couple weeks back the estate of Jack Kirby reached a settlement with Marvel, the day before the Supremes were set to take the case. This was a surprise, as the Kirbys were 0-2 in the courts, to that point. I hadn’t paid attention but I figured their case was weak, although they had my sympathy. I had read stuff like this from early NY Times articles:
WHEN the Walt Disney Company agreed in August to pay $4 billion to acquire Marvel Entertainment, the comic book publisher and movie studio, it snared a company with a library that includes some of the world’s best-known superheroes, including Spider-Man, the X-Men, the Incredible Hulk and the Fantastic Four.
The heirs of Jack Kirby, the legendary artist who co-created numerous Marvel mainstays, were also intrigued by the deal. Mr. Kirby’s children had long harbored resentments about Marvel, believing they had been denied a share of the lush profits rolling out of the company’s superheroes franchises.
Marvel made out like bandits, treating Kirby badly. But that’s not a legal argument.
What made Marvel blink at the last minute? The terms of the settlement can’t be revealed, so it’s hard to say.
Crooked Timber seems to be suffering from a deficit of posts. I blame excess of virtue on my part. I was going to post about that Kevin Williamson piece that has set everyone off. I noticed it before it was a thing! And now it’s gone viral. And he’s followed up with a Twitter thing about hanging women who get abortions. Lovely.
Here’s the thing. 1) He’s trolling. 2) On or about Monday afternoon I realized this specific style of trolling bothers me a bit less than it did a couple years back.
Possible explanations: [click to continue…]
Unless I’m missing something, Kurtz’ actual argument that Hillary has consistently remained an Alinskyite radical is that, for decades, she has consistently done absolutely nothing whatsoever to suggest this is true – as one would expect! She is, to all appearances, moderate, incrementalist and pragmatic. Just like Barack Obama, who is such a model Alinskyite radical that he is on track to govern for eight years and retire to private life without once doing anything to suggest he’s got a radical bone in his body.
How much more sinister would The Manchurian Candidate have been if the trigger word were never spoken. The sleeper never wakes! (A lone hero tries to warn the world but, because there is literally nothing to warn people about, he is ignored.)
Back to Kurtz. [click to continue…]
Jonah Goldberg thinks it through. Bonus: “and Ludwig Wittgenstein had much to say on the subject as well.” I sort of hope Goldberg actually is writing a book about Confucius and Wittgenstein.
I have two ideas for rock books I’m never going to write: first, a book about band members of famous bands who apparently don’t really love their own band. You’re the drummer for a heavy metal outfit (it pays the bills!) … but you prefer big band.
Second idea: members of cult bands with surprising musical biographies. Two examples I recently stumbled across. [click to continue…]
I’m teaching an aesthetics seminar. We’re reading some stuff on music and Roger Scruton’s views were referenced. I’ve never read Scruton on music but I had heard about the Pet Shop Boys’ libel suit , of course. So, naturally, I had long since filed him away in the Allan Bloom remainder bin. Dude hates rock and pop. Thinks it all sounds the same. But googling, to get more of a sense for his views, I found this interview, containing this bit:
I have actually been listening to quite a bit of heavy metal lately, and Metallica, I think, is genuinely talented. ‘Master of Puppets’ I think has got something genuinely both poetic – violently poetic – and musical. Every now and then something like that stands out and you can see that people have got no other repertoire and have a very narrow range of expression, but they’ve hit on something where they are saying something which is not just about themselves. Pop music is so concentrated on the self and the performer that it’s very rare that that happens, I think. It never happens with Oasis or The Verve. It did happen much more of course with the Beatles, and in the old American songbook, Hoagy Carmichael and Cole Porter and all that. That was a popular music which was about communication of often quite gentle feelings. So I’m not as prejudiced as I seem. I would like to be more prejudiced because it would prevent me from listening to this stuff.
I now have a more fabulous picture of Roger Scruton in my mind, foxhunting to a Hoagy Charmichael/Metallica playlist.
I’m not surprised some conservatives are upset about the AP American History test. But I am bemused by the strength of the axiom Stanley Kurtz would oblige us to adopt, to keep things from getting politicized: “America is freer and more democratic than any other nation.” (Although, grant the axiom, and postulates about military strength, and theorem 1 – “[the US is] a model, vindicator, and at times the chief defender of ordered liberty and self-government in the world” – enjoys high probability.)
This is a comparative thesis about the international order, so it is noteworthy that Kurtz simultaneously forbids the ‘internationalization’ of US history. Comparative ‘transnational narratives’, the only sort of thing that could empirically support the validity of Kurtz’ exceptionalist axiom, are out! But I suppose Kurtz is just trying to avoid confusion. (It is wrong to allow that there could be empirical disconfirmation of any aspect of a result that has been transcendentally deduced from an impulse to amour-propre.) [click to continue…]
Reading Jon Chait this morning:
With predictable fury, supply-siders have denounced this heresy [that Reagan-era supply-side policies might not be optimal today, even granting that they were in 1980]. You can get a flavor of the intra-party debate in columns appearing in places like Forbes or The Wall Street Journal, the later of which retorts, “Good economic policy doesn’t have a sell-by date. (Adam Smith? Ugh. He is just so 1776.)”
The quote is a few months old, but – wow! – what an evergreen formula for zombie economics!
Good economic policy need not be formulated with reference to the economy.
I think maybe we need something a bit more science-fiction-y. Instead of the Laffer Curve, we have the Laffer Event Horizon, which is located in 1974, when Laffer sketched his famous curve on a napkin. After 1974, the economy fell into a black hole, for tax purposes. Specific facts about it could no longer cross the boundary of the Laffer Event Horizon, for policy purposes. A bit more precisely: within the black hole, all tax-like-paths – must be warped down and down, eventually to zero. Especially taxes on the rich.
Just a thought.
The world is an awful mess but the new Spoon album, They Want My Soul, is amazing! Best Spoon album since … well, at least since Ga Ga Ga Ga Ga. (Better than Transference, then.) They did a live, 9-song performance for KEXP, Seattle, including many of the new songs. You can watch that here. But I think the studio versions sound better.
So here’s the thing: they’ve always had a Beatle-y thing going on, Spoon, but “I Just Don’t Understand” is – after the first few seconds – such a Lennon/McCartney Please Please Me kind of 1963 tune. Right? Pleasant! [UPDATE: Aaaand it turns out actually to be a cover of a song the Beatles covered, which I never heard before, because I don’t own Live at the BBC.] But “Knock Knock Knock” – correct me if I’m wrong – sounds a bit like, I dunno, Pink Floyd mid-70’s. (After the first few seconds.) Kinda David Gilmour guitar, then swoopy anthem stuff. Sort of a different sound for Spoon. I like it.
Now everyone tell me it doesn’t sound like Pink Floyd at all.